The Contemporary Review, January 1883. Various

The Contemporary Review, January 1883 - Various


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his eyelids would no longer wag;"

      a soldier even to

      "The glass of fashion, and the mould of form;"

      and, above all, a soldier in his sensibility on the point of honour, one who would think it well

      "Greatly to find quarrel in a straw,

      When honour is at stake."

      And Fortinbras, type of the man of action, recognized in him a kindred spirit—

      "Bear Hamlet, like a soldier, to the stage;

      For he was likely, had he been put on,

      To have proved most royally;"

      while Hamlet eyed Fortinbras with the envious longing of one who had missed his career. What must have been the felicity of life to such a man, whose vivacity no stress of calamity, no accumulation of sorrow could tame, whose enthusiasm embraced Nature, art, and literature, and whose delight was always fresh and new, "in this excellent canopy the air, in this brave o'erhanging firmament,"' and in the spectacle of man "so excellent in faculty, in form and moving so express and admirable, in action how like an angel, in apprehension how like a god?"

      Without a warning the blow fell. His father was suddenly struck down; and while he was indulging a grief, poignant and profound indeed, but natural, wholesome, manly, his uncle usurped the crown. This second blow would be acutely felt, but it would rather rouse than prostrate his energies. There is no passion in Hamlet when there has been no love. And he had always held his uncle in slight esteem—foreboded something from his smiling insincerity. He never mentions him without an expression of contempt, hardly acknowledges him as king; he is a thing—of nothing—a farcical monarch—"a peacock"—and, in this particular act, no dread usurper, but a "cut-purse of the realm." Whether he designed to wait or was prepared to strike, his future was still intact, his energy unimpaired. His mother remained to him, now doubly dear and doubly great, and with her the tradition of the past. She was, as he gathered from her silence, like himself, retired from the world, absorbed in grief; but he was assured of her constancy and truth. Even the kind of distance between them in age and sex, in mind and character, was no barrier to this sympathetic relation. She was there with the expectation that makes heroism possible; she was there to watch, if not to further his enterprise, and to give it lustre with her praise. We are often quite unconscious of the commanding influence exerted on our life by those who are least in contact with it. To be cognizant of one steadfast and stainless soul is to have encouragement in difficulty and support in pain. The mere knowledge of its existence is a light within the mind, and a secret incentive to the best action. Though silent and apart, it is the witness of what is great, and our life is always seeking to rise within its sphere; while, by a secret transference—for souls are not retentive of their own goodness—our standards of living and thinking are maintained at their highest level, like water fed by a distant spring. All this and infinitely more than this was the Queen his mother to Hamlet. It is impossible, therefore, to measure the effect upon him of her marriage with his uncle. The shock of it is ever fresh throughout the play. In the third Act the whole frame of nature is still aghast at it:—

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      1

      That is, to all members of Convocation who are either resident or hold University office. This, besides the Chancellor and a few other great personages, lets in a few professors and examiners who are non-resident.

      2

      I use Oxford language, as that which I myself best understand; but I believe that, all that I say applies equally to Cambridge also. For "C

1

That is, to all members of Convocation who are either resident or hold University office. This, besides the Chancellor and a few other great personages, lets in a few professors and examiners who are non-resident.

2

I use Oxford language, as that which I myself best understand; but I believe that, all that I say applies equally to Cambridge also. For "Convocation" one must of course, in Cambridge language, read "Senate."

3

"To see Lear acted, to see an old man tottering about the stage with a walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but what is painful and disgusting."—Lamb's Essays.

4

"Shakspere: His Mind and Art," p. 96.

5

"A Study of Shakespeare," p. 166.


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