Notes and Queries, Number 32, June 8, 1850. Various
à une grosse clé par un mouchoir fin. Mistriss B. ne se rappelait pas avoir reçu un bijou qu'un Aleppin affirmait lui avoir remis. Le Syrien disait une prière, puis prononçait alternativement les noms de la dame et de l'Aleppin. La Bible pivota au nom de la dame déclarée par-là en erreur. Elle se leva à l'instant, et ayant fait des recherches plus exactes, finit par trouver le bijou."
I hardly think that this would be an English superstition transplanted to the East; it is more probable that it was originally derived frown Syria.
Newcastle-on-Tyne, May 19. 1850.
Charm for Warts.—Count most carefully the number of warts; take a corresponding number of nodules or knots from the stalks of any of the cerealia (wheat, oats, barley); wrap these in a cloth, and deposit the packet in the earth; all the steps of the operation being done secretly. As the nodules decay the warts will disappear. Some artists think it necessary that each wart should be touched by a separate nodule.
This practice was very rife in the north of Scotland some fifty years since, and no doubt is so still. It was regarded as very effective, and certainly had plenty of evidence of the post-hoc-ergo-propter-hoc order in its favour.
Is this practice prevalent in England?
It will be remarked that this belongs to the category of Vicarious Charms, which have in all times and in all ages, in great things and in small things, been one of the favourite resources of poor mortals in their difficulties. Such charms (for all analogous practices may be so called) are, in point of fact, sacrifices made on the principle so widely adopted,—qui facit per alium facit per se. The common witch-charm of melting an image of wax stuck full of pins before a slow fire, is a familiar instance. Everybody knows that the party imaged by the wax continues to suffer all the tortures of pin-pricking until he or she finally melts away (colliquescit), or dies in utter emaciation.
Boy or Girl.—The following mode was adopted a few years ago in a branch of my family residing in Denbighshire, with the view of discovering the sex of an infant previous to its birth. As I do not remember to have met with it in other localities, it may, perhaps, be an interesting addition to your "Folk Lore." An old woman of the village, strongly attached to the family, asked permission to use a harmless charm to learn if the expected infant would be male or female. Accordingly she joined the servants at their supper, where she assisted in clearing a shoulder of mutton of every particle of meat. She then held the blade-bone to the fire until it was scorched, so as to permit her to force her thumbs through the thin part. Through the holes thus made she passed a string, and having knotted the ends together, she drove in a nail over the back door and left the house, giving strict injunctions to the servants to hang the bone up in that place the last thing at night. Then they were carefully to observe who should first enter that door on the following morning, exclusive of the members of the household, and the sex of the child would be that of the first comer. This rather vexed some of the servants, who wished for a boy, as two or three women came regularly each morning to the house, and a man was scarcely ever seen there; but to their delight the first comer on this occasion proved to be a man, and in a few weeks the old woman's reputation was established throughout the neighbourhood by the birth of a boy.
Queries
POET LAUREATES
Can any of the contributors to your most useful "NOTES AND QUERIES" favour me with the title of any work which gives an account of the origin, office, emoluments, and privileges of Poet Laureate. Selden, in his Titles of Honour (Works, vol. iii. p. 451.), shows the Counts Palatine had the right of conferring the dignity claimed by the German Emperors. The first payment I am aware of is to Master Henry de Abrinces, the Versifier (I suppose Poet Laureate), who received 6d. a day,—4l. 7s., as will be seen in the Issue Roll of Thomas de Brantingham, edited by Frederick Devon.
Warton (History of English Poetry, vol. ii. p. 129.) gives no further information, and is the author generally quoted; but the particular matter sought for is wanting.
The first patent, according to the Encyclopædia Metropolitana, article "Laureate," is stated, as regards the existing office, to date from 5th Charles I., 1630; and assigns as the annual gratuity 100l., and a tierce of Spanish Canary wine out of the royal cellars.
Prior to this, the emoluments appear uncertain, as will be seen by Gifford's statement relative to the amount paid to B. Jonson, vol. i. cxi.:—
"Hitherto the Laureateship appears to have been a mere trifle, adopted at pleasure by those who were employed to write for the court, but conveying no privileges, and establishing no claim to a salary."
I am inclined to doubt the accuracy of the phrase "employed to write for the court." Certain it is, the question I now raise was pressed then, as it was to satisfy Ben Jonson's want of information Selden wrote on the subject in his Titles of Honour.
These emoluments, rights, and privileges have been matters of Laureate dispute, even to the days of Southey. In volume iv. of his correspondence, many hints of this will be found; e.g., at page 310., with reference to Gifford's statement, and "my proper rights."
The Abbé Resnel says,—"L'illustre Dryden l'a porté comme Poète du Roy," which rather reduces its academic dignity; and adds, "Le Sieur Cyber, comédien de profession, est actuellement en possession du titre de Poète Lauréate, et qu'il jouit en même tems de deux cens livres sterling de pension, à la charge de présenter tous les ans, deux pièces de vers à la famille royale."
I am afraid, however, the Abbé drew upon his imagination for the amount of the salary; and that he would find the people were never so hostile to the court as to sanction so heavy an infliction upon the royal family, as they would have met with from the quit-rent ode, the peppercorn of praise paid by Elkanah Settle, Cibber, or H.J. Pye.
The Abbé, however, is not so amusing in his mistake (if mistaken) relative to this point, as I find another foreign author has been upon two Poet Laureates, Dryden and Settle. Vincenzo Lancetti, in his Pseudonimia Milano, 1836, tells us:—
"Anche la durezza di alcuni cognomi ha più volte consigliato un raddolcimento, che li rendesse più facili a pronunziarsi. Percio Macloughlin divenne Macklin; Machloch, Mallet; ed Elkana Settle fu poi – John Dryden!"
—a metamorphose greater, I suspect, than any to be found in Ovid, and a transmigration of soul far beyond those imagined by the philosophers of the East.
Athenæum.
Minor Queries
Wood Paper.—The reprint of the Works of Bishop Wilkins, London, 1802, 2 vols. 8vo., is said to be on paper made from wood pulp. It has all the appearance of it in roughness, thickness, and very unequal opacity. Any sheet looked at with a candle behind it is like a firmament scattered with luminous nebulæ. I can find mention of straw paper, as patented about the time; but I should think it almost impossible (knowing how light the Indian rice paper is) that the heavy fabric above mentioned should be of straw. Is it from wood? If so, what is the history of the invention, and what other works were printed in it?
Latin Line.—I should be very much obliged to anybody who can tell where this line comes from:—
"Exiguum hoc magni pignus amoris habe,"
which was engraved on a present from a distinguished person to a relation of mine, who tried in several quarters to learn where it came from.
Milton, New Edition of.—I observe in Mr. Mayor's communication (Vol. i. p. 427.), that some one is engaged in editing Milton. May I ask who, and whether the contemplated edition includes prose and poetry?
Barum and Sarum.—By what theory, rule, or analogy, if any, can the contractions be accounted for of two names so dissimilar, into words terminating so much alike, as those of Salisbury into