Blood-Dark Track: A Family History. Joseph O’Neill

Blood-Dark Track: A Family History - Joseph O’Neill


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The O’Neills were crazy about sports. They played Gaelic football – at which my father had also fleetingly represented Cork – golf, athletics and, in the case of my younger uncles, the English games of soccer and rugby. Grandma O’Neill’s house, the detached house where she has lived since the ’sixties, was full of the prizes her seven sons had won; entering her dining room felt like entering the trophy room of Real Madrid or Manchester United, the walls densely hung with ribbons and medals, the fireplace loaded with pewter cups on which silvery hurlers and footballers teetered.

      Their love of games apart, I knew little about the O’Neills. By contrast with Mersin, where I had spent practically every summer of my life, I had only visited Cork intermittently. My father had nine brothers and sisters (in order of seniority: Jim, Brendan, Padraig, Terry, Ann, Declan, Angela, Marian, Fergus) who between them had nine spouses and more than thirty children, and keeping track of them all from Holland was a tall order. I knew my uncle Brendan and his family, but after that it became trickier. My aunts and uncles were warm but inevitably distant older figures, my cousins youngsters and elusive; at any rate, more elusive than my Turkish cousins, whom I saw most summers and whose itineraries as students of medicine, economics, dentistry and computer studies fitted easily into the professional grid with which I was brought up to view the world. And whereas Dakads were to be found in Paris, Nice, Lausanne, Istanbul, Lyon and San Francisco, the strewage of work and study and marriage, the O’Neills stayed put in Cork.

      A decade or so later, I re-opened Dostoevsky’s Letters. The death notices were still there. No doubt my father had received the cuttings from his mother, who snips out and files newspaper articles that catch her interest. Often, these have to do with her grandchildren – the musical exploits of Seán, who was briefly a rock star, the swimming results of Ciaran, the picture of Deirdre at the pony club, the mention of Clodagh in her school magazine – but just as often they have to do with politics. You’ll find reports on the jailing of uncle Brendan for refusal to pay services charges imposed by Cork City Corporation (‘Union Chief Jailed’, Cork Examiner); on the welfare of the South Yorkshire miners during the year-long British miners’ strike (‘A Conquered People’, Irish Times); on the decision of the Irish government to inform the British government of IRA plans to mount a military campaign in Northern Ireland (‘A People Betrayed’, Irish Republican Bulletin, 1957); on the life and death of Mairead Farrell, the IRA volunteer killed by British forces in Gibraltar (‘From Teenage Recruit to Prison Leader’, Irish Times).

      There is a pronounced, almost comical, contrast between, on the one hand, Grandma’s appearance and civilian goodness and, on the other hand, her militaristic political stance. To appreciate the contrariety, you have to understand that Grandma is five foot nothing and a wonder of friendliness. She has curly white hair, clear blue eyes and a girlish, irresistible chortle. Aside from occasional attacks of sciatica, she is a model of health and energy which, even in her late eighties, she devotes to organizing meals on wheels for the elderly, going to Mass, promoting raffles and lotteries in good causes, visiting the sick, and saying rosaries for friends and family in need. All day she receives a stream of visitors – neighbours, children, old pals – in her kitchen, fixing them up with snacks and cups of milky tea. She remembers every birthday of her ten children and thirty-six grandchildren and ever-multiplying great-grandchildren, and she remembers every person who has lived on her street and every disease that has afflicted them. She is unflinching in her love of her family and, remarkably, is somehow able to care for all of us deeply and appropriately. She follows all major international events at which Ireland is represented, from the Eurovision Song Festival to the soccer World Cup to the women’s 5000 metres in the Olympic Games. She is an honorary member of British National Union of Miners, South Wales Area (in 1984, she put up striking miners in her home for months). She boycotts retailers such as Dunnes Stores for breaking the South African trade embargo and mistreating their employees. She is an unblinking supporter of the cause of a united Ireland. She is a veteran of Cumann na mBan, the women’s republican organization. She has given shelter to the most wanted men in the country. She has stored guns under the floorboards.

