Life of Adam Smith. John Rae
Smith is too busy or too indolent, but I flatter myself Dr. Black will be happy to make out this memorial for you. Let me know if I have any chance of seeing you this winter. I have none of being at Glasgow, and therefore wish you and Mr. Smith would come here, or you by yourself would come here in the Christmas vacance."
The memorial alluded to in this letter was no doubt a memorial to Government in behalf of a project then promoted by the Earl of Selkirk and other friends of Foulis, of settling a salary on him for directing an institution so useful to the nation as the Academy of Design. Whether Smith overcame his alleged indolence and drew up the memorial I cannot say, but this whole letter shows that Smith and Black were the two friends in Glasgow whom Foulis was in the habit of principally consulting, and the last sentence seems to indicate that Smith's hand in the business was hardly less intimate than Dalrymple's own. It may be noticed too how completely Sir John Dalrymple's ideas of Smith, as implied in this letter, differ from those which are current now, and how he sends a tradesman to the philosopher for advice on practical points in his trade. As to pure questions of art, whether this work or that is finest, he thinks Foulis himself may possibly be the best judge, but when it comes to a question as to which will sell the best—and that was the question for the success of the project—then he is urged to take the practical mind of Smith to his counsels. Though Smith's leanings were not to practical life, his judgment, as any page of the Wealth of Nations