Frankenstein: The Complete 5-Book Collection. Dean Koontz

Frankenstein: The Complete 5-Book Collection - Dean Koontz


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many more of those sessions. Sooner than later, he will suffer a massive stroke; the failure of an inner vessel will do what a bullet to his armored skull cannot as easily achieve.

      If a cerebral aneurysm does not finish him, he will surely trade the developmental disability called autism for genuine psychosis. He will seek in madness the peace that mere autism is not always able to ensure.

      In his darkest moments, Randal wonders whether the spinning rack is a treatment, as Father has repeatedly called it, or if it might be intended as torture.

      Not born of God and alienated from belief, this is the closest he can come to a blasphemous thought: that Father is a cruel rather than a caring maker, that Father himself is psychotic and his entire enterprise an insane endeavor.

      Whether Father is sincere or deceitful, whether his project is genius or dementia, Randal Six knows that he himself will never find happiness in the Hands of Mercy.

      Happiness lies streets away, a little less than three miles from here, at the home of one Carson O’Connor. In that house lies a secret to be taken if it isn’t freely offered: the cause of Arnie O’Connor’s smile, the reason for the moment of joy captured in the newspaper photo, no matter how brief it might have been.

      As soon as possible, he must get to the O’Connor boy, before the cerebral aneurysm that kills him, before the spinning rack whirls him into madness.

      Randal is not locked in his room. His autism, which is at times complicated by agoraphobia, keeps him this side of the threshold more securely than could locks or chains.

      Father often encourages him to explore from end to end of the building, even floors above and below this one. Adventurousness will be a first proof that his treatments are working.

      No matter where he goes in the building, he cannot leave, for the exterior doors are wired to a security system. He would be caught before he escaped the grounds … and might be punished with a very long session in the spinning rack.

      Anyway, when he occasionally leaves his room and wanders the halls, he never dares to go far, never a fraction as far as Father would like to see him travel. Sometimes even a distance of thirty feet presents him with an overload of sights and sounds that brings him trembling to his knees.

      In his self-isolation, he nonetheless sees. He hears. He learns. He knows of a way out of Mercy that will not trigger an alarm.

      He may not have sufficient fortitude to reach that special door, let alone to confront the busier world beyond. But his despondency has recently advanced to desperation, and the reckless action that is the whip of desperation may lash into him a kind of courage.

      He will leave this coming night, in little more than twelve hours.

       CHAPTER 42

      THE QUIET RECEIVING FOYER featured a baroque frieze instead of traditional crown moldings: deeply carved acanthus leaves punctuated every two feet and at the corners by the heads of angels alternating with gargoyles or perhaps mocking demons.

      Inlaid in the forest-green marble floor, a foot-wide circular work of marquetry employed lighter marbles to portray mythological beings – gods, goddesses, and demigods – in perpetual pursuit. Even without dropping to his knees, Michael could see that some of the pursuit involved sexual fondling.

      Only in New Orleans would either of these elements have seemed suitable to a funeral home. The house had probably been built around 1850 by nouveau riche newcomers who hadn’t been welcome in the Creole sections of town. In this city, time eventually conferred dignity on what had once been outrageous as well as on what had been classic from the day it had been erected.

      Studying a photo of Bobby Allwine that Carson had given him, Taylor Fullbright said, “This is the very gentleman, yes. I felt sorry for the poor soul – so many of his friends were dying. Then I realized he didn’t know any of the deceased.”

      Carson said, “He – what? – just got a thrill being around dead people?”

      “Nothing that kinky,” said Fullbright. “He just … seemed to be at peace around them.”

      “That’s what he said – he was at peace?”

      “The only thing I can remember he said was ‘Death can be as much a gift as a curse,’ which is often true.”

      “Did you confront him about coming to all these viewings?”

      “Confrontation isn’t my style, Detective. Some funeral directors are solemn to the point of seeming stern. I’m more of a hugger and a consoler. Mr. Allwine and his friend, they were never a problem. More melancholy than weird.”

      Carson’s phone rang, and when she stepped away to answer it, Michael said to Fullbright, “He came with a friend? Can you give us a description?”

      Smiling, nodding, as affable as a cartoon bear, the mortician said, “I can see him as clear in memory as if he were standing here. He was ordinary to a fault. Average height. A little heavier than average weight. Middle-aged. Brown hair – or maybe blond. Blue or green eyes, maybe hazel.”

      With a sarcasm that sounded like earnest praise, Michael said, “Amazing. That’s as good as a photo.”

      Pleased, Fullbright said, “I’ve got a sharp eye for detail.”

      Putting away her phone, Carson turned to Michael: “Jack Rogers wants to see us at the morgue.”

      “You might mention to the coroner,” Fullbright said, “that while I don’t extend commissions to those who send us business, I do offer discounts for referrals.”

      “I can’t wait to tell him,” Michael said. Pointing to the marble marquetry at their feet, he asked, “Who’s that figure?”

      “The one with the winged feet? That’s Mercury.”

      “And that one next to him?”

      “Aphrodite,” said Fullbright.

      “Are they …?”

      “Engaged in sodomy?” the mortician asked jovially. “Indeed they are. You’d be amazed how many mourners notice and are cheered by it.”

      “I am amazed,” Michael agreed.

       CHAPTER 43

      THE LONGER ROY PRIBEAUX roamed his expansive loft apartment, gazing out of the tall windows, brooding about his future, the more troubled he became.

      When a brief midmorning shower pelted the panes, blurring the city, he felt as if his future also blurred further, until it was a meaningless smear. He might have cried if crying had been his thing.

      Never in his young – and getting steadily younger – life had he been without a purpose and a plan. Meaningful work kept the mind sharp and the heart uplifted.

      Meaningful work, having a worthwhile purpose, was as crucial to longevity and to enduring youthfulness as were megadoses of Vitamin C and Coenzyme Q10.

      Without a purpose to inspire him, Roy feared that in spite of a perfect diet, ideally balanced nutritional supplements, an array of exotic emollients, and even purified lamb’s urine, he would begin to grow old mentally. The more he brooded, the more it seemed that the path to senility loomed before him, as steep as a luge chute.

      Mind and body were inextricably linked, of course, so a year of mental senescence would inevitably lead to lines at the corners of his eyes, the first gray hairs at his temples. He shuddered.

      He tried to muster the desire to take a walk, but if he spent the day in the Quarter, among the throngs of celebratory tourists, and if he failed to encounter the radiant goddess of his destiny,


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