THE MYSTERIES OF UDOLPHO. Ann Radcliffe
have been too much for Emily, and she begged Theresa would go and tell her, that she was too ill to see any person that night. 'To-morrow I shall be better, perhaps; but give her this token of my remembrance.'
Emily sat for some time, given up to sorrow. Not an object, on which her eye glanced, but awakened some remembrance, that led immediately to the subject of her grief. Her favourite plants, which St. Aubert had taught her to nurse; the little drawings, that adorned the room, which his taste had instructed her to execute; the books, that he had selected for her use, and which they had read together; her musical instruments, whose sounds he loved so well, and which he sometimes awakened himself—every object gave new force to sorrow. At length, she roused herself from this melancholy indulgence, and, summoning all her resolution, stepped forward to go into those forlorn rooms, which, though she dreaded to enter, she knew would yet more powerfully affect her, if she delayed to visit them.
Having passed through the green-house, her courage for a moment forsook her, when she opened the door of the library; and, perhaps, the shade, which evening and the foliage of the trees near the windows threw across the room, heightened the solemnity of her feelings on entering that apartment, where every thing spoke of her father. There was an arm chair, in which he used to sit; she shrunk when she observed it, for she had so often seen him seated there, and the idea of him rose so distinctly to her mind, that she almost fancied she saw him before her. But she checked the illusions of a distempered imagination, though she could not subdue a certain degree of awe, which now mingled with her emotions. She walked slowly to the chair, and seated herself in it; there was a reading-desk before it, on which lay a book open, as it had been left by her father. It was some moments before she recovered courage enough to examine it; and, when she looked at the open page, she immediately recollected, that St. Aubert, on the evening before his departure from the chateau, had read to her some passages from this his favourite author. The circumstance now affected her extremely; she looked at the page, wept, and looked again. To her the book appeared sacred and invaluable, and she would not have moved it, or closed the page, which he had left open, for the treasures of the Indies. Still she sat before the desk, and could not resolve to quit it, though the increasing gloom, and the profound silence of the apartment, revived a degree of painful awe. Her thoughts dwelt on the probable state of departed spirits, and she remembered the affecting conversation, which had passed between St. Aubert and La Voisin, on the night preceding his death.
As she mused she saw the door slowly open, and a rustling sound in a remote part of the room startled her. Through the dusk she thought she perceived something move. The subject she had been considering, and the present tone of her spirits, which made her imagination respond to every impression of her senses, gave her a sudden terror of something supernatural. She sat for a moment motionless, and then, her dissipated reason returning, 'What should I fear?' said she. 'If the spirits of those we love ever return to us, it is in kindness.'
The silence, which again reigned, made her ashamed of her late fears, and she believed, that her imagination had deluded her, or that she had heard one of those unaccountable noises, which sometimes occur in old houses. The same sound, however, returned; and, distinguishing something moving towards her, and in the next instant press beside her into the chair, she shrieked; but her fleeting senses were instantly recalled, on perceiving that it was Manchon who sat by her, and who now licked her hands affectionately.
Perceiving her spirits unequal to the task she had assigned herself of visiting the deserted rooms of the chateau this night, when she left the library, she walked into the garden, and down to the terrace, that overhung the river. The sun was now set; but, under the dark branches of the almond trees, was seen the saffron glow of the west, spreading beyond the twilight of middle air. The bat flitted silently by; and, now and then, the mourning note of the nightingale was heard. The circumstances of the hour brought to her recollection some lines, which she had once heard St. Aubert recite on this very spot, and she had now a melancholy pleasure in repeating them.
Sonnet Now the bat circles on the breeze of eve, That creeps, in shudd'ring fits, along the wave, And trembles 'mid the woods, and through the cave Whose lonely sighs the wanderer deceive; For oft, when melancholy charms his mind, He thinks the Spirit of the rock he hears, Nor listens, but with sweetly-thrilling fears, To the low, mystic murmurs of the wind! Now the bat circles, and the twilight-dew Falls silent round, and, o'er the mountain-cliff, The gleaming wave, and far-discover'd skiff, Spreads the gray veil of soft, harmonious hue. So falls o'er Grief the dew of pity's tear Dimming her lonely visions of despair.
Emily, wandering on, came to St. Aubert's favourite plane-tree, where so often, at this hour, they had sat beneath the shade together, and with her dear mother so often had conversed on the subject of a future state. How often, too, had her father expressed the comfort he derived from believing, that they should meet in another world! Emily, overcome by these recollections, left the plane-tree, and, as she leaned pensively on the wall of the terrace, she observed a group of peasants dancing gaily on the banks of the Garonne, which spread in broad expanse below, and reflected the evening light. What a contrast they formed to the desolate, unhappy Emily! They were gay and debonnaire, as they were wont to be when she, too, was gay—when St. Aubert used to listen to their merry music, with a countenance beaming pleasure and benevolence. Emily, having looked for a moment on this sprightly band, turned away, unable to bear the remembrances it excited; but where, alas! could she turn, and not meet new objects to give acuteness to grief?
As she walked slowly towards the house, she was met by Theresa. 'Dear ma'amselle,' said she, 'I have been seeking you up and down this half hour, and was afraid some accident had happened to you. How can you like to wander about so in this night air! Do come into the house. Think what my poor master would have said, if he could see you. I am sure, when my dear lady died, no gentleman could take it more to heart than he did, yet you know he seldom shed a tear.'
'Pray, Theresa, cease,' said Emily, wishing to interrupt this ill-judged, but well-meaning harangue; Theresa's loquacity, however, was not to be silenced so easily. 'And when you used to grieve so,' she added, 'he often told you how wrong it was—for that my mistress was happy. And, if she was happy, I am sure he is so too; for the prayers of the poor, they say, reach heaven.' During this speech, Emily had walked silently into the chateau, and Theresa lighted her across the hall into the common sitting parlour, where she had laid the cloth, with one solitary knife and fork, for supper. Emily was in the room before she perceived that it was not her own apartment, but she checked the emotion which inclined her to leave it, and seated herself quietly by the little supper table. Her father's hat hung upon the opposite wall; while she gazed at it, a faintness came over her. Theresa looked at her, and then at the object, on which her eyes were settled, and went to remove it; but Emily waved her hand—'No,' said she, 'let it remain. I am going to my chamber.' 'Nay, ma'amselle, supper is ready.' 'I cannot take it,' replied Emily, 'I will go to my room, and try to sleep. Tomorrow I shall be better.'
'This is poor doings!' said Theresa. 'Dear lady! do take some food! I have dressed a pheasant, and a fine one it is. Old Monsieur Barreaux sent it this morning, for I saw him yesterday, and told him you were coming. And I know nobody that seemed more concerned, when he heard the sad news, then he.'
'Did he?' said Emily, in a tender voice, while she felt her poor heart warmed for a moment by a ray of sympathy.
At length, her spirits were entirely overcome, and she retired to her room.
Chapter IX
Can Music's voice, can Beauty's eye, Can Painting's glowing hand supply A charm so suited to my mind, As blows this hollow gust of wind? As drops this little weeping rill, Soft tinkling down the moss-grown hill; While, through the west, where sinks the crimson day, Meek Twilight slowly sails, and waves her banners gray? Mason
Emily, some time after her return to La Vallee, received letters from her aunt, Madame Cheron, in which, after some common-place condolement and advice,