The Emancipated. George Gissing
our last interview of this kind. When we meet again—and I think it would be gentlemanly in you to go and live somewhere else—you are Mr. Marsh, and I, if you please, am Miss Denyer."
"I will bear it in mind."
"Thank you." He still lingered near the door. "Be good enough to leave me."
He made an effort and left the room. When the door had closed, Madeline heaved a deep sigh, and was for some minutes in a brown, if not a black, study. Then she shivered a little, sighed again, and again took up the volume she had been reading. It was Daudet's "Les Femmes d'Artistes."
Not long after, all the Denyers were reunited in their sitting-room. Mrs. Denyer had brought up an open letter.
"From your father again," she said, addressing the girls conjointly. "I am sure he wears me out. This is worse than the last. 'The fact of the matter is, I must warn you very seriously that I can't supply you with as much as I have been doing. I repeat that I am serious this time. It's a horrible bore, and a good deal worse than a bore. If I could keep your remittances the same by doing on less myself, I would, but there's no possibility of that. I shall be in Alexandria in ten days, and perhaps Colossi will have some money for me, but I can't count on it. Things have gone deuced badly, and are likely to go even worse, as far as I can see. Do think about getting less expensive quarters. I wish to heaven poor little Mad could get married! Hasn't Marsh any prospects yet?'"
"That's all at an end," remarked Madeline, interrupting. "We've just come to an understanding."
Mrs. Denyer stared.
"You've broken off?"
"Mr. Marsh's allowance is to be stopped. His prospects are worse than ever. What's the good of keeping up our engagement?"
There was a confused colloquy between all four. Barbara shrugged her fair shoulders; Zillah looked very gravely and pitifully at Madeline. Madeline herself seemed the least concerned.
"I won't have this!" cried Mrs. Denyer, finally. "His step-father is willing to give him a position in business, and he must accept it; then the marriage can be soon."
"The marriage will decidedly not be soon, mother!" replied Madeline, haughtily. "I shall judge for myself in this, at all events."
"You are a silly, empty-headed girl!" retorted her mother, with swelling bosom and reddening face. "You have quarrelled on some simpleton's question, no doubt. He will accept his step-father's offer; we know that well enough. He ought to have done so a year ago, and our difficulties would have been lightened. Your father means what he says."
"Wolf!" cried Barbara, petulantly.
"Well, I can see that the wolf has come at last, in good earnest. My girl, you'll have to become more serious. Barbara, you at all events, cannot afford to trifle."
"I am no trifler!" cried the enthusiast for Italian unity and regeneracy.
"Let us have proof of that, then." Mrs. Denyer looked at her meaningly.
"Mother," said Zillah, earnestly, "do let me write to Mrs. Stonehouse, and beg her to find me a place as nursery governess. I can manage that, I feel sure."
"I'll think about it, dear. But, Madeline, I insist on your putting an end to this ridiculous state of things. You will order him to take the position offered."
"Mother, I can do nothing of the kind. If necessary, I'll go for a governess as well."
Thereupon Zillah wept, protesting that such desecration was impossible. The scene prolonged itself to midnight. On the morrow, with the exception of Mrs. Denyer's resolve to subdue Marsh, all was forgotten, and the Denyer family pursued their old course, putting off decided action until there should come another cry of "Wolf!"
CHAPTER IV
MIRIAM'S BROTHER
But for the aid of his wife's more sympathetic insight, Edward Spence would have continued to interpret Miriam's cheerless frame of mind as a mere result of impatience at being removed from the familiar scenes of her religious activity, and of disquietude amid uncongenial surroundings. "A Puritan at Naples"—that was the phrase which represented her to his imagination; his liking for the picturesque and suggestive led him to regard her solely in that light. No strain of modern humanitarianism complicated Miriam's character. One had not to take into account a possible melancholy produced by the contrast between her life of ease in the South, and the squalor of laborious multitudes under a sky of mill-smoke and English fog. Of the new philanthropy she spoke, if at all, with angry scorn, holding it to be based on rationalism, radicalism, positivism, or whatsoever name embodied the conflict between the children of this world and the children of light. Far from Miriam any desire to abolish the misery which was among the divinely appointed conditions of this preliminary existence. No; she was uncomfortable, and content that others should be so, for discomfort's sake. It fretted her that the Sunday in Naples could not be as universally dolorous as it was at Bartles. It revolted her to hear happy voices in a country abandoned to heathendom.
"Whenever I see her looking at old Vesuvius," said Spence to Eleanor, his eye twinkling, "I feel sure that she muses on the possibility of another tremendous outbreak. She regards him in a friendly way; he is the minister of vengeance."
Eleanor's discernment was not long in bringing her to a modification of this estimate.
"I am convinced, Ned, that her thoughts are not so constantly at Bartles as we imagine. In any case, I begin to understand what she suffers from most. It is want of occupation for her mind. She is crushed with ennui."
"This is irreverence. As well attribute ennui to the Prophet Jeremiah meditating woes to come."
"I allow you your joke, but I am right for all that. She has nothing to think about that profoundly interests her; her books are all but as sapless to her as to you or me. She is sinking into melancholia."
"But, my dear girl, the chapel!"
"She only pretends to think of it. Miriam is becoming a hypocrite. I have noted several little signs of it since Cecily came. She poses—and in wretchedness. Please to recollect that her age is four-and-twenty."
"I do so frequently, and marvel at human nature."
"I do so, and without marvelling at all, for I see human nature justifying itself. I'll tell you what I am going to do, I shall propose to her to begin and read Dante."
"The 'Inferno.' Why, yes."
"And I shall craftily introduce to her attention one or two wicked and worldly little books, such as, 'The Improvisatore,' and the 'Golden Treasury,' and so on. Any such attempts at first would have been premature; but I think the time has come."
Miriam knew no language but her own, and Eleanor by no means purposed inviting her to a course of grammar and exercise. She herself, with her husband's assistance, had learned to read Italian in the only rational way for mature-minded persons—simply taking the text and a close translation, and glancing from time to time at a skeleton accidence. This, of course, will not do in the case of fools, but Miriam Baske, all appearances notwithstanding, did not belong to that category. On hearing her cousin's proposition, she at first smiled coldly; but she did not reject it, and in a day or two they had made a fair beginning of the 'Inferno.' Such a beginning, indeed, as surprised Eleanor, who was not yet made aware that Miriam worked at the book in private with feverish energy—drank at the fountain like one perishing of thirst. Andersen's exquisite story was not so readily accepted, yet this too before long showed a book-marker. And Miriam's countenance brightened; she could not conceal this effect. Her step was a little lighter, and her speech became