Little Bird of Heaven. Joyce Carol Oates
the mirror at her back, or in the mirror of the little plastic compact she kept in a pocket of her white cord smock for just such semi-emergency occasions; there was just time for her to dab some scented ivory powder on her nose, check her eye makeup, shape a pouting smile to see if the crimson lipstick was still fresh. And adjust her hair in the damned hairnet they made you wear in this damned prissy place.
“Well say, Eddy Diehl! Thought it was you.”
Zoe Kruller’s sexy-throaty voice that was like sandpaper rubbed against sandpaper to make you shiver. Zoe Kruller’s voice that was close and warm and teasing like a voice murmured in your ear as you lay in bed, head on your pillow and bedclothes clutched to your chin.
With what eagerness Daddy entered Honeystone’s—pushing the door open with such force that the little bell attached overhead tinkled loudly, ushering his young children—what were their names—Ben? Krissie?—into the milky-cool, marble-cool air of Honeystone’s Dairy which was so wonderful.
And there in that instant was Zoe Kruller catching sight of Eddy Diehl, and Eddy Diehl catching sight of Zoe Kruller. Almost, you could feel the rush of blood that ran through them, like an electric current.
“How’re you doing, Zoe-y. Looking good.”
In a casual voice my father called out a greeting. Sunday afternoons, Honeystone’s was likely to be busy.
Zoe Kruller was such a favorite at the dairy, as she was a favorite at Chautauqua Park on summer-music nights, there were customers who waited in line to be waited on by her: though heavyset Audrey and white-haired Mrs. Honeystone might both be available behind the counter, scowling.
Not wanting to meet Mrs. Honeystone’s eye—the white-haired older woman was Marv Honeystone’s wife, and Eddy knew Marv Honeystone from having worked for him—Eddy lingered before one of the refrigerated dessert cases, hands on his hips, brooding. As if he’d come to Honeystone’s with the intention of buying a strawberry whipped-cream pie, a chocolate mousse, a three-tiered birthday cake, a luscious glazed fruit tart or a platter of fudge, chocolate-chip cookies, macaroons. “O.K. Ben, Krissie—say what looks good to you. What’d you like best.”
Earnestly Ben and I debated: the strawberry whipped-cream pie, banana cream pie, cherry pie with strips of golden crust like a pinwheel instead of the usual boring solid upper crust…
An entire display case of birthday cakes!
This debate could occupy minutes. While Eddy Diehl glanced at Zoe Kruller in the mirror behind the display case, took in his own reflection with a critical frown and slicked back his tufted rust-red hair like a rooster’s comb with a quick movement of both his hands.
Eddy Diehl’s big carpenter’s hands. Eddy Diehl’s big thumbs. Eddy Diehl’s heavy-lidded eyes behind flat sea-green “aviator” sunglasses with the metallic rims. Eddy Diehl’s wordless appeal to the pert petite strawberry-blond woman with the glamorous made-up face like a Dolly Parton doll, white sleeves pushed back to bare her pale freckled forearms.
After some Sundays of this, Ben began to object: “You always ask us what we want, Dad, but you never buy anything. So why ask us?”
I didn’t want to hear this. I’d made my choices to tell Daddy: banana cream pie, caramel custard pie, triple-layer chocolate cake with HAPPY BIRTHDAY scrolled in pink frosting on the top. Once I’d watched Zoe Kruller squirting a coil of pink frosting like toothpaste over a duplicate of this very cake, completing the message HAPPY BIRTHDAY ROBIN!
At the time, I’d thought how lucky Robin was.
Whoever Robin was: girl, boy.
Daddy said, just this side of annoyed: “Might be I’m making a mental note, Ben. Your Daddy has a mind like a steel trap. Filing facts, that will one day come in handy.”
Mental note? I was curious about this. Asked Daddy what was a mental note but Daddy was casting a sidelong look over at Zoe Kruller who was casting a sidelong smile at him past a customer’s frizz-permed head.
“Daddy? What’s a ‘mental note’—”
“You tell her, Zoe.” Affably Daddy raised his voice, to draw Zoe into the conversation. A few feet away Zoe was preparing sundaes for a family of fretting young children. “What’s a ‘mental note.’”
This presumed that Zoe had been listening to us from a distance of ten, twelve feet. That, since Eddy Diehl had first entered Honeystone’s, Zoe Kruller had been keenly aware of him and his two young children who took after the mother’s side of the family, it seemed—A gosh-darn pity since Eddy Diehl is the good-looking one and not chubby moon-faced Lucy Bauer.
Zoe tilted her head to indicate that she was thinking hard.
“‘Mental note’ is—a memory. You make a special memory inside your head, to remind yourself of something at a later date. ‘Mental note’ is for the future, to refer back to now.”
Zoe spoke in a low mysterious throaty murmur. I had no idea what she and my father were talking about but any succession of words Zoe Kruller spoke no matter how ordinary or banal were freighted with significance like words blazoned on a billboard or in a bright-lit TV commercial.
Eddy Diehl wore work caps, baseball caps. Always outdoors and often indoors. He’d removed his cap—grungy dark-blue with bronze letters SPARTA CONSTRUCTION, he’d worn for years—to swipe at his hair but he’d quickly replaced it tugging the rim low over his forehead. There was something shy about him, or anyway self-conscious: here was a man who knows he is looked-at by both women and men, and wants to be looked-at, yet on his own terms exclusively.
At work—at Sparta Construction, Inc.—Daddy wore white shirts: short-sleeved in summer, long-sleeved in winter. These shirts my mother ironed, for Daddy insisted upon white cotton shirts, not wash-and-wear. Daddy wore neatly pressed trousers on the job, sport coats or jackets in cold weather, never an overcoat. You would never see a carpenter—any man who works with his hands—wearing an overcoat on the job. Summers, away from work Daddy wore T-shirts and khaki pants likely to be rumpled and stained, running shoes on his size-twelve feet.
It never ceased to amaze me, Daddy was so big. Daddy loomed above me, a tall muscled man with broad shoulders, long arms and powerful wrists. In spite of his bad knee (as my mother called it, though not in Daddy’s presence) Daddy walked without wincing, or at least visibly wincing; never did he wish to allude to his bad knee, his injury; he flushed with indignation if anyone—usually female relatives of my mother’s—questioned him too pointedly about his health. (So too my father coolly disdained questions from relatives both male and female about how the construction business was going, smiling and shrugging Can’t complain. Holding our own. You?)
There was something loose and impulsive in my father’s movements, a quicksilver excitement hinting almost of threat except he was teasing, smiling—wasn’t he? Don’t come too close! Don’t mistake my seeming friendly for my being your friend.
On my father’s tanned arms thick hairs grew in bristling swirls and eddies, dark-rust-red shading to black, springy and intransigent as wires to the touch. As a little girl I’d been intimidated by Daddy’s muscled arms covered in hair and the hint of a dark wiry animal pelt covering his chest, parts of his back, beneath his white T-shirt, springing into view at his throat. Seeing the look in my face Daddy laughed: “Don’t worry, Puss. Turning into a mean hairy ape won’t happen to you.”
This was Daddy joking. I like to remember Daddy joking. It is important to remember that men like my father—so very American, small-city-coming-of-age-in-the-Vietnam War-era—were given to joking, teasing, what they called kidding around, there was nothing more wonderful than a man like Eddy Diehl in this mood, maybe he’s had a few beers, maybe he’s with his buddies, guys like himself who are the only people he can trust since he can’t trust any woman even his wife, not even his mother—If you have to ask why, forget it.
If you have to ask, go to hell.