Cloris. Cloris Leachman

      KENSINGTON BOOKS

       http://www.kensingtonbooks.com

      To mamma, my dearest friend whose sweet unfailing love

       and delight made all this possible.

      Acknowledgments

      First, to dear Kathryn Amoroso, who rooted through all the photos and interviews to round out the picture of me.

      Second, my thanks to my agent, Mitchell Waters, who at all times shepherded our business with professional skill.

      Last of all and most of all, the deepest gratitude to my son George Englund Jr., whose eagle eye surveyed this project from its infancy to its maturity. A grateful kiss and a proud curtsy to his patience and manly grace.

      Contents

      Autobiography

      Mama

      The Piano Filled My Life

      A Step Into the Dark Side of Life

      Daddy

      Singing for My Supper

      A Special Relationship

      An Actress’s Life

      Other Thoughts About Acting

      More About the Actors Studio

      More On Acting

      A Bit of History

      Acting With Criminal Intent

      Technical Matters

      Actors and the Other Arts

      Mothers

      Props

      A Friend Becomes Ill

      Notes On Another President

      Another Presidential Tidbit

      A Little More About The Present

      The Chaplin Connection

      Love, Marriage, and All That Comes After

      Motherhood, Grandmotherhood, Great-Grandmotherhood And Boyz ‘n’ The Hood

      An Unbearable Sadness

      Dancing with the Stars

      What Do You Call Them? Trysts, Affairs, Dalliances?

      Dancing with the Stars, Part Two

      A Summing Up

      Autobiography

      I had to smile. Writing your autobiography is something you do in contemplation, isn’t that so? It’s a look back at the traffic of your life, the places you’ve been, the people you’ve known and loved. But I can’t get out of the traffic of my life today.

      Recently, I won my ninth Emmy (the most ever earned by an actor), and I became a great-grandmother. In the last six months, I’ve made four films: The Women, with Annette Bening, Meg Ryan, and Bette Midler; American Cowslip, with Peter Falk and Val Kilmer; New York, I Love You, with Eli Wallach and many others; and a Hallmark Theater film. I’ve also traveled to New York, Rome, Cabo San Lucas, and Tempe, Arizona; had to cancel a cruise from India to Italy; been touring my one-woman show; celebrated my eighty-second birthday; and, oh yeah, been on Dancing with the Stars. I’ll come back to that.

      That’s a life with some real bang and smash in it, but you know what? I like it this way; I like life to be exciting. And actually, in the middle of all that’s been going on, I did begin to write my autobiography. I really wanted to get it right, and I started off determined. I picked a chair, sat in it, with a pen and a pad, and it was “move over, Shakespeare” time.

      Then, like autumn leaves, thoughts began to fall on me; they touched my soul. Emotions streamed through me: hilarity, tenderness, amazement, then sadness. It’s too late, a voice inside me said. It’s too late to collect the little girls who were you and herd them into the tale of your youth. It’s too late to walk again through those febrile high school years, when you were holding three jobs and studying piano and dance all at the same time.

      It’s too late to recall the roles you played; the stars, the comedians, tragedians, and vaudevillians you shared the stage with; the costume and make-up men and women you became so fond of; the playwrights and presidents you dined with. It’s too late to remember the early morning when Adam, your fair firstborn, came out of you and entered the world, and the unbearable hour when Bryan, your handsome second son, left the world.

      Then a different voice spoke. It’s too soon, too soon to peer into yesterday, when your eyes are so expectantly fixed on tomorrow, when your children, grandchildren, and great-grandchild are growing up around you. It’s too soon to look back on your life, as if you’re nearing the end of it.

      Sitting there, utterly still, tears slipped from my eyes as the times of my life gathered around me. I thought, What’s the best way to tell the story of your life? Do you begin at the beginning and follow the calendar to where you are now? Or would it be better to begin with a particular event, the day you were married or the day you won the Oscar or the day your son died, and work backward and forward from there?

      Or you could sum it all up in numbers. I was one of three daughters; I gave birth to five children; I have one Oscar, nine Emmys, and sixty-eight other awards. I have seven grandchildren, I am eighty-two years old, I’ve been on six of the seven continents, and if they produce a television series on McMurdo Sound, I might soon visit Antarctica.

      Enough of this inner dialogue, I thought. I’m just going to write it. I’ll start easy. I’ll tell about what I’ve learned and what I still don’t know. Right away that brought up something big, I still don’t know if there’s a God. From the unkindness and slaughter in the world, it’s hard to believe He’s the good guy portrayed in the paintings. I tend not to believe in Him or Her. And yet, sometimes when my grandchildren and I are together—out with the dogs on a sunny afternoon or in my living room, playing the piano—such joy surrounds us, such tender emotions swell, that I feel we’re not alone, that some dear, loving presence is there, too.

      Right here, at the beginning, I want to say some things about myself I know to be true. I’ve lived my life; I haven’t trotted alongside it. I’ve opened the doors of opportunity wherever I’ve seen them. I’ve walked into discoveries and dreams, disappointments and death. I bear the scars of not having obeyed rules made by others, and I wear the deep satisfaction of knowing I never bent to conventions I didn’t believe in.

      I never wanted to conform. I haven’t conformed. I’ve tried, but I couldn’t. I’ve never put a label on myself. I find it distasteful that people put labels on other people and say that’s who they are, that one thing. When I was forty-six, people said I was in middle age. I shrugged off that designation. I didn’t want to be lumped into a group. Here’s something I said in an interview with Playgirl magazine in 1972.

      I knew from the very beginning that I didn’t belong in Iowa. When I went into town for my first piano lesson, I took a streetcar to the teacher’s studio. It was the most staggering cultural shock of my life. There were all those gray people, the nine-to-fivers, sitting in a stupor. Right then I determined with every fiber in my being that I would never be ground down into a gray person. I’m not going to adopt any wholesale anything. No organized religion, no organized anything. I have never known depression. Depression means there is no way out. I have been deeply saddened, heartbroken, hysterical, exhausted. But I never felt there was no way out. I’ll make a door.

      Having written this much, I decided it would be wrong to write my autobiography in chapters, because I didn’t live my life in chapters.