The Greatest Works of E. F. Benson (Illustrated Edition). E. F. Benson
several days of heavy rain, but early in the afternoon it cleared up, and Elizabeth set out for a brisk healthy walk. The field-paths would certainly make very miry going, for she saw from the end of the High Street that there was much water lying in the marsh, and she therefore kept to that excellent road, which, having passed Grebe, went nowhere particular. She was prepared to go in and thank Lucia for her lovely house-warming, in order to make sure whether Georgie and Major Benjy had gone to lunch with her, but no such humiliating need occurred, for there in front of the house was drawn up Georgie's motor car, so (whether she liked it or not, and she didn't) that problem was solved. The house stood quite close to the road: a flagged pathway of half a dozen yards, flanked at the entrance-gate by thick hornbeam hedges on which the leaf still lingered, separated it from the road, and just as Elizabeth passed Georgie's car drawn up there, the front door opened, and she saw Lucia and her two guests on the threshold. Major Benjy was laughing in that fat voice of his, and Georgie was giving forth his shrill little neighs like a colt with a half-cracked voice.
The temptation to know what they were laughing at was irresistible. Elizabeth moved a few steps on and, screened by the hornbeam hedge, held her breath.
Major Benjy gave another great haw-haw and spoke.
' 'Pon my word, did she really?' he said. 'Do it again, Mrs Lucas. Never laughed so much in my life. Infernal impertinence!'
There was no mistaking the voice and the words that followed.
' 'Oo is vewy naughty boy, Georgie,' said Lucia. 'Never ring Elizabeth's belly-pelly — '
Elizabeth hurried on, as she heard steps coming down that short flagged pathway. But hurry as she might, she heard a little more.
' 'Oo walk straight in always and sing out for her,' continued the voice, repeating word for word the speech of which she had been so proud. 'There's no chain up' — and then came loathsome parody — 'now that Liblib has ritornata to Mallardino.'
It was in a scared mood, as if she had heard or seen a ghost, that Elizabeth hastened along up the road that led nowhere in particular, before Lucia's guests could emerge from the gate. Luckily at the end of the kitchen garden the hornbeam hedge turned at right angles, and behind this bastion she hid herself till she heard the motor move away in the direction of Tilling, the prey of the most agitated misgivings. Was it possible that her own speech, which she had thought had scarified Lucia's pride, was being turned into a mockery and a derision against herself? It seemed not only possible but probable. And how dare Mrs Lucas invent and repeat as if spoken by herself that rubbish about ritornata and Mallardino? Never in her life had she said such a thing.
When the coast was clear, she took the road again, and walked quickly on away from Tilling. The tide was very high, for the river was swollen with rain, and the waters overbrimmed its channel and extended in a great lake up to the foot of the bank and dyke which bounded the road. Perturbed as she was, Miss Mapp could not help admiring that broad expanse of water, now lit by a gleam of sun, in front of which to the westward, the hill of Tilling rose dark against a sky already growing red with the winter sunset. She had just turned a corner in the road, and now she perceived that close ahead of her somebody else was admiring it too in a more practical manner, for there by the roadside within twenty yards of her sat quaint Irene, with her mouth full of paintbrushes and an easel set up in front of her. She had not seen Irene since the night of the house-warming, when the quaint one had not been very cordial, and so, thinking she had walked far enough, she turned back. But Irene had quite evidently seen her, for she shaded her eyes for a moment against the glare, took some of the paintbrushes out of her mouth and called to her with words that seemed to have what might be termed a dangerous undertow.
'Hello, Mapp,' she said. 'Been lunching with Lulu?'
'What a lovely sketch, dear,' said Mapp. 'No, just a brisk little walk. Not been lunching at Grebe today.'
Irene laughed hoarsely.
'I didn't think it was very likely, but thought I would ask,' she said. 'Yes; I'm rather pleased with my sketch. A bloody look about the sunlight, isn't there, as if the Day of Judgment was coming. I'm going to send it to the winter exhibition of the Art Club.'
'Dear girlie, what do you mean?' asked Mapp. 'We don't have winter exhibitions.'
'No, but we're going to,' said girlie. 'A new hanging committee, you see, full of pep and pop and vim. Haven't they asked you to send them something . . . Of course the space at their disposal is very limited.'
Mapp laughed, but not with any great exuberance. This undertow was tweaking at her disagreeably.
'That's news to me,' she said. 'Most enterprising of Mr Wyse and dear Susan.'
'Sweet Lulu's idea,' said Irene. 'As soon as you sent in your resignation, of course they asked her to be President.'
'That is nice for her,' said Mapp enthusiastically. 'She will like that. I must get to work on some little picky to send them.'
'There's that one you did from the church tower when Lucia had influenza,' said this awful Irene. 'That would be nice . . . Oh, I forgot. Stupid of me. It's by invitation: the committee are asking a few people to send pickies. No doubt they'll beg you for one. Such a good plan. There won't be any mistakes in the future about rejecting what is sent in.'
Mapp gave a gulp but rallied.
'I see. They'll be all Academicians together, and be hung on the line,' said she unflinchingly.
'Yes. On the line or be put on easels,' said Irene. 'Curse the light! It's fading. I must pack up. Hold these brushes, will you?'
'And then we'll walk back home together, shall we? A cup of tea with me, dear?' asked Mapp, anxious to conciliate and to know more.
'I'm going into Lucia's, I'm afraid. Wyses tummin' to play bridgey and hold a committee meeting,' said Irene.
'You are a cruel thing to imitate poor Lulu,' said Mapp. 'How well you've caught that silly baby-talk of hers. Just her voice. Bye-bye.'
'Same to you,' said Irene.
* * *
There was undoubtedly, thought Mapp, as she scudded swiftly homewards alone, a sort of mocking note about quaint Irene's conversation, which she did not relish. It was full of hints and awkward allusions; it bristled with hidden menace, and even her imitation of Lucia's baby-talk was not wholly satisfactory, for quaint Irene might be mimicking her imitation of Lucia, even as Lucia herself had done, and there was very little humour in that. Presently she passed the Wyses' Royce going to Grebe. She kissed her hand to a mound of sables inside, but it was too dark to see if the salute was returned. Her brisk afternoon's walk had not freshened her up; she was aware of a feeling of fatigue, of a vague depression and anxiety. And mixed with that was a hunger not only for tea but for more information. There seemed to be things going on of which she was sadly ignorant, and even when her ignorance was enlightened, they remained rather sad. But Diva (such a gossip) might know more about this winter exhibition, and she popped into Wasters. Diva was in, and begged her to wait for tea: she would be down in a few minutes.
It was a cosy little room, looking out on to the garden which had yielded her so many pots of excellent preserves during the summer, but dreadfully untidy, as Diva's house always was. There was a litter of papers on the table, notes half-thrust back into their envelopes, crossword puzzles cut out from the Evening Standard and partially solved: there was her own post card to Diva sent off that morning and already delivered, and there was a sheet of paper with the stamp of Grebe upon it and Lucia's monogram, which seemed to force itself on Elizabeth's eye. The most cursory glance revealed that this was a request from the Art Committee that Mrs Plaistow would do them the honour to send them a couple of her sketches for the forthcoming winter exhibition. All the time there came from Diva's bedroom, directly overhead, the sound of rhythmical steps or thumps, most difficult to explain. In a few minutes these ceased, and Diva's tread on the stairs gave Elizabeth sufficient warning to enable her to snatch up the first book that came to hand, and sink into a chair by the fire. She saw, with some feeling of apprehension similar to those which had haunted her all afternoon, that this was a copy of An Ideal System of Callisthenics for those no longer Young,