Turn a Blind Eye: A gripping and tense crime thriller with a brand new detective for 2018. Vicky Newham
I grope our way out of the lounge to join Mum. Illuminated by the blue light of the gas ring, she’s at the stove. Sweet, spicy smells waft round the kitchen, and there’s a pot bubbling on the hob.
Outside, even the street lamps have gone off and the whole terrace is in darkness.
‘I wonder how long this one will last,’ I ask.
Mum has placed a candle on the table. She strikes a match and it fizzes. Smells. The wick catches, casting a ball of light momentarily before shrinking.
‘Sit here.’ She’s pointing to the table. ‘And for goodness sake mind your hair on the flame this time, Maya.’
Jaz and I cram round the tiny Formica table where the five of us sit every evening for tea, knees banging, feet jostling for space against Dad’s work boots and Sabbir’s huge school shoes.
Jasmina and I sit now, side by side on the wooden bench, and the soft light of the candle flickers, casting a spell over the room. Shadows sway around the dingy, smoke-yellowed walls. As the wick waves in the draught, the flame billows and casts looming shapes. Homework forgotten in the excitement, Jaz tickles me and I poke her; we giggle and wriggle in the tiny kitchen.
‘Stop it.’ Anxiety rattles in Mum’s voice. She always gets tense when the electric goes off. And when Dad’s late home. ‘When your father gets in, he can get some more candles. Jasmina, call upstairs to your brother, will you?’
In the chilly air of the flat, steam trails upwards from the saucepan as Mum stirs it. The walls round the cooker shine with condensation.
A few minutes later Sabbir arrives, with bed-head hair and sleep furrows in his bruised cheek. ‘What’s for tea?’ He glances round the kitchen.
We all know the answer, but each day we hope it might be different. We love Mum’s cooking, but after eight years of school dinners, and tea sometimes at friends’ houses, we’ve got used to eating different food. Perhaps Dad will come home with a treat for us all? A bagel each from the shop in Brick Lane, or some red jam to have on sliced bread?
‘Rice and curry,’ Mum says. She always talks to us in Sylheti, and at home my sister and I speak our mother tongue too. Unless, of course, it’s something we don’t want Mum to hear.
‘It’s the second power cut this week, isn’t it?’ Sabbir is the eldest of the three of us.
Mum serves out the stodgy rice and curry, and passes bowls over one by one. ‘Careful. They’re hot.’ All seated round the table now, Dad’s chair sits empty, no bowl on his place mat, just cutlery and an empty water glass. ‘We may as well eat. Your father’s obviously got held up again.’ The words ride a sigh.
My socked feet are cold. I like it when I can rest them on Dad’s work boots. Get them off the cold concrete and warm them up.
Just as we’re finishing our tea, we hear the front door bang shut downstairs, and a few moments later the grinding sound of a key in the flat door. Dad comes in, bringing a whoosh of bitter winter air and cigarette smoke, and another smell I’ve noticed before. The draught pulls the candle wick first one way then the other, and Mum jumps up to shield Sabbir from the billowing flame, bashing the table and knocking over her water glass. She uses a tea towel to mop first the water then the gash of wax that’s run onto the shiny tablecloth.
‘While we’ve been here with no power, you’ve been in that pub again. I can smell it.’ The reproach is unmistakeable. ‘This is the last candle. We need more. The children can’t sit in the dark.’
Dad looks at Mum, and then shines his gaze like a torchlight round the table. Pauses.
I’m watching him. Wondering what he’s thinking and what’s going to happen. I grab Jasmina’s hand under the table. He looks over at the hob, then back to the table. The room shimmers with tension and it makes my skin prickle. Every day now, Dad’s late and Mum says the same thing. He must be tired and hungry after working all day, but it’s as though there’s more to him going to the pub than either of them mentions.
Dad lets out a long sigh, like letting air from a balloon while holding on to its neck. In the soft light, his cheek muscles quiver. ‘I’ll go and get some now.’ He and Mum whisper to each other in very fast Sylheti.
My breathing tightens.
As he turns, I get another waft of that smell, the one his clothes so often reek of. ‘Won’t be long,’ he says in English.
I feel a swirl of something in my stomach, pulling at me. I put down my spoon. I don’t want Dad to go out again. He’s home now and it’s cold. I look into his face, with its gentle creases, the dark growth round his face, and his large eyes the colour of conkers.
‘Dad?’ I can’t help saying. I don’t know why.
‘You children be good for your mother,’ he says sternly, and ruffles my hair with his hand. When he stops, he lays his palm flat on the top of my head for a second, and I feel momentarily held in his warmth before he removes it. He gabbles something else to Mum in Sylheti, his voice even lower than usual. A jumble of sounds, noises, tones.
I squeeze Jaz’s thumb. Use my eyes to plead with her, but she shrugs and shakes her head.
Before I know it Dad pulls the flat door behind him and the latch clicks shut. He never even took off his coat and now he’s gone.
Mum’s spoon drops from her hand and clatters on the bowl in front of her. She closes her eyes, sucks in a long breath and lets it out, at first with a low moan, like an animal in pain, then in a full-throated wail.
‘Mum?’ She’s never made a noise like this before. ‘Are you okay?’
Sabbir’s chair screeches on the hard kitchen floor as he pushes it back to stand up. ‘Okay. Let’s all play a game.’
I know something’s happened, but have no idea what. ‘Dad will be back soon with the candles, won’t he? We can finish our homework then. I’ve got English to do and Jaz —’
‘We can play ’til then.’ Sabbir looks over at Mum, and I follow his gaze.
She’s sniffing, dabbing her nose and fanning herself with her hand. ‘I’m fine,’ she says, her voice faltering. ‘Just give me a minute.’
But I can still hear that moan in my ears and I know we can’t leave her.
‘How about we get the blankets from our bedrooms and put them on the floor in here?’ It’s Jasmina. ‘If we push the table over, we can make a camp. Mum?’
Excitement bubbles up. I love camps. ‘We could sleep down here too.’
‘We may have to if the power doesn’t come back on soon,’ says Mum.
Five minutes later, Jaz, Sabbir and I have fetched our bedding from upstairs. Mum has cleared away the dishes and pushed the table against the wall. On the gas hob a pan is heating for our hot water bottles. We pile cushions onto the eiderdowns and clamber on top. Our bottles filled, Mum joins us, but with her back against the wall and her legs under the covers.
‘Tell us about Bangladesh again,’ I ask Mum. ‘What was it like growing up outside the city?’ All three of us love to hear her stories. We’d lived in the city centre of Sylhet so this part of our home country wasn’t something we knew well.
Mum speaks slowly as though she’s combing through her memories and putting them in place. Hearing her speak in Sylheti feels completely natural. Comforting, somehow. It’s like being in our old flat by the river.
‘One of my favourite things was the rolling hills. The land often flooded, especially in the monsoons, and lakes formed on the flood plains. Sometimes your grandfather took us into the swamp forests by boat. They’re magical places where trees grow out of the water. Their branches join up at the top to form canopies and tunnels.’ Mum gestures with her hands.
In the soft candlelight I catch the look on her face, as though the memories bat her