Undeadly. Michele Vail

Undeadly - Michele  Vail


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get to that. But first, you gotta understand how everything started.

      Here’s a little history...

      * * *

      It is said that Anubis fought a great earth-shattering battle with his uncle Set, the God of Chaos. Anubis’s legacy was to rule the Underworld and Set was all, “Nuh-huh. I want to rule the Underworld.”

      So they had this huge freaking war. Set stole some of the reapers that Anubis was the boss of—and wow, did that piss him off!—so then, the reapers were fighting each other and the humans were all, “What is this crap? Reapers suck!” And there were plagues and famine and people dying for no reason, and the reapers were too busy blasting each other to do their jobs.

      It was a mondo ick mess.

      Finally, Anubis went deep into the Underworld and got some bad-ass magic. We’re talking magic so ancient and powerful, it wasn’t supposed to leave the world of the gods, like, ever.

      But he got it anyway and used it to capture Set. He imprisoned the god in the bowels (Seriously? Ew!) of the Underworld, and then he banished all the disloyal reapers into this place that was like limbo, I guess, only way, way worse. And no one but Anubis could get there. Or something like that.

      Anyway, Anubis was so upset about what went down, and he felt so bad about all the humans who’d been hurt, that he changed the rules about death and reaping and junk. (That’s a god for you.)

      He was like, “Sorry, humans, my bad. Here’s some magic.” Okay, it was sorta like that. He was worried that his reapers might get more ideas about mutiny or whatever, so he split a reaper’s power into five magical abilities, which matched the five parts of the soul. (Did you know there were five parts to a soul? Heka 101, peeps.)

      And he bestowed these five heka gifts upon some fancy schmancy nobles because Anubis is a snob. Most gods are totally noses up, you know? That’s what being immortal and all-powerful gets you.

      So, he’s like, “Hey, I’m giving each of you one of these gifts, and you can use them to control parts of being dead.” It was like an end-of-the-war party gift for all the survivors. Here’s the down-low:

      Ka Heka — Reanimates dead bodies using a teeny tiny part of the soul called the ka. (Pretty common ability these days.)

      Ren Heka — Calls forth and communicates with earth-bound spirits. (Lots of necros can do this one, too.)

      Sheut Heka — Creates and commands soul shadows. A soul shadow is sorta like the top layer of the soul, peeled away. (This power is rare, and a total no-no. Anyone unlucky enough to be born with this ability is whisked away by the government. Well, that’s what the internet says, so it must be true.)

      Ba Heka — Supposedly, ba heka necromancers can bind souls and keep them from entering the afterlife. (No one in modern times is known to have this gift. Or maybe they’re hanging out with the sheut hekas in a government lab.)

      Ib Heka — Sees into the heart of the soul, and knows the person’s true worth. (Necromancers who have this ability usually go crazy, or become hermits, or sometimes, they start cults. A few have been serial killers.) Very, very, veeeeery rarely, a necro is born who has two gifts. The last one recorded was Leonardo da Vinci. Explains a lot, right? No known human has ever had all five gifts. It’s almost impossible, because a human with that kind of power couldn’t handle it. We’d implode, or something.

      Supposedly, Anubis watches all the humans who are born with heka gifts, and if they use their magic well and don’t act like douche bags, then he offers them a reaper job after they die. It’s like anyone who’s born with death magic is training to be a reaper in the afterlife.

      Just so we’re clear, reapers are dead.

      At least, they’re supposed to be.

      No one really knows how the whole reaper thing works, this is just the stuff they make us learn in The History of Necromancy, and it’s called “theory” or “mythology” or “wasting an hour of my life every day.”

      These days, people use reaper powers to enslave ghosts, make zombies, and basically cash in. If Anubis doesn’t like what humans ended up doing with those gifts...well, he hasn’t done anything about it. Maybe he doesn’t care. Maybe he’s down in the Underworld having parties with gods and souls, and is all like, “Humans? What humans?”

      Oh. And there’s this really, really, really old wall relief in some temple in Egypt dedicated to Set that says, “He will break his bonds and rise again to take his revenge. Death will come to the world and the living will be no more.”

      Total suckitude.

      Molly Bartolucci

      Mrs. Dawson’s English Class

      10th Grade

      Ghost Gin

      In 1898, when Signor Guglielmo Marconi was inventing the wireless telegraph, Mr. Michael Ruddard decided he’d rather focus on undead communication.

      Ruddard discovered the energy of the human spirit could be captured. His experiments led to the creation of the Spirit Extraction, Encapsulation and Restraining engine, otherwise known as SEER. Informal terms for the SEER are otherworld portals, S-traps and ghost gins.

      To those caught by the ethereal fingers of the engine, it was called eternal enslavement. Why pay live humans when a SEER produced free labor by raising the spirits of workers already dead? This is supposed to be a descriptive essay, Molly, not a persuasive one. Stay on topic.

      Psychics were hired to keep the ghosts working and some necros specialized in locating other spirits. At first, only rich people could afford SEERs. Like most other tech, the gins were eventually made smaller and more affordable. These days nearly every house is haunted. You’re wandering away from your main subject, which is about the invention of the SEER, not about the ghosts.

      Dead rock stars go on tour, sports teams with spirit players take championships and supermodel apparitions strut the catwalk. But one problem with ghosts was that they couldn’t be photographed or filmed. Hollywood invested millions into researching how to fix the issue, but so far, no one has come up with a solution. Meanwhile, theaters made a killing because audiences paid big bucks to see their favorite dead actors performing on stage.

      SEER machines aren’t perfect. Some have failed completely! Can anyone forget when Monty Klein wrenched himself free of his SEER on “Night Life” and dove into his live cohost? He made Johnny Moreland stab his own eyes with pens! Everyone totally saw that show. And you’re going to tell me ghosts can’t hurt people?

      Where’s the ending? Needs work, but good start. I suggest adding more detail about the psychics, which are an important element to modern-day SEERs.

      Right now, your essay barely rates a C. You usually do so much better work than this! Please see me after class to talk about how else you can improve this project.

      Chapter 1

      “Necromancy has existed for as long as we have. Most historians agree, however, that it was the Egyptians who perfected the art of raising the dead. No other culture can boast that their zombies built such magnificent monuments. Consider the Temple of Karnak, the Sphinx and the pyramids at Giza. All gifts from the children of Anubis.”

      ~History of Necromancy, Volume II

      “This is the third time!” groused Mrs. Woodbine. She slapped the arm onto the counter with a meaty thunk. I looked at the flabby, gray-skinned limb with its sausagelike fingers then at the jowl-faced woman who squinted at me through her bifocals. She wore a purple jogging suit that was too tight and amplified her chunky form. The top jacket was unzipped, revealing old-lady cleavage, which made me want to yark. Seriously. Wrinkled boobs were not pretty.

      “Hello, Mrs. Woodbine,” I said. Must. Resist. Sarcasm. “I see Mr. Woodbine has lost another limb.”

      Another


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