The Dead Command. Blasco Ibáñez Vicente
cavern of Arta, tragically grand, chaotic as an ante-chamber of the inferno; of the Dragon's caves with their forests of stalactites, glistening like an ice palace, of its thousand placid lakes, from the deep crystal depths of which it seemed as if nude sirens would arise like those Rhine maidens who guarded the treasure of the Niebelungs. Mary listened to him, entranced. Jaime seemed to grow greater before her eyes, as she learned that he was a son of that isle of dreams, where the sea is always blue, where the sun is ever shining, and where blooms the orange flower.
Febrer began to spend his afternoons in the room of the English girl. The performances of the Mozart festival were ended. Miss Gordon needed daily the spiritual uplift of music. She had a piano in her reception room, and a roll of opera scores which accompanied her on her travels. Jaime sat near, before the keyboard, trying to accompany the pieces she was interpreting, ever those of the same author, the god, the only! The hotel was near the station, and the noise of drays, carriages and street cars annoyed the English woman and she closed the windows. Her stout companion had gone to her own apartment, rejoiced at being free from that musical tempest, the delights of which could not compare with those of making a good bit of Irish point lace. Miss Gordon, alone with the Spaniard, treated him as if she were a master.
"Come, do that again; let us repeat the theme of the sword. Pay attention!"
But Jaime was distracted, peeping out of the corner of his eye at the girl's long, white neck bristling with little golden locks, at the network of blue veins delicately outlined beneath the transparency of her pearly skin.
One afternoon it rained; the leaden sky seemed to graze the roofs of the houses; in the reception room there was the diffused light of a cellar. They were playing almost in the dark, bending their heads forward to read the score. Forth rolled the music of the forest of enchantments, moving its green and whispering tree tops before the rude Siegfried, the innocent child of Nature, eager to know the language of the soul and of inanimate things. The master-bird sang, his voice rising above the murmur of the foliage. Mary was trembling with excitement.
"Ah, poet! Poet!"
She continued playing. Then, in the growing darkness of the room, sounded the strong chords which accompanied the hero to the tomb; the funeral march of the warriors bearing upon the shield the muscular body of Siegfried, with his golden hair, interrupting the melancholy phrase of the God of gods. Mary continued trembling, until suddenly her hands fell from the keyboard and her head rested on Jaime's shoulder, like a bird folding its wings.
"Oh, Richard!… Richard, mon bien aimée!"
The Spaniard saw her wandering eyes and her tremulous lips offering themselves to him; in his grasp he felt her cold hands; her breath floated about him. Against his bosom were pressed hidden curves of firm elastic plumpness, the existence of which he had not suspected.
There was no more music that afternoon.
At midnight when Febrer retired, he had not yet recovered from his astonishment. After so many fears, this was the way things had happened, with the greatest simplicity, as one is offered a hand, without exertion on his part.
Another surprise had been to hear himself called by a name which was not his. Who could that Richard be? But in the hour of sweet and dreamy explanations which follow those of madness and forgetfulness, she had told him of the impression she had received in Bayreuth when she saw him for the first time among the thousand heads which filled the theater. It was he, the great musician, as he was portrayed in his youthful pictures! When she met him again in Munich beneath the same roof, she had felt that the die was cast and that it was useless to resist this attraction.
Febrer examined himself with ironical curiosity in the mirror in his room. What ideas a woman is capable of conceiving! Yes, he was something like that other one—the heavy forehead, the drooping hair, the beaked nose, and the prominent chin, which, in years to come would turn inward, seeking each other, and give him a certain witchlike profile.... Excellent and glorious Richard! By what miracle had Wagner brought to him one of the greatest joys of his existence! What an original woman was this!
Astonishment, mingled with a shade of annoyance, grew upon Febrer as the days passed. She seemed to forget what had taken place, and to grow constantly more unapproachable. She received him with grave rigidity, as if nothing had occurred, as if the past had left no trace upon her mind, as if the day before had never been. Only when music evoked the memory of the other man came tenderness and submission.
Jaime was irritated, and he determined to dominate her; he would prove himself a man! At last he triumphed to such an extent that the piano was heard less and she began to see in him something more than a living picture of her idol.
In their happy intoxication Munich and the hotel in which they had seen each other as strangers seemed to them offensive. They felt the need of flying far away, where they could make love freely, and one day they found themselves in a port which had a stone lion at its entrance, while beyond spread the liquid surface of an immense lake which mingled with the sky on the horizon. They were in Lindau. One steamer could convey them to Switzerland, another to Constance, but they preferred the tranquil German city of the famous Ecumenical Council, establishing themselves in the Island Hotel, an ancient Dominican Monastery.
Febrer was stirred as he contemplated this epoch, the happiest of his existence! Mary continued for him ever an original woman, in whom there was always something left to conquer; tolerant at certain hours, repellant and austere throughout the rest of the day. He was her lover, and yet she would not permit the slightest familiarity, nor any liberty which might reveal the confidence of their common life. The least allusion to their intimacy caused her to flush in protest. "Shocking!" Yet, every morning at daybreak Febrer sneaked into his room along the corridors of the old convent, unmade his bed so that the servants would not suspect, and he would show himself on the balcony. The birds were singing in the tall rose bushes in the garden below his feet. Beyond, the immense sheet of Lake Constance was flushing with purple tints caught from the rising sun. The first fishing barks were cleaving the orange tinted waters; in the distance sounded the cathedral bells, softened by the damp, morning breeze; the cranes began to creak on the quay where the waters cease to be a lake, and narrowing into a channel become the river Rhine; the footsteps of the servants and the swish of cleaning startled the monastic cloister with the noises of the hotel.
Near the balcony, adjoining the wall, and so close that Jaime could touch it with his hand, was a small tower with a slate roof and with ancient coats of arms on the circular wall. It was the tower in which John Huss had been imprisoned before going to the stake.
The Spaniard thought of Mary. At this time she must be in the perfumed shadows of her room, her blonde head clasped in her arms, sleeping her first real sleep of the night, her tired body still vibrant from fatigue. Poor John Huss! Febrer sympathized with him as if he had been his friend. To burn him in the presence of such a beautiful landscape, perhaps on a morning like this! To cast one's self into the wolf's mouth, and to give up one's life over the question whether the Pope were good or bad, or whether laymen should receive the sacrament with wine the same as priests! To die for such absurdities when life is so beautiful and the heretic might have enjoyed it so richly with any of the plump-breasted, big-hipped blonde women, friends of the cardinals, who witnessed his torture! Unhappy apostle! Jaime ironically pitied the simplicity of the martyr. He looked at life through different eyes. Viva el amor! Love was the only thing worth while in life.
They remained nearly a month in the ancient episcopal city, strolling out in the gloaming through the lonely, grass-grown streets with their crumbling palaces of the time of the Council; floating with the current down the river Rhine along its forest-clad banks; stopping to look at the tiny houses with red roofs and spacious arbors beneath which sang the bourgeoisie, stein in hand, with the Germanic joy of a subchanter, grave and reposeful.
From Constance they passed on to Switzerland and afterward to Italy. They traveled together for a year viewing landscapes, seeing museums, visiting ruins, the windings and sheltered nooks in which Jaime made use of for kissing Mary's pearly skin, reveling in the rush of color and the gesture of annoyance with which she protested "Shocking!"
The old traveling companion, unconscious as a suitcase of the points of interest in their journey, continued making the cloak of Irish point, beginning in Germany,