Last Ditch. Ngaio Marsh
a quarter to one Ricky left the pad, took six paces into the night and fell flat on his face in the mud. He could hear Miss Harkness’s horse giving signs of equine consternation.
The village was fast asleep under a starry sky, the sound of the night tide rose and fell uninterrupted by Ricky’s rubber-shod steps on the cobbled front. Somewhere out on the harbour a solitary light bobbed, and he wondered if Mr Ferrant was engaged in his hobby of night fishing. He paused to watch it and realized that it was nearer inshore than he had imagined and coming closer. He could hear the rhythmic dip of oars.
There was an old bench facing the front. Ricky thought he would wait there and join Mr Ferrant, if indeed it was he, when he landed.
The light vanished round the far side of the jetty. Ricky heard the gentle thump of the boat against a pier followed by irregular sounds of oars being stowed and objects shifted. A man with a lantern rose into view and made fast the mooring lines. He carried a pack on his back and began to walk down the jetty. He was too far away to be identified.
Ricky was about to get up and go to meet him when, as if by some illusionist’s trick, there was suddenly a second figure beside the first. Ricky remained where he was, in shadow.
The man with the lantern raised it to the level of his face, and Ricky saw that he was indeed Ferrant, caught in a Rembrandt-like golden effulgence. Ricky kept very still, feeling that to approach them would be an intrusion. They came towards him. Ferrant said something indistinguishable and the other replied in a voice that was not that of the locals: ‘OK, but watch it. Good night.’ They separated. The newcomer walked rapidly away towards the turning that led up to the main road and Ferrant crossed the street to his own house.
Ricky ran lightly and soundlessly after him. He was fitting his key in the lock and had his back turned.
‘Good morning, Mr Ferrant,’ Ricky said.
He spun round with an oath.
‘I’m sorry,’ Ricky stammered, himself jolted by this violent reaction. ‘I didn’t mean to startle you.’
Ferrant said something in French, Ricky thought, and laughed, a little breathlessly.
‘Have you been making a night of it, then?’ he said, ‘Not much chance of that in the Cove.’
‘I’ve been up at Syd Jones’s.’
‘Have you now,’ said Ferrant. ‘Fancy that.’ He pushed the door open and stood back for Ricky to enter.
‘Good night then, Mr Alleyn,’ said Ferrant.
As Ricky entered he heard in the distance the sound of a car starting. It seemed to climb the steep lane out of Deep Cove, and at that moment he realized that the second man on the wharf had been Louis Pharamond.
The house was in darkness. Ricky crept upstairs making very little noise. Just before he shut his bedroom door he heard another door close quite near at hand.
For a time he lay awake listening to the sound of the tide and thinking what a long time it seemed since he arrived in Deep Cove. He drifted into a doze, and found the scarcely-formed persons of the book he hoped to write, taking upon themselves characteristics of the Pharamonds, of Sydney Jones, of Miss Harkness and the Ferrants, so that he scarcely knew which was which.
The next morning was cold and brilliant with a March wind blowing through a clear sky. Mrs Ferrant gave Ricky a grey mullet for his breakfast, the reward, it emerged, of her husband’s night excursion.
By ten o’clock he had settled down to a determined attack on his work.
He wrote in longhand, word after painful word. He wondered why on earth he couldn’t set about this job with something resembling a design. Once or twice he thought possibilities – the ghosts of promise – began to show themselves. There was one character, a woman, who had stepped forward and presented herself to be written about. An appreciable time went by before he realized he was dealing with Julia Pharamond.
It came as quite a surprise to find that he had been writing for two hours. He eased his fingers and filled his pipe. I’m feeling better, he thought.
Something spattered against the window-pane. He looked out and down, and there, with his face turned up, was Jasper Pharamond.
‘Good morning to you,’ Jasper called in his alto voice, ‘are you incommunicado? Is this a liberty?’
‘Of course not. Come up.’
‘Only for a moment.’
He heard Mrs Ferrant go down the passage, the door open and Jasper’s voice on the stairs: ‘It’s all right, thank you, Marie. I’ll find my way.’
Ricky went out to the landing and watched Jasper come upstairs. He pretended to make heavy weather of the ascent, rocking his shoulders from side to side and thumping his feet.
‘Really!’ he panted when he arrived. ‘This is the authentic setting. Attic stairs and the author embattled at the top. You must be sure to eat enough. May I come in?’
He came in, sat on Ricky’s bed with a pleasant air of familiarity, and waved his hand at the table and papers. ‘The signs are propitious,’ he said.
‘The place is propitious,’ Ricky said warmly. ‘And I’m very much obliged to you for finding it. Did you go tramping about the village and climbing interminable stairs?’
‘No, no. Julia plumped for Marie Ferrant.’
‘You knew her already?’
‘She was in service up at L’Esperance before she married. We’re old friends,’ said Jasper lightly.
Ricky thought that might explain Mrs Ferrant’s curiosity.
‘I’ve come with an invitation,’ Jasper said. ‘It’s just that we thought we’d go over to Montjoy to dine and trip a measure on Saturday and we wondered if it would amuse you to come.’
Ricky said: ‘I ought to say no, but I won’t. I’d love to.’
‘We must find somebody nice for you.’
‘It won’t by any chance be Miss Harkness?’
‘My dear!’ exclaimed Jasper excitedly. ‘Apropos the Harkness! Great drama! Well, great drama in a negative sense. She’s gone!’
‘When?’
‘Last night. Before dinner. She prowled down the drive, disappeared and never came back. Bruno wonders if she jumped over the cliff – too awful to contemplate.’
‘You may set your minds at rest,’ said Ricky. ‘She didn’t do that.’ And he told Jasper all about his evening with Syd Jones and Miss Harkness.
‘Well!’ said Jasper. ‘There you are. What a very farouche sort of girl. No doubt the painter is the partner of her shame and the father of her unborn babe. What’s he like? His work, for instance?’
‘You ought to be the best judge of that. You’ve got some of it pinned on your drawing-room walls.’
‘I might have known it!’ Jasper cried dramatically. ‘Another of Julia’s finds! She bought them in the street in Montjoy on Market Day. I can’t wait to tell her,’ Jasper said, rising energetically. ‘What fun! No. We must both tell her.’
‘Where is she?’
‘Down below, in the car. Come and see her, do.’
Ricky couldn’t resist the thought of Julia so near at hand. He followed Jasper down the stairs, his heart thumping as violently as if he had run up them.
It was a dashing sports car and Julia looked dashing and expensive to match it. She was in the driver’s seat, her gloved hands drooping on the wheel with their gauntlets turned back so that her wrists shone delicately. Jasper at once began to tell about Miss Harkness, inviting Ricky to join in. Ricky thought how brilliantly she seemed to listen and how this air