Romance Island. Gale Zona
that meets it. A symbol of this was his prodigious popularity with those who had been his fellow-workers—a test beside which old-world traditions of the urban touchstones are of secondary advantage. It was deeply significant that in spite of the gulf which Chance had digged the day-staff of the Sentinel, all save two or three of which were not of his estate, had with flattering alacrity obeyed his summons to dine. But, as he heard in the hall the voice of Chillingworth, the difficulty of his task for the first time swept over him. It was Chillingworth who had advocated to him the need of wooden type to suit his literary style and who had long ordered and bullied him about; and how was he to play the host to Chillingworth, not to speak of the others, with the news between them of that million?
When the bell rang, St. George somewhat gruffly superseded Rollo.
"I'll go," he said briefly, "and keep out of sight for a few minutes. Get in the bath-room or somewhere, will you?" he added nervously, and opened the door.
At one stroke Chillingworth settled his own position by dominating the situation as he dominated the city room. He chose the best chair and told a good story and found fault with the way the fire burned, all with immediate ease and abandon. Chillingworth's men loved to remember that he had once carried copy. They also understood all the legitimate devices by which he persuaded from them their best effort, yet these devices never failed, and the city room agreed that Chillingworth's fashion of giving an assignment to a new man would force him to write a readable account of his own entertainment in the dark meadows. Largely by personal magnetism he had fought his way upward, and this quality was not less a social gift.
Mr. Toby Amory, who had been on the Eleven with St. George at Harvard, looked along his pipe at his host and smiled, with flattering content, his slow smile. Amory's father had lately had a conspicuous quarter of an hour in Wall Street, as a result of which Amory, instead of taking St. George to the cemetery at Clusium as he had talked, himself drifted to Park Row; and although he now knew considerably less than he had hoped about certain inscriptions, he was supporting himself and two sisters by really brilliant work, so that the balance of his power was creditably maintained. Surely the inscriptions did not suffer, and what then was Amory that he should object? Presently Holt, the middle-aged marine man, and Harding who, since he had lost a lightweight sparring championship, was sporting editor, solemnly entered together and sat down with the social caution of their class. So did Provin, the "elder giant," who gathered news as he breathed and could not intelligibly put six words together. Horace, who would listen to four lines over the telephone and therefrom make a half-column of American newspaper humour or American newspaper tears, came in roaring pacifically and marshaling little Bud, that day in the seventh heaven of his first "beat." Then followed Crass, the feature man, whose interviews were known to the new men as literature, although he was not above publicly admitting that he was not a reporter, but a special writer. Mr. Crass read nothing in the paper that he had not written, and St. George had once prophesied that in old age he would use his scrap-book for a manual of devotions, as Klopstock used his Messiah. With him arrived Carbury, the telegraph editor, and later Benfy, who had a carpet in his office and wrote editorials and who came in evening clothes, thus moving Harding and Holt to instant private conversation. The last to appear was Little Cawthorne who wrote the fiction page and made enchanting limericks about every one on the staff and went about singing one song and behaving, the dramatic man flattered him, like a motif. Little Cawthorne entered backward, wrestling with some wiry matter which, when he had executed a manoeuvre and banged the door, was thrust through the passage in the form of Bennie Todd, the head office boy, affectionately known as Bennietod. Bennietod was in every one's secret, clipped every one's space and knew every one's salary, and he had lately covered a baseball game when the man whose copy he was to carry had, outside the fence, become implicated in allurements. He was greeted with noise, and St. George told him heartily that he was glad he had come.
"He made me," defensively claimed Bennietod; frowning deferentially at Little Cawthorne.
"Hello, St. George," said the latter, "come on back to the office. Crass sits in your place and he wears cravats the colour of goblin's blood. Come back."
"Not he," said Chillingworth, smoking; "the Dead-and-Done-with editor is too keen for that; I won't give him a job. He's ruined. Egg sandwiches will never stimulate him now."
St. George joined in the relieved laugh that followed. They were remembering his young Sing Sing convict who had completed his sentence in time to step in a cab and follow his mother to the grave, where his stepfather refused to have her coffin opened. And St. George, fresh from his Alma Mater, had weighted the winged words of his story with allusions to the tears celestial of Thetis, shed for Achilles, and Creon's grief for Haemon, and the Unnatural Combat of Massinger's father and son; so that Chillingworth had said things in languages that are not dead (albeit a bit Elizabethan) and the composing room had shaken mailed fists.
"Hi, you!" said Little Cawthorne, who was born in the South, "this is a mellow minute. I could wish they came often. This shall be a weekly occurrence—not so, St. George?"
"Cawthorne," Chillingworth warned, "mind your manners, or they'll make you city editor."
A momentary shadow was cast by the appearance of Rollo, who was manifestly a symbol of the world Philistine about which these guests knew more and in which they played a smaller part than any other class of men. But the tray which Rollo bore was his passport. Thereafter, they all trooped to the table, and Chillingworth sat at the head, and from the foot St. George watched the city editor break bread with the familiar nervous gesture with which he was wont to strip off yards of copy-paper and eat it. There was a tacit assumption that he be the conversational sun of the hour, and in fostering this understanding the host took grateful refuge.
"This is shameful," Chillingworth began contentedly. "Every one of you ought to be out on the Boris story."
"What is the Boris story?" asked St. George with interest. But in all talk St. George had a restful, host-like way of playing the rôle of opposite to every one who preferred being heard.
"I'll wager the boy hasn't been reading the papers these three months," Amory opined in his pleasant drawl.
"No," St. George confessed; "no, I haven't. They make me homesick."
"Don't maunder," said Chillingworth in polite criticism. "This is Amory's story, and only about a quarter of the facts yet," he added in a resentful growl. "It's up at the Boris, in West Fifty-ninth Street—you know the apartment house? A Miss Holland, an heiress, living there with her aunt, was attacked and nearly murdered by a mulatto woman. The woman followed her to the elevator and came uncomfortably near stabbing her from the back. The elevator boy was too quick for her. And at the station they couldn't get the woman to say a word; she pretends not to understand or to speak anything they've tried. She's got Amory hypnotized too—he thinks she can't. And when they searched her," went on Chillingworth with enjoyment, "they found her dressed in silk and cloth of gold, and loaded down with all sorts of barbarous ornaments, with almost priceless jewels. Miss Holland claims that she never saw or heard of the woman before. Now, what do you make of it?" he demanded, unconcernedly draining his glass.
"Splendid," cried St. George in unfeigned interest. "I say, splendid. Did you see the woman?" he asked Amory.
Amory nodded.
"Yes," he said, "Andy fixed that for me. But she never said a word. I parlez-voused her, and verstehen-Sied her, and she sighed and turned her head."
"Did you see the heiress?" St. George asked.
"Not I," mourned Amory, "not to talk with, that is. I happened to be hanging up in the hall there the afternoon it occurred;" he modestly explained.
"What luck," St. George commented with genuine envy. "It's a stunning story. Who is Miss Holland?"
"She's lived there for a year or more with her aunt," said Chillingworth. "She is a New Yorker and an heiress and a great beauty—oh, all the properties are there, but they're all we've got. What do you make of it?" he repeated.
St. George did not answer, and every one else did.
"Mistaken identity," said Little Cawthorne. "Do you remember Provin's story of