The Bach Manuscript. Scott Mariani
by the spiked iron railing below. A man’s body, fully dressed in beige chinos and a bright blue shirt. Hanging over the railing with his arms and legs dangling limp. A spike protruding either side of his spine. In the amber of the streetlights and swirling blue of the emergency vehicles, the blood that was dripping from the railing and pooling on the ground, running along the cracks between the paving stones and coursing in little rivulets off the edge of the kerb into the gutter, looked oily and colourless.
It was Nick Hawthorne. His head was hanging at an angle that made his face visible, or what was left of it. From his busted nose and teeth, it looked like the fall wasn’t the first injury he received at the hands of the intruders. He looked as though he’d been in a bare-knuckle prize fight, and lost badly in the first round. One eye was swollen completely shut, the other wide open in a frozen stare of terror.
When you hit rock bottom, your deepest dread realised, the nightmare come starkly true, that leaves nowhere else to go. Now there was nothing left to be afraid of. Ben closed his eyes for a moment, stilling himself, gathering his strength. Then he reopened them and felt the fear gone, replaced with icy calmness.
He looked back up at the smashed window above. He could see shapes and shadows moving around up there, which he knew were police officers examining the scene. He couldn’t believe how fast they’d got here.
He stood behind the paramedics as they struggled to get his body off the railing. If they were in a hurry, it was only to get the mess cleared up, not because their patient was in need of urgent medical assistance. He wasn’t going anywhere but the John Radcliffe mortuary, across the city in Headington.
‘Sir?’
Ben turned. The WPC, her face half blue in the lights, wisps of mousey hair sticking out from under her hat. Jabs of static and voices blurping from her radio. She looked drawn and tight-lipped, as if she wanted to throw up and was fighting to hold it in. Ben wondered if this was her first impaling. Cops had a dirty job and saw some pretty bad things. But they couldn’t begin to imagine some of the things he’d seen.
‘Sir, I need you to step back, please.’
‘What happened here?’ Ben asked, already building the scenario in his mind. Nick had said there were intruders, plural, in the apartment. It would have taken at least two men to throw him through the window with enough force to shatter it like that. Perhaps three.
Ben glanced across at the witnesses. The young woman was crying, her male companion awkwardly holding her and patting her back as if to console her, though he looked as shocked as she did. Ben saw two possible options there: either they’d happened on the body after it had already hit the railing, or else maybe they’d seen Nick come out of the window and drop to his death, which would have been twice as horrifying and accounted for the shell-shocked looks on their faces. In that case, they might also have seen the perpetrators running off, which could have happened before, during, or after calling the police.
If the couple had observed Nick’s killers flee the scene, Ben expected that any moment now the cops would hustle them into a police car and whisk them off to the station to help the cops with their enquiries, on what was going to turn out a long and sleepless night for all concerned.
‘I have to ask you to step away, please,’ the female officer repeated more firmly. ‘This is a crime scene.’
Crime scene. If the cops had thought it was a deliberate suicide or simply a case of some stupid drunk falling out of a window, either way they’d be calling it an accident scene. The fact that they were calling it a crime scene confirmed for Ben that the witness couple must have seen Nick fall and the bad guys make their escape moments later. If the police hadn’t turned up so uncharacteristically damn fast, he might have been able to talk to them himself, and get a description of the attackers. That chance was blown now. Ben was upset about it.
‘Okay, officer. I didn’t mean to get in the way.’ Ben stepped back. The female officer gave him a look that said, ‘Don’t go anywhere, we might want to talk to you’ and hurried back to the witnesses.
Moments later, as Ben had expected, the WPC was joined by another officer who led the witness couple to one of the marked Vectras and took off with the flashing blues lighting up the trees along the street. Ben seemed to have been forgotten about for the moment, which suited him fine. He needed to learn more, which wasn’t going to happen standing out here with the uniforms. If the plainclothes guys were upstairs in Nick’s apartment, that was where Ben needed to be too.
Nobody saw Ben as he entered the building and hurried upstairs. He met a couple of Nick’s downstairs neighbours on the first-floor landing, who looked pale and bemused and asked him if he knew what was going on, but he brushed by them without a word.
When he reached Nick’s floor he saw the apartment door lying open and slipped inside, silent as a shadow. Ben’s ability to blend into his environment and move about without being seen or heard had been noted as off-the-scale exceptional by his first instructors in the SAS. Time and practice had made him much better at it since.
The apartment looked as though a small bomb had gone off inside it. Furniture was overturned, paintings torn off the wall, the glass display cabinet broken and knocked on its side with Nick’s music collectables all spilled over the floor. The precious harpsichord had been shunted so roughly to one side, leaving scuff marks on the polished hardwood floor, that one of its three legs had folded under it and the instrument was listing at an angle like a beached ship.
From where Ben stood hovering near the entrance he could see through the open doorway that led to Nick’s kitchen. Halfway down the passage, the spare bedroom door that had been locked earlier was hanging ajar. There was a glow of red light coming from inside the bedroom. Ben wondered what that was about. A strange yet familiar smell hung inside the apartment, and it seemed to come from that open room. He wondered for a moment what that was about, too, until he realised what it was, and put it together with the red light.
In the middle of the devastation of the living room, two plainclothes detectives and another uniformed officer were clustered together deep in conversation. The older detective was doing most of the talking, which told Ben that he was the superior officer. He was a short, reedy individual with dyed black hair oiled over a balding crown and a moustache that twitched as though it was going to fall off when he talked. From the moment Ben saw him, he had the strangest impression that he’d seen him somewhere before. For the moment he couldn’t pin it down, but it would come to him.
The younger plainclothes guy looked to be maybe a couple of years older than Ben, and a couple of inches taller at around six-one. He was dressed more casually than his superior in jeans and desert boots. He had a craggy, weathered face that looked as if it had been beaten out of Kevlar, and watchful eyes that were locked on the older detective with all the expression of a rough plaster wall, but Ben could tell that he wasn’t impressed with the guy.
None of them noticed Ben’s presence, until he stepped towards them and interrupted their conversation with, ‘So what’s with the incredible response time, guys?’
They all turned around. The one with the craggy face showed no change of expression, but the older detective flushed the colour of liver. ‘Who the hell are you?’ he demanded.
‘I might ask you the same question,’ Ben said.
Which might not have been the best way to win the guy’s favour. Ben was still trying to place him. The moustache bristled like a startled cat as the older detective broke away from the group and stepped aggressively towards Ben, puffing himself up to look bigger. ‘I’m Detective Superintendent Forbes, Thames Valley Police, and this is a closed crime scene. Who the hell let you in here?’
‘You’d have to ask them.’
‘What’s your name?’
‘I’m Ben Hope.’
‘Occupation?