      By the time I went back to the newspaper cuttings about Jim O’Neill, I had already started to mull over my grandfathers’ double troubles. This led me turn to the actual contents of the Letters of Dostoevsky and to read Mr Yarmolinsky’s introduction: hadn’t Dostoevsky himself been in a political jam of some kind? I still barely knew anything about Fyodor Dostoevsky. I certainly didn’t know until Mr Yarmolinsky told me about it that, in April 1849, Dostoevsky was arrested and imprisoned in Petropaulovsky Fortress, accused of ‘having taken part in conversations about the severity of the Censorship; of having read, at a meeting in March 1849, Bielinsky’s revolutionary letter to Gogol; of having read it at Dourov’s rooms, and of having given it to Monbelli to copy; of having listened at Dourov’s to the reading of various articles’. In December 1849, when he was twenty-eight years old, Dostoevsky received the death sentence – which, luckily for him, was commuted moments before he was due to be shot; less luckily, the commutation was to four years’ hard labour in Siberia.

      I felt a tingle: there was synchrony in the cuttings being lodged in a book that touched on political radicalism and the loss of freedom. I turned to a letter Dostoevsky wrote to his brother Michael on 22 February 1854, when he had finally served his sentence and was able to write for the first time in years. In the letter – a lengthy and somewhat frazzled dispatch, voicing a jumble of anxieties and needs – Dostoevsky outlined the conditions of his imprisonment and the tribulations he had undergone. In its jittery and unstyled way, the outline was deeply affecting and for a moment plunged me into the cold pool of my grandfathers’ imprisonment. For the first time, albeit for only an instant, I was alerted to how forsaken they must have felt; for the first time, and with a shock, I sympathized with them.

      I am not sure why it took a stranger’s letter, and one written in the middle of the last century, to stir my compassion (or, indeed, whether such a roundabout stirring is perverse or heartless); but a clue to this aloofness, may, I think, also be found in Dostoevsky’s letter to his brother.

      One midwinter night on the way to Siberia, the horses and sledges transporting Dostoevsky to his exile became stuck in the snow. This happened in the Urals, and as the prisoner waited in the snowstorm for the horses to struggle free, he was struck by the melancholy realization that ahead lay only Asia, and that Europe and his whole past – his whole existence, by implication – were now behind him. Dostoevsky never lost this feeling of disconnection and isolation, which engendered in him the particular fear that he had lost his brother’s love. To combat this fear, he asserted the contrary in his letter (‘I know that you love me, and keep me in kindly remembrance’); but a telling moment of uncertainty arrived when, having furiously criticized Michael for not writing to him in the prison camp, he begged for news:

      Write and answer me as quickly as possible; write, without awaiting an opportunity, officially, and be as explicit and detailed as you possibly can. I am like a slice cut from a loaf nowadays; I long to grow back, but can’t. Les absents ont toujours tort. Is that saying to come true of us two?

      The lingering phrase, here, is the one in French: ‘les absents ont toujours tort’. As it happens, the use to which it is put is ambiguous: one cannot be sure whether Michael is the absent wrongdoer, or Fyodor. Either way, the saying resonates in the context of my grandfathers.

      An element of the taut silences that enclosed Joseph and Jim – surrounded them almost completely, like seas around peninsulas – was that of condemnation. Normally, we may count on an afterlife as a mouthful of stories, but for Joseph and Jim it had not worked out that way. It could be said that there is nothing unusual or wrong about this. If we are lucky, we have better and more urgent things to do than indulge in the regressive business of dwelling on the dead – children to raise, homes to keep up, work problems to figure out, spouses to love. My parents, for example, have been this lucky. However, I had always felt, growing up, that there was more to their silence than distraction or coyness. Nor was it the case that my grandfathers’ absence was due to my grandmothers’ engulfing presences. No, the silence meant more than that. It meant, I sensed, that Joseph and Jim were each in some way in the wrong. Les absents ont toujours tort.

      But I didn’t know this for a fact. Actually,


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