The Civilisation of the Renaissance in Italy. Jacob Burckhardt
of Italy, which had rid itself of foreign mercenaries. The Venetian statistics quoted above (p. 70), which date from about the same year, certainly give evidence of larger property and profits and of a more extensive scene of action; Venice had long been mistress of the seas before Florence sent out its first galleys (1422) to Alexandria. But no reader can fail to recognise the higher spirit of the Florentine documents. These and similar lists recur at intervals of ten years, systematically arranged and tabulated, while elsewhere we find at best occasional notices. We can form an approximate estimate of the property and the business of the first Medici; they paid for charities, public buildings, and taxes from 1434 to 1471 no less than 663,755 gold florins, of which more than 400,000 fell on Cosimo alone, and Lorenzo Magnifico was delighted that the money had been so well spent.167 In 1472 we have again a most important and in its way complete view of the commerce and trades of this city,168 some of which may be wholly or partly reckoned among the fine arts—such as those which had to do with damasks and gold or silver embroidery, with woodcarving and ‘intarsia,’ with the sculpture of arabesques in marble and sandstone, with portraits in wax, and with jewellery and work in gold. The inborn talent of the Florentines for the systematisation of outward life is shown by their books on agriculture, business, and domestic economy, which are markedly superior to those of other European people in the fifteenth century. It has been rightly decided to publish selections of these works,169 although no little study will be needed to extract clear and definite results from them. At all events, we have no difficulty in recognising the city, where dying parents begged the Government in their wills to fine their sons 1,000 florins if they declined to practise a regular profession.170
For the first half of the sixteenth century probably no state in the world possesses a document like the magnificent description of Florence by Varchi.171 In descriptive statistics, as in so many things besides, yet another model is left to us, before the freedom and greatness of the city sank into the grave.172
This statistical estimate of outward life is, however, uniformly accompanied by the narrative of political events to which we have already referred.
Florence not only existed under political forms more varied than those of the free states of Italy and of Europe generally, but it reflected upon them far more deeply. It is a faithful mirror of the relations of individuals and classes to a variable whole. The pictures of the great civic democracies in France and in Flanders, as they are delineated in Froissart, and the narratives of the German chroniclers of the fourteenth century, are in truth of high importance; but in comprehensiveness of thought and in the rational development of the story, none will bear comparison with the Florentines. The rule of the nobility, the tyrannies, the struggles of the middle class with the proletariate, limited and unlimited democracy, pseudo-democracy, the primacy of a single house, the theocracy of Savonarola, and the mixed forms of government which prepared the way for the Medicean despotism—all are so described that the inmost motives of the actors are laid bare to the light.173 At length Macchiavelli in his Florentine history (down to 1492) represents his native city as a living organism and its development as a natural and individual process; he is the first of the moderns who has risen to such a conception. It lies without our province to determine whether and in what points Macchiavelli may have done violence to history, as is notoriously the case in his life of Castruccio Castracane—a fancy picture of the typical despot. We might find something to say against every line of the ‘Istorie Fiorentine,’ and yet the great and unique value of the whole would remain unaffected. And his contemporaries and successors, Jacopo Pitti, Guicciardini, Segni, Varchi, Vettori, what a circle of illustrious names! And what a story it is which these masters tell us! The great and memorable drama of the last decades of the Florentine republic is here unfolded. The voluminous record of the collapse of the highest and most original life which the world could then show may appear to one but as a collection of curiosities, may awaken in another a devilish delight at the shipwreck of so much nobility and grandeur, to a third may seem like a great historical assize; for all it will be an object of thought and study to the end of time. The evil, which was for ever troubling the peace of the city, was its rule over once powerful and now conquered rivals like Pisa—a rule of which the necessary consequence was a chronic state of violence. The only remedy, certainly an extreme one and which none but Savonarola could have persuaded Florence to accept, and that only with the help of favourable chances, would have been the well-timed resolution of Tuscany into a federal union of free cities. At a later period this scheme, then no more than the dream of a past age, brought (1548) a patriotic citizen of Lucca to the scaffold.174 From this evil and from the ill-starred Guelph sympathies of Florence for a foreign prince, which familiarised it with foreign intervention, came all the disasters which followed. But who does not admire the people, which was wrought up by its venerated preacher to a mood of such sustained loftiness, that for the first time in Italy it set the example of sparing a conquered foe, while the whole history of its past taught nothing but vengeance and extermination? The glow which melted patriotism into one with moral regeneration may seem, when looked at from a distance, to have soon passed away; but its best results shine forth again in the memorable siege of 1529-30. They were ‘fools,’ as Guicciardini then wrote, who drew down this storm upon Florence, but he confesses himself that they achieved things which seemed incredible; and when he declares that sensible people would have got out of the way of the danger, he means no more than that Florence ought to have yielded itself silently and ingloriously into the hands of its enemies. It would no doubt have preserved its splendid suburbs and gardens, and the lives and prosperity of countless citizens; but it would have been the poorer by one of its greatest and most ennobling memories.
In many of their chief merits the Florentines are the pattern and the earliest type of Italians and modern Europeans generally; they are so also in many of their defects. When Dante compares the city which was always mending its constitution with the sick man who is continually changing his posture to escape from pain, he touches with the comparison a permanent feature of the political life of Florence. The great modern fallacy that a constitution can be made, can be manufactured by a combination of existing forces and tendencies,175 was constantly cropping up in stormy times; even Macchiavelli is not wholly free from it. Constitutional artists were never wanting who by an ingenious distribution and division of political power, by indirect elections of the most complicated kind, by the establishment of nominal offices, sought to found a lasting order of things, and to satisfy or to deceive the rich and the poor alike. They naïvely fetch their examples from classical antiquity, and borrow the party names ‘ottimati,’ ‘aristocrazia,’176 as a matter of course. The world since then has become used to these expressions and given them a conventional European sense, whereas all former party names were purely national, and either characterised the cause at issue or sprang from the caprice of accident. But how a name colours or discolours a political cause!
But of all who thought it possible to construct a state, the greatest beyond all comparison was Macchiavelli.177 He treats existing forces as living and active, takes a large and an accurate view of alternative possibilities, and seeks to mislead neither himself nor others. No man could be freer from vanity or ostentation; indeed, he does not write for the public, but either for princes and administrators or for personal friends. The danger for him does not lie in an affectation of genius or in a false order of ideas, but rather in a powerful imagination which he evidently controls with difficulty. The objectivity of his political judgment is sometimes appalling in its sincerity; but it is the sign of a time of no ordinary need and peril, when it was a hard matter to believe in right, or to credit others with just dealing. Virtuous indignation at his expense is thrown away upon us who have seen in what sense political morality is understood by the statesmen of our own century. Macchiavelli was at all events able to forget himself in his cause. In truth, although his writings, with the exception of very few words, are altogether destitute
Given by Benedetto Dei, in the passage quoted above (p. 70, note 1). It must be remembered that the account was intended to serve as a warning to assailants. For the whole subject see Reumont,
E. g. in the
Libri,
Varchi,
In respect of prices and of wealth in Italy, I am only able, in default of further means of investigation, to bring together some scattered facts, which I have picked up here and there. Obvious exaggerations must be put aside. The gold coins which are worth referring to are the ducat, the sequin, the ‘fiorino d’oro,’ and the ‘scudo d’oro.’ The value of all is nearly the same, 11 to 12 francs of our money.
In Venice, for example, the Doge Andrea Vendramin (1476) with 170,000 ducats passed for an exceedingly rich man (Malipiero, l. c. vii. ii. p. 666. The confiscated fortune of Colleoni amounted to 216,000 florins, l. c. p. 244.
About 1460 the Patriarch of Aquileia, Ludovico Patavino, with 200,000 ducats, was called ‘perhaps the richest of all Italians.’ (Gasp. Veroneus
Antonio Grimani paid 30,000 ducats for his son’s election as Cardinal. His ready money alone was put at 100,000 ducats. (
For notices as to the grain in commerce and on the market at Venice, see in particular Malipiero, l. c. vii. ii. p. 709 sqq. Date 1498.
In 1522 it is no longer Venice, but Genoa, next to Rome, which ranks as the richest city in Italy (only credible on the authority of Francesco. Vettori. See his history in the
Between 1400 and 1580 Franc. Sansovino assumes a depreciation of 50 per cent. in the value of money. (
In Lombardy it is believed that the relation between the price of corn about the middle of the fifteenth and that at the middle of the present century is as 3 to 8. (Sacco di Piacenza, in
At Ferrara there were people at the time of Duke Borso with 50,000 to 60,000 ducats (
The fortune of Giovanni Medici amounted at his death (1428) to 179,221 gold florins, but the latter alone of his two sons Cosimo and Lorenzo left at his death (1440) as much as 235,137 (Fabroni,
It is a proof of the general activity of trade that the forty-four goldsmiths on the Ponte Vecchio paid in the fourteenth century a rent of 800 florins to the Government (Vasari, ii. 114,
For Rome, the income of the Curia, which was derived from all Europe, gives us no criterion; nor are statements about papal treasures and the fortunes of cardinals very trustworthy. The well-known banker Agostino Chigi left (1520) a fortune of in all 800,000 ducats (
During the high prices of the year 1505 the value of the
From the inventory of the Medici (extracts in Muntz,
So far as Cosimo (1433-1465) and his grandson Lorenzo Magnifico (d. 1492) are concerned, the author refrains from any criticism on their internal policy. The exaltation of both, particularly of Lorenzo, by William Roscoe (
Franc. Burlamacchi, father of the head of the Lucchese Protestants, Michele B. See
On the third Sunday in Advent, 1494, Savonarola preached as follows on the method of bringing about a new constitution: The sixteen companies of the city were each to work out a plan, the Gonfalonieri to choose the four best of these, and the Signory to name the best of all on the reduced list. Things, however, took a different turn, under the influence indeed of the preacher himself. See P. Villari,
The latter first in 1527, after the expulsion of the Medici. See Varchi, i. 121, &c.
Macchiavelli,