The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories. George Rawlinson
the doors which swung on hinges of stone, the well-carven statues, and the lions terrific in their aspect."7 At the present day scarcely a trace remains. One broken colossus of the Great Ramesses, till very recently prostrate, and a few nondescript fragments, alone continue on the spot, to attest to moderns the position of that antique fane, which the Egyptians themselves regarded as the oldest in their land.
The new city received from its founder the name of Men-nefer—"the Good Abode." It was also known as Ei-Ptah—"the House of Phthah." From the former name came the prevailing appellations—the "Memphis" of the Greeks and Romans, the "Moph" of the Hebrews, the "Mimpi" of the Assyrians, and the name still given to the ruins, "Tel-Monf." It was indeed a "good abode"—watered by an unfailing stream, navigable from the sea, which at once brought it supplies and afforded it a strong protection, surrounded on three sides by the richest and most productive alluvium, close to quarries of excellent stone, warm in winter, fanned by the cool northern breezes in the summer-time, within easy reach of the sea, yet not so near as to attract the cupidity of pirates. Few capitals have been more favourably placed. It was inevitable that when the old town went to ruins, a new one should spring up in its stead. Memphis still exists, in a certain sense, in the glories of the modern Cairo, which occupies an adjacent site, and is composed largely of the same materials.
The Egyptians knew no more of their first king than that he turned the course of the Nile, founded Memphis, built the nucleus of the great temple of Phthah, and "was devoured by a hippopotamus." This last fact is related with all due gravity by Manetho, notwithstanding that the hippopotamus is a graminivorous animal, one that "eats grass like an ox" (Job xi. 15). Probably the old Egyptian writer whom he followed meant that M'na at last fell a victim to Taourt, the Goddess of Evil, to whom the hippopotamus was sacred, and who was herself figured as a hippopotamus erect. This would be merely equivalent to relating that he succumbed to death. Manetho gave him a reign of sixty-two years.
The question is asked by the modern critics, who will take nothing on trust, "Have we in Menes a real Egyptian, a being of flesh and blood, one who truly lived, breathed, fought, built, ruled, and at last died? Or are we still dealing with a phantom, as much as when we spoke of Seb, and Thoth, and Osiris, and Set, and Horus?" The answer seems to be, that we cannot tell. The Egyptians believed in Menes as a man; they placed him at the head of their dynastic lists; but they had no contemporary monument to show inscribed with his name. A name like that of Menes is found at the beginning of things in so many nations, that on that account alone the word would be suspicious; in Greece it is Minos, in Phrygia Manis, in Lydia Manes, in India Menu, in Germany Mannus. And again, the name of the founder is so like that of the city which he founded, that another suspicion arises—Have we not here one of the many instances of a personal name made out of a local one, as Nin or Ninus from Nineveh (Ninua), Romulus from Roma, and the like? Probably we shall do best to acquiesce in the judgment of Dr. Birch: "Menes must be placed among those founders of monarchies whose personal existence a severe and enlightened criticism doubts or denies."
The city was, however, a reality, the embankment was a reality, the temple of Phthah was a reality, and the founding of a kingdom in Egypt, which included both the Upper and the Lower country some considerable time before the date of Abraham, was a reality, which the sternest criticism need not—nay, cannot—doubt. All antiquity attests that the valley of the Nile was one of the first seats of civilization. Abraham found a settled government established there when he visited the country, and a consecutive series of monuments carries the date of the first civilization at least as far back as B.C. 2700—probably further.
If the great Menes, then, notwithstanding all that we are told of his doings, be a mere shadowy personage, little more than magni nominis umbra, what shall we say of his twenty or thirty successors of the first, second, and third dynasties? What but that they are shadows of shadows? The native monuments of the early Ramesside period (about B.C. 1400-1300) assign to this time some twenty-five names of kings; but they do not agree in their order, nor do they altogether agree in the names. The kings, if they were kings, have left no history—we can only by conjecture attach to them any particular buildings, we can give no account of their actions, we can assign no chronology to their reigns. They are of no more importance in the "story of Egypt" than the Alban kings in the "story of Rome." "Non ragionam di loro, ma guarda e passi."
The first living, breathing, acting, flesh-and-blood personage, whom so-called histories of Egypt present to us, is a certain Sneferu, or Seneferu, whom the Egyptians seem to have regarded as the first monarch of their fourth dynasty. Sneferu—called by Manetho, we know not why, Soris—has left us a representation of himself, and an inscription. On the rocks of Wady Magharah, in the Sinaitic peninsula, may be seen to this day an incised tablet representing the monarch in the act of smiting an enemy, whom he holds by the hair of his head, with a mace. The action is apparently emblematic, for at the side we see the words Ta satu, "Smiter of the nations;" and it is a fair explanation of the tablet, that its intention was to signify that the Pharaoh in question had reduced to subjection the tribes which in his time inhabited the Sinaitic regions. The motive of the attack was not mere lust of conquest, but rather the desire of gain. The Wady Magharah contained mines of copper and of turquoise, which the Egyptians desired to work; and for this purpose it was necessary to hold the country by a set of military posts, in order that the miners might pursue their labours without molestation. Some ruins of the fortifications are still to be seen; and the mines themselves, now exhausted, pierce the sides of the rocks, and bear in many places traces of hieroglyphical inscriptions The remains of temples show that the expatriated colonists were not left without the consolations of religion, while a deep well indicates the care that was taken to supply their temporal needs. Thousands of stone arrow-heads give evidence of the presence of a strong garrison, and make us acquainted with the weapon which they found most effectual against their enemies.
Sneferu calls himself Neter aa, "the Great God," and Neb mat, "the Lord of Justice." He is also "the Golden Horus," or "the Conqueror." Neb mat is not a usual title with Egyptian monarchs; and its assumption by Sneferu would seem to mark, at any rate, his appreciation of the excellence of justice, and his desire to have the reputation of a just ruler. Later ages give him the title of "the beneficent king," so that he would seem to have been a really unselfish and kindly sovereign. His form, however, only just emerges from the mists of the period to be again concealed from our view, and we vainly ask ourselves what exactly were the benefits that he conferred on Egypt, so as to attain his high reputation.
Still, the monuments of his time are sufficient to tell us something of the Egypt of his day, and of the amount and character of the civilization so early attained by the Egyptian people. Besides his own tablet in the Wady Magharah, there are in the neighbourhood of the pyramids of Ghizeh a number of tombs which belong to the officials of his court and the members of his family. These tombs contain both sculptures and inscriptions, and throw considerable light on the condition of the country.
In the first place, it is apparent that the style of writing has been invented which is called hieroglyphical, and which has the appearance of a picture writing, though it is almost as absolutely phonetic as any other. Setting apart a certain small number of "determinatives," each sign stands for a sound—the greater part for those elementary sounds which we express by letters. An eagle is a, a leg and foot b, a horned serpent f, a hand t, an owl m, a chicken u, and the like. It is true that there are signs which express a compound sound, a whole word, even a word of two syllables. A bowl or basin represents the sound of neb, a hatchet that of neter, a guitar that of nefer, a crescent that of aah, and so on. Secondly, it is clear that artistic power is considerable. The animal forms used in the hieroglyphics—the bee, the vulture, the uræus, the hawk, the chicken, the eagle—are well drawn. In the human forms there is less merit, but still they are fairly well proportioned and have spirit. No rudeness or want of finish attaches either to the writing or to the drawing of Sneferu's time; the artists do not attempt much, but what they attempt they accomplish.
Next, we may notice