Terminations. Генри Джеймс
Some voice of the air had taught me the right moment, the moment of his life in which an act of unexpected young allegiance might most come home. He had recently recovered from a long, grave illness. I had gone to the neighboring inn for the night, but I spent the evening in his company, and he insisted the next day on my sleeping under his roof. I had not an indefinite leave; Mr. Pinhorn supposed us to put our victims through on the gallop. It was later, in the office, that the dance was set to music. I fortified myself, however, as my training had taught me to do, by the conviction that nothing could be more advantageous for my article than to be written in the very atmosphere. I said nothing to Mr. Paraday about it, but in the morning, after my removal from the inn, while he was occupied in his study, as he had notified me that he should need to be, I committed to paper the quintessence of my impressions. Then thinking to commend myself to Mr. Pinhorn by my celerity, I walked out and posted my little packet before luncheon. Once my paper was written I was free to stay on, and if it was designed to divert attention from my frivolity in so doing, I could reflect with satisfaction that I had never been so clever. I don’t mean to deny of course that I was aware it was much too good for Mr. Pinhorn; but I was equally conscious that Mr. Pinhorn had the supreme shrewdness of recognizing from time to time the cases in which an article was not too bad only because it was too good. There was nothing he loved so much as to print on the right occasion a thing he hated. I had begun my visit to Mr. Paraday on a Monday, and on the Wednesday his book came out. A copy of it arrived by the first post, and he let me go out into the garden with it immediately after breakfast. I read it from beginning to end that day, and in the evening he asked me to remain with him the rest of the week and over Sunday.
That night my manuscript came back from Mr. Pinhorn, accompanied with a letter, of which the gist was the desire to know what I meant by sending him such stuff. That was the meaning of the question, if not exactly its form, and it made my mistake immense to me. Such as this mistake was, I could now only look it in the face and accept it. I knew where I had failed, but it was exactly where I couldn’t have succeeded. I had been sent down there to be personal, and in point of fact I hadn’t been personal at all; what I had sent up to London was just a little finicking, feverish study of my author’s talent. Any thing less relevant to Mr. Pinhorn’s purpose couldn’t well be imagined, and he was visibly angry at my having (at his expense, with a second-class ticket) approached the object of our arrangement only to be so deucedly distant. For myself, I knew but too well what had happened, and how a miracle—as pretty as some old miracle of legend—had been wrought on the spot to save me. There had been a big brush of wings, the flash of an opaline robe, and then, with a great, cool stir of the air, the sense of an angel’s having swooped down and caught me to his bosom. He held me only till the danger was over, and it all took place in a minute. With my manuscript back on my hands I understood the phenomenon better, and the reflections I made on it are what I meant, at the beginning of this anecdote, by my change of heart. Mr. Pinhorn’s note was not only a rebuke decidedly stern, but an invitation immediately to send him (it was the case to say so) the genuine article, the revealing and reverberating sketch to the promise of which—and of which alone—I owed my squandered privilege. A week or two later I recast my peccant paper, and giving it a particular application to Mr. Paraday’s new book, obtained for it the hospitality of another journal, where, I must admit, Mr. Pinhorn was so far justified that it attracted not the least attention.
III
I WAS frankly, at the end of three days, a very prejudiced critic, so that one morning when, in the garden, Neil Paraday had offered to read me something I quite held my breath as I listened. It was the written scheme of another book—something he had put aside long ago, before his illness, and lately taken out again to reconsider. He had been turning it round when I came down upon him, and it had grown magnificently under this second hand. Loose, liberal, confident, it might have passed for a great, gossiping, eloquent letter—the overflow into talk of an artist’s amorous plan. The subject I thought singularly rich, quite the strongest he had yet treated; and this familiar statement of it, full too of fine maturities, was really, in summarized splendor, a mine of gold, a precious, independent work. I remember rather profanely wondering whether the ultimate production could possibly be so happy. His reading of the epistle, at any rate, made me feel as if I were, for the advantage of posterity, in close correspondence with him—were the distinguished person to whom it had been affectionately addressed. It was high distinction simply to be told such things. The idea he now communicated had all the freshness, the flushed fairness of the conception untouched and untried; it was Venus rising from the sea, before the airs had blown upon her. I had never been so throbbingly present at such an unveiling. But when he had tossed the last bright word after the others, as I had seen cashiers in banks, weighing mounds of coin, drop a final sovereign into the tray, I became conscious of a sudden prudent alarm.
“My dear master, how, after all, are you going to do it?” I asked. “It’s infinitely noble, but what time it will take, what patience and independence, what assured, what perfect conditions it will demand! Oh, for a lone isle in a tepid sea!”
“Isn’t this practically a lone isle, and aren’t you, as an encircling medium, tepid enough?” he replied, alluding with a laugh to the wonder of my young admiration and the narrow limits of his little provincial home. “Time isn’t what I’ve lacked hitherto; the question hasn’t been to find it, but to use it. Of course my illness made a great hole, but I dare say there would have been a hole at any rate. The earth we tread has more pockets than a billiard-table. The great thing is now to keep on my feet.”
“That’s exactly what I mean.”
Neil Paraday looked at me with eyes—such pleasant eyes as he had—in which, as I now recall their expression, I seem to have seen a dim imagination of his fate. He was fifty years old, and his illness had been cruel, his convalescence slow. “It isn’t as if I weren’t all right.”
“Oh, if you weren’t all right I wouldn’t look at you!” I tenderly said.
We had both got up, quickened by the full sound of it all, and he had lighted a cigarette. I had taken a fresh one, and, with an intenser smile, by way of answer to my exclamation, he touched it with the flame of his match. “If I weren’t better I shouldn’t have thought of that!” He flourished his epistle in his hand.
“I don’t want to be discouraging, but that’s not true,” I returned. “I’m sure that during the months you lay here in pain you had visitations sublime. You thought of a thousand things. You think of more and more all the while. That’s what makes you, if you will pardon my familiarity, so respectable. At a time when so many people are spent you come into your second wind. But, thank God, all the same, you’re better! Thank God, too, you’re not, as you were telling me yesterday, ‘successful.’ If you weren’t a failure, what would be the use of trying? That’s my one reserve on the subject of your recovery—that it makes you ‘score,’ as the newspapers say. It looks well in the newspapers, and almost any thing that does that is horrible. ‘We are happy to announce that Mr. Paraday, the celebrated author, is again in the enjoyment of excellent health.’ Somehow I shouldn’t like to see it.”
“You won’t see it. I’m not in the least celebrated—my obscurity protects me. But couldn’t you bear even to see I was dying or dead?” my companion asked.
“Dead—passe encore; there’s nothing so safe. One never knows what a living artist may do—one has mourned so many. However, one must make the worst of it; you must be as dead as you can.”
“Don’t I meet that condition in having just published a book?”
“Adequately, let us hope; for the book is verily a masterpiece.”
At this moment the parlor-maid appeared in the door that opened into the garden. Paraday lived at no great cost, and the frisk of petticoats, with a timorous “Sherry, sir?” was about his modest mahogany. He allowed half his income to his wife, from whom he had succeeded in separating without redundancy of legend. I had a general faith in his having behaved well, and I had once, in London, taken Mrs. Paraday down to dinner. He now turned to speak to the maid, who offered