The Firing Line. Chambers Robert William

The Firing Line - Chambers Robert William


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the last resort. And a woman need feel no responsibility for the sort of society that would deprive a woman of the last refuge she has!"

      He raised his eyes, curiously, in time to intercept hers.

      "So—you did not know me after all, it seems," she said with a faint smile. "You never suspected in me a Vierge Rouge, militant, champion of her downtrodden sex, haranguing whomsoever would pay her the fee of his attention. Did you?"

      And as he made no reply: "Your inference is that I have had some unhappy love affair—some perilously close escape from—unhappy matrimony." She shrugged. "As though a girl could plead only a cause which concerned herself.... Tell me what you are thinking?"

      She had risen, and he stood up before her, fascinated.

      "Tell me!" she insisted; "I shall not let you go until you do!"

      "I was thinking about you."

      "Please don't!… Are you doing it yet?" closely confronting him, hands behind her.

      "Yes, I am," he said, unable to keep his eyes from her, all her beauty and youth and freshness troubling him, closing in upon him like subtle fragrance in the golden forest dusk.

      "Are you still thinking about me?"

      "Yes."

      The rare sweet laughter edged her lips, for an instant; then something in his eyes checked her. Colour and laughter died out, leaving a pale confused smile; and the straight gaze wavered, grew less direct, yet lost not a shade of his expression which also had changed.

      Neither spoke; and after a moment they turned away, walking not very near together toward the house.

      The sunshine and the open somehow brought relief and the delicate constraint between them relaxed as they sauntered slowly into the house where Shiela presently went away to dress for the Ascott function, and Hamil sat down on the veranda for a while, then retired to undertake the embellishment of his own person.

      CHAPTER IX

      THE INVASION

      They went together in a double chair, spinning noiselessly over the shell road which wound through oleander and hibiscus hedges. Great orange and sulphur-tinted butterflies kept pace with them as they travelled swiftly southward; the long, slim shadows of palms gridironed the sunny road, for the sun was in the west, and already a bird here and there had ventured on a note or two as prelude to the evening song, and over the ocean wild ducks were rising in clouds, swinging and drifting and settling again as though in short rehearsal for their sunset flight.

      "Your hostess is Mrs. Tom O'Hara," said the girl; "when you have enough of it look at me and I'll understand. And if you try to hide in a corner with some soulful girl I'll look at you—if it bores me too much. So don't sit still with an infatuated smile, as Cecile does, when she sees that I wish to make my adieux."

      "I'm so likely to," he said, "when escape means that I'll have you to myself again."

      There was a trifle more significance in the unconsidered speech than he had intended. The girl looked absently straight in front of her; he sat motionless, uncomfortable at his own words, but too wise to attempt to modify them by more words.

      Other chairs passed them now along the road—there were nods of recognition, gay salutes, an intimate word or two as the light-wheeled vehicles flashed past; and in a moment more the tall coquina gate posts and iron grille of Mrs. Tom O'Hara's villa, Tsana Lahni, glimmered under an avenue of superb royal palms.

      The avenue was crowded with the slender-wheeled basket-bodied chairs gay with the plumage of pretty women; the scene on the lawns beyond was charming where an orange and white pavilion was pitched against the intense green of the foliage, and the pelouse was all dotted and streaked with vivid colours of sunshades and gowns.

      "Ulysses among the sirens," she whispered as they made their way toward their hostess, exchanging recognition with people everywhere in the throngs. "Here they are—all of them—and there's Miss Suydam,—too unconscious of us. How hath the House of Hamil fallen!—"

      "If you talk that way I won't leave you for one second while we're here!" he said under his breath.

      "Nonsense; it only hurts me, not my pride. And half a cup of unforbidden tea will drown the memory of that insolence—"

      She bent forward with smiling composure to shake hands with Mrs. Tom O'Hara, a tall, olive-tinted, black-haired beauty; presented Hamil to his hostess, and left him planted, to exchange impulsive amenities with little Mrs. Ascott.

      Mrs. Tom O'Hara, a delicate living Gainsborough in black and white, was probably the handsomest woman in the South. She dressed with that perfection of simplicity which only a few can afford; she wore only a single jewel at a time, but the gem was always matchless.

      Warm-hearted, generous, and restless, she loved the character of Lady Bountiful; and, naïvely convinced of her own unassailable supremacy, played very picturesquely the rôle of graciousness and patronage to the tenants of her great estates and of her social and intellectual world alike. Hence, although she went where many of her less fashionable guests might not have been asked to go, she herself paid self-confident homage to intellect as she understood it, and in her own house her entourage was as mixed as her notions of a "salon" permitted.

      She was gracious to Hamil on account of his aunt, his profession, and himself. Also her instinct was to be nice to everybody. As hostess she had but a moment to accord him, but during that moment she contrived to speak reassuringly of the Suydam genealogy, the art of landscape architecture, and impart a little special knowledge from her inexhaustible reserve, informing him that the name of her villa, Tsa-na Lah-ni, was Seminole, and meant "Yellow Butterfly." And then she passed him sweetly along into a crush of bright-eyed young things who attempted to pour tea into him and be agreeable in various artless ways; and presently he found himself in a back-water where fashion and intellect were conscientiously doing their best to mix. But the mixture was a thin solution—thinner than Swizzles and Caravan, and the experience of the very young girl beside him who talked herself out in thirty seconds from pure nervousness and remained eternally grateful to him for giving her a kindly opportunity to escape to cover among the feather-brained and frivolous.

      Then, close to him, a girl spoke of the "purple perfume of petunias," and a man used the phrases, "body politic," and "the gaiety of nations."

      So he knew he was among the elect, redundant, and truly precious. A chinless young man turned to him and said:

      "There is nobody to-day who writes as Bernard Haw writes."

      "Does anybody want to?" asked Hamil pleasantly.

      "You mean that this is an age of trumpery romance?" demanded a heavy gentleman in dull disdain. "William Dean has erased all romance from modern life with one smear of his honest thumb!"

      "The honest thumb that persistently and patiently rubs the scales from sapphire and golden wings in order to be certain that the vination of the Ornithoptera is still underneath, is not the digit of inspiration," suggested Hamil.

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