The Delight Makers. Adolph Francis Alphonse Bandelier

The Delight Makers - Adolph Francis Alphonse Bandelier


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Koshare. Now I have learned more." He leaned his head against the wall, pressed his lips firmly together, and continued, "The holders of the paths of our lives, those who can close them when the time comes for us to go to Shipapu, where there is neither sorrow nor pain, have many agents among us. Pāyatyama our Father, and Sanashtyaya our Mother saw that the world existed ere there was light, and so the tribe lived in the dark. Four are the wombs in which people grew up and lived, ere Maseua and Oyoyāuā his brother led them to where we are now, and this world which is round like a shield is the fourth womb."

      The woman listened with childlike eagerness. Her parted lips and sparkling eyes testified that everything was new to her.

      "Father," she interrupted, "I knew nothing of this. You are very wise. But why are women never told such things?"

      "Don't cut off my speech," he said. "Because women are so forward, that is why many things are concealed from them."

      "But," she continued, heedless of his rebuke, "where are the other three worlds?"

      The woman had listened with breathless attention. At the close, however, she hung her head and sighed. The old man gazed at her in silence. In the outer room the regular breathings of the sleeping boy were heard, otherwise all was as still as a grave.

      At last she lifted her face again.

      "Father," she asked, "are those who are precious to the holders of our paths, are they always good?"

      "I need not tell you about this," he replied, fixing upon her a penetrating glance.

      "I know of nothing evil," she stammered, "unless it be bad men."

      "And yet you have used owl's feathers!"

      Her face grew pale. She asked hoarsely—

      "Where should I keep them?"

      "The Koshare know it," was the equally husky reply.

      She started, her eyes gleamed like living coals.

      "Have the Koshare sent you here, father?"

      "No," was the gloomy answer; "but if the old men come to me and say, 'kill the witch,' I must do it. For you know I am Maseua, head-war-chief, and whatever the principals command I must do, even if it takes the life of my only child!"

      The woman rose to her feet; her attitude was one of defiance.

      "Let the Koshare speak, and do you as you are commanded. The time must come when I shall have to die. The sooner it comes, the sooner shall I find rest and peace with our mother at Shipapu."

      Her father also had risen, he clutched his cotton garment as if a sudden chill went through his body. Without a word he turned and went off dejected, stooping, with a heavy sigh.

      The woman dropped to the floor beside the hearth with a plaintive moan. She drew her hair over her face, weep she could not. The embers on the hearth glowed again, casting a dull light over the chamber.

      Say Koitza, as this wretched woman was called, was the only child of him with whom she had just had this dismal interview. His name was Topanashka Tihua, and he was maseua, or head-war-chief, of the tribe. In times of peace the maseua is subordinate to the tapop, or civil governor, and as often as the latter communicates to him any decision of the tribal council he is bound to execute it. Otherwise the maseua is really a superior functionary, for he stands in direct relation to the religious powers of which we shall hereafter speak, and these in reality guide and command through oracles and prophetic utterances. In war the maseua has supreme command, and the civil chief and the diviners, or medicine-men, must obey him implicitly as soon as any campaign is started.

      Topanashka was a man of great physical vigour notwithstanding his age. He was highly respected for his skill and bravery, and for his stern rectitude and obedience to strict duty. He feared nothing except the supernatural powers of evil. There is nothing the Indian fears, nay hates, so much as sorcery. Topanashka could scarcely believe that his daughter had tampered with magic by causing the dark-coloured corn to speak, and keeping owl's feathers in her possession. Still, if such were really the case, he knew of no other course to pursue but to execute the penalty which according to Indian ideas she deserved, and which the leading men of the tribe composing its council would undoubtedly mete out to her—death; a cruel, terrible death. But she was his only child, and ere he placed faith in the suspicion communicated to him in secret by one of the shamans in the tribe, he wanted to satisfy himself from her own behaviour whether it was true or not. To his deepest sorrow Say Koitza's behaviour seemed to prove that she was not falsely accused. It was a terrible blow to the old man, who for the first time in his life rose from a task bewildered and hopeless. Duty was to him paramount, and yet he could not utterly stifle the longing to save his only child from a cruel and ignominious fate.

      His daughter too felt utterly wretched, and despondent in the highest degree. For the accusation against her was true. She had practised the dread art; and yet, strange to say, while conscious of guilt, in the bottom of her heart she felt herself innocent. Let us recall the past life of the unhappy being to see whether there is in it anything to explain this apparent anomaly.

      When Say Koitza was fourteen years of age her husband Zashue Tihua began to pay her his first attentions. He called at her mother's home oftener than any other youth of her tribe, and one afternoon, when she was returning from the brook with a jar filled with water on her head, he stopped her, dipped some water out of the urn, drank it, and whispered something to which she gave no reply, hurrying home as rapidly as possible. She could not speak to her mother about this, for her mother was hopelessly deaf, and it would not have been proper to consult her father, since the father belonged of course to another clan. A whole night and one full day Say pondered over the case; at last her mind was made up. The girl took a dish filled with corn-cakes and rolls of sweet paste of the yucca-fruit,


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