A Girl of the Commune. Henty George Alfred
coat, or toiling through a turnip field in heavy boots with a gun on his shoulder, would have been to them an absurd anomaly.
It was not that he lacked strength; on the contrary, he was tall and well, if loosely, built. Grace is not a common manly attribute, but he possessed it to an eminent degree. There was a careless ease in his manner, an unconscious picturesqueness in his poses, a turn, that would have smacked of haughtiness had there been the slightest element of pride in his disposition, in the curve of the neck, and well-poised head.
His life was chiefly passed among artists, and like them as a class, he affected loose and easy attire. He wore turn-down collars with a carelessly-knotted necktie, and a velvet jacket. He was one of those men whom his intimates declared to be capable of doing anything he chose, and who chose to do nothing. He had never distinguished himself in any way at Harrow. He had maintained a fair place in his forms as he moved up in the school, but had done so rather from natural ability than from study. He had never been in the eleven, although it was the general opinion he would have certainly had a place in it had he chosen to play regularly. As he sauntered through Harrow so he sauntered through Cambridge; keeping just enough chapels and lectures to avoid getting into trouble, passing the examinations without actual discredit, rowing a little, playing cricket when the fit seized him, but preferring to take life easily and to avoid toil, either mental or bodily. Nevertheless he read a great deal, and on general subjects was one of the best informed men of his college.
He spent a good deal of his time in sketching and painting, art being his one passion. His sketches were the admiration of his friends, but although he had had the best lessons he could obtain at the University he lacked the application and industry to convert the sketches into finished paintings. His vacations were spent chiefly on the Continent, for his life at home bored him immensely, and to him a week among the Swiss lakes, or in the galleries of Munich or Dresden, was worth more than all the pleasures that country life could give him.
He went home for a short time after leaving the University, but his stay there was productive of pleasure to neither his father nor himself. They had not a single taste in common, and though Cuthbert made an effort to take an interest in field sports and farming, it was not long before his father himself told him that as it was evident the life was altogether distasteful to him, and his tastes lay in another direction, he was perfectly ready to make him an allowance that would enable him either to travel or to live in chambers in London.
"I am sorry, of course, lad," he said, "that you could not make yourself happy with me here, but I don't blame you, for it is after all a matter of natural disposition. Of course you will come down here sometimes, and at any rate I shall be happier in knowing that you are living your own life and enjoying yourself in your own way, than I should be in seeing you trying in vain to take to pursuits from which you would derive no pleasure whatever."
"I am awfully sorry, father," Cuthbert had said. "I heartily wish it had been otherwise, but I own that I would rather live in London on an almost starvation income than settle down here. I have really tried hard to get to like things that you do. I feel it would have been better if I had always stayed here and had a tutor; then, no doubt, I should have taken to field sports and so on. However, it is no use regretting that now, and I am very thankful for your offer."
Accordingly he had gone up to London, taken chambers in Gray's Inn, where two or three of his college friends were established, and joined a Bohemian Club, where he made the acquaintance of several artists, and soon became a member of their set. He had talked vaguely of taking up art as a profession, but nothing ever came of it. There was an easel or two in his rooms and any number of unfinished paintings; but he was fastidious over his own work and unable from want of knowledge of technique to carry out his ideas, and the canvases were one after another thrown aside in disgust. His friends upbraided him bitterly with his want of application, not altogether without effect; he took their remonstrances in perfect good temper, but without making the slightest effort to improve. He generally accompanied some of them on their sketching expeditions to Normandy, Brittany, Spain, or Algiers, and his portfolios were the subject of mingled admiration and anger among his artist friends in St. John's Wood; admiration at the vigor and talent that his sketches displayed, anger that he should be content to do nothing greater.
His days were largely spent in their studios where, seated in the most comfortable chair he could find, he would smoke lazily and watch them at work and criticise freely. Men grumbled and laughed at his presumption, but were ready to acknowledge the justice of his criticism. He had an excellent eye for color and effect and for the contrast of light and shade, and those whose pictures were hung, were often ready enough to admit that the canvas owed much of its charm to some happy suggestion on Cuthbert's often ready part.
Every two or three months he went home for a fortnight. He was greatly attached to his father, and it was the one drawback to the contentment of his life that he had been unable to carry out the Squire's wishes, and to settle down with him at Fairclose. He would occasionally bemoan himself over this to his friends.
"I am as bad as the prodigal son," he would say, "except that I don't get what I deserve, and have neither to feed on husks nor to tend swine; but though the fatted calf would be ready for me if I were to return I can't bring myself to do so."
"I don't know about being a prodigal," Wilson, one of the oldest of his set would grumble in reply, "but I do know you are a lazy young beggar, and are wasting your time and opportunities; it is a thousand pities you were born with a silver spoon in your mouth. Your father ought to have turned you adrift with an allowance just sufficient to have kept you on bread and butter, and have left you to provide everything else for yourself; then you would have been an artist, sir, and would have made a big name for yourself. You would have had no occasion to waste your time in painting pot-boilers, but could have devoted yourself to good, honest, serious work, which is more than most of us can do. We are obliged to consider what will sell and to please the public by turning out what they call pretty pictures—children playing with dogs, and trumpery things of that sort. Bah, it is sickening to see a young fellow wasting his life so."
But Cuthbert only laughed good-temperedly, he was accustomed to such tirades, and was indeed of a singularly sweet and easy temper.
It was the end of the first week in May, the great artistic event of the year was over, the Academy was opened, the pictures had been seen and criticised, there was the usual indignation at pictures being hung generally voted to be daubs, while others that had been considered among the studios as certain of acceptance, had been rejected. Two or three of Cuthbert's friends were starting at once for Cornwall to enjoy a rest after three months' steady work and to lay in a stock of fresh sketches for pictures for the following year.
"I will go with you," Cuthbert said when they informed him of their intention, "it is early yet, but it is warm enough even for loafing on the rocks, and I hate London when it's full. I will go for a fortnight anyhow," and so with Wilson and two younger men, he started for Newquay, on the north of Cornwall. Once established there the party met only at meals.
"We don't want to be doing the same bits," Wilson said, "and we shall see plenty of each other of an evening." Cuthbert was delighted with the place, and with his usual enthusiasm speedily fixed upon a subject, and setting up his easel and camp-stool began work on the morning after his arrival. He had been engaged but a few hours when two young ladies came along. They stopped close to him, and Cuthbert, who hated being overlooked when at work, was on the point of growling an anathema under his fair drooping mustache, when one of the girls came close and said quietly—
"How are you, Mr. Hartington? Who would have thought of meeting you here?"
He did not recognize her for a moment and then exclaimed—
"Why, it is Mary Brander. I beg your pardon," he went on, taking off his soft, broad-brimmed hat, "I ought to have said Miss Brander, but having known you so long as Mary Brander, the name slipped out. It must have been three years since we met, and you have shot up from a girl into a full-grown young lady. Are your father and mother here?"
"No, I came down last week to stay with my friend, Miss Treadwyn, who was at Girton with me. Anna, this is Mr. Cuthbert Hartington. Mr. Hartington's place is near Abchester, and he is one of my father's clients."
Miss Treadwyn bowed and Cuthbert took off