One Winter's Day: A Diamond in Her Stocking / Christmas Where They Belong / Snowed in at the Ranch. Marion Lennox

One Winter's Day: A Diamond in Her Stocking / Christmas Where They Belong / Snowed in at the Ranch - Marion  Lennox


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was now.

      Like many chefs, during the years she had worked in other peoples’ restaurants, she had entertained the idea of running a restaurant of her own. In fact she and Philippe had been working towards just that until she’d unexpectedly fallen pregnant and everything had changed.

      For sure, her dream of running her own show hadn’t centred on a café in a place like Dolphin Bay but she could make the most of her downgraded dream. She knew what it took to make customers want to come to a restaurant—and to keep them coming. She didn’t need Mr Know-It-All Jesse Morgan telling her how to choose the art for the walls. For heaven’s sake, was he going to tell her what dishes to put on the menu?

      She made a point of looking at her watch too. Two could play at this game. ‘Okay, let’s unwrap the paintings one at a time and then I’ll compare them and decide which ones I like best. Without being so insensitive as to grade them, of course.’

      For a moment she thought she saw a smile lurk around the corners of his grimly set mouth. It passed so quickly she could have imagined it. But for a second—just that second—she’d seen again that Jesse from the wedding who had appealed to her so much. Boy, had she got him wrong.

      She walked across to the stacks of paintings. ‘Shall we start with the largest one first?’ she said.

      Jesse nodded as he followed her over. ‘That’s the surfing dolphins one.’

      She immediately wished she’d decided to open the smallest ones first. But she couldn’t backtrack now.

      The painting was bracketed with sheets of cardboard and then wrapped with thick brown paper. She started to open it but the paper was too tough to tear. Silently, Jesse reached into his pocket and pulled out a retractable-blade utility knife. Again without saying a word, he clicked it free of its safety cover and handed it to her.

      ‘Thanks,’ she muttered, biting down on the urge to tell him not to keep such a dangerous tool in his pocket. She knew she was being unreasonable, but Jesse seemed to have that effect on her. As much as she hated to admit it, she’d been hurt by his behaviour at the wedding, and she would do whatever it took to protect herself from feeling that way again.

      She crouched down and carefully slit the paper across the top of the wrapping. As she went to cut down the side, Jesse reached out a hand to stop her.

      She flinched. Don’t touch me, she wanted to snarl. But that would sound irrational. She gritted her teeth.

      ‘Leave that,’ he said. ‘If you don’t cut the sides the painting will be easier to get back in the wrapping.’

      She stilled for the long moment his hand stayed on her wrist. Of course he had beautiful hands, just like the rest of him—she couldn’t fail to register that. His fingers were warm and immediately familiar on her bare skin. She closed her eyes tight. She couldn’t deal with this. But she was just about to shake off his hand when he removed it. She realised she was holding her breath and she let it out in a controlled sigh that she prayed he didn’t register.

      ‘Good idea,’ she managed to choke out. Why did he have to stand so close beside her?

      ‘I’ll give you a hand to slide the painting out. It’s too heavy for one person.’

      She had to acknowledge the truth in that. It would seem churlish not to. ‘Thanks,’ she said.

      She stood at one end of the painting and he at the other and they lifted it free of its wrappings. As the image emerged, she could not help a gasp. The artist had perfectly captured in acrylic, on the underside of a breaking aquamarine wave, a pod of dolphins joyfully surfing towards the beach. ‘It’s wonderful. No. More than wonderful. Breathtaking.’

      Jesse would have been justified in an I-told-you-so smirk. Instead he nodded. ‘I thought so too,’ he said.

      Lizzie reached out a hand to touch the painting then drew it back. ‘This artist is so talented. It looks like Big Ray beach, is it?’ Big Ray was the local surf beach. It had a different name on the maps. The locals called it Big Ray because of the two enormous dark manta rays that periodically glided their way from one headland to the other. As a kid, visiting Dolphin Bay, she had been both fascinated by and frightened of them.

      ‘Yep. One of the smaller paintings is of the rays.’

      ‘Let’s open that one next.’ She couldn’t keep the excitement from her voice.

      ‘So the big one passes muster?’

      ‘Oh, yes,’ she said. ‘It gets a triple A. You were absolutely right. It’s perfect.’ She indicated a central spot on the wall. ‘It would look fabulous right there.’

      ‘I agree,’ he said. ‘The artist will be delighted. She was really hoping you’d choose one of her paintings.’

      ‘She?’ The word slipped out of her mouth.

      Jesse’s eyes darkened to the colour of the sea on a stormy day. ‘Yes. She. Is that a problem?’

      ‘Of course not. It’s just—’

      ‘It’s just that you’ve jumped to the immediate wrong conclusion. The artist is a friend of my mother. A retired art teacher. I know her because she taught me at high school. Not because she’s one of the infamous “Jesse’s girls”.’

      ‘I...I didn’t think that for one moment. Of course I didn’t.’ Of course she had.

      At the wedding, she had wanted to be with Jesse so much, she had refused to acknowledge his reputation. Until he himself had shown her the truth of it.

      She took a step away from him. His physical presence was so powerful she was uncomfortably aware of him. His muscular arms, tan against the white of his T-shirt. The strength of his chest. His flawless face. Stand too close and she could sense his body heat, breathe the spice of his scent that immediately evoked memories she was desperately trying to suppress.

      She thought quickly. ‘I...I just thought the artist might have been a man because of the sheer size and scale of the painting.’

      ‘Fair enough,’ he conceded, though to her eye he didn’t look convinced. In fact she had the impression he was struggling to contain a retort. ‘If you’re sure you want this painting as the hero, let’s get it up first so we can then balance the others around it.’

      ‘That could work,’ she said. He was right, of course he was right. And she could not let her memories of how he had hurt her hinder her from giving him the courtesy she owed him for his help.

      He stood in front of the wall and narrowed his eyes. After a long pause he pointed. ‘If we centre it there, I reckon we’ll be able to achieve a balanced display.’

      ‘Okay,’ she said.

      It wasn’t a good idea to stand behind him. His rear view was even more appealing than she had remembered. Those broad shoulders, the butt that could sell a million pairs of jeans. She stepped forward so she was beside him. Darn, her shoulders were practically nudging his. Stand in front of him and she’d remember too well how he’d slid his arms around her and nuzzled her neck out on that balcony. How she’d ached for so much more. She settled for taking a few steps sidewards, so quickly she nearly tripped.

      As it happened, she needn’t have bothered with evasive tactics. He headed for a toolbox she hadn’t noticed tucked away behind the counter and took out an electric drill, a hammer, a spirit level, a handful of plastic wall plugs and a jar of nails. ‘It’s a double brick wall with no electrics in the way so we can hang the picture exactly where we want it.’

      ‘I can’t wait to see it up,’ she said.

      She found his continual use of the word ‘we’ disconcerting. No way did she want to be thought as part of a team with Jesse Morgan. But, she had to admit, she was totally lacking in drilling skills. Sandy knew that. And why pay a handyman when Jesse was volunteering his time?

      He pulled a pencil


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