More Than a Rock, 2nd Edition. Guy Tal

More Than a Rock, 2nd Edition - Guy Tal


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rel="nofollow" href="#u0f6f65d1-6cc5-5f41-a467-c4d87d063ff0">30On Art and Writing

       31Rethinking Visualization

       32Composition Means Nothing

       33Creative Blocks

       34The Missing Dimensions

       35The Concept

       36Breadth and Depth

       37Isolation

       38The Velvet Handcuffs of Predictability

       39Abstractions

       40Invisible Gorillas

       41To See as Beautiful

       PART IIIEXPERIENCES

       42End-of-Season Reflections

       43What Is Enough

       44Wilderness and Me

       45Coming Home

       46A Measure of Worth

       47Small Joys

       48Early Spring Meanderings

       49Living the Life

       50Listening to the Stories

       51Working from Home

       52The Image and the Experience

       53Solastalgia

       54Canyon Time

       55A Matter of Perspective

       PART IVMEDITATIONS

       56Big Thoughts

       57Heaven and Hell

       58The Meaning of Meaning

       59On Significance

       60The Art and the Life

       61Know This

       62Photography and the Creative Life

       63Stories of My Generation

       64The Wonderful Lightness of Being

       65The Problem with Moments

       66Attention Overload

       67Aboutness

       68Experience, Uninterrupted

       69The Abyss Is Always There

       70Politicizing Art

       71Meditations on Art, Work, and Solace

       72Reentry

       73Photographing Rocks

       About the Author

      Foreword by Chuck Kimmerle

      I don’t remember when I first became aware of Guy Tal or his photography. It seems as if I have always known of him. That fact is not surprising, however, and actually makes perfect sense. Guy isn’t flashy or loud. He neither boasts nor brags. Instead, he’s thoughtful and reserved. Quiet. But make no mistake, Guy’s subtlety is not an artistic weakness, it is his creative strength.

      In these days where photographic talent is often measured by audacious claims and marketing prowess, Guy Tal stands apart. His serene photographs have a depth and significance, which speak to our very souls, and his thoughts and reactions to the current state of landscape photography as an art are well considered, compelling, and insightful.

      The medium of photography has a long tradition of practitioners who were not only masterful photographers, but were also insightful and thoughtful writers—the thinking man’s photographers. Among them we find such greats as John Szarkowski, Minor White, Bill Jay, and Robert Adams. It is no exaggeration to include Guy Tal on this esteemed list.

      Chuck Kimmerle, Photographer

       www.chuckkimmerle.com


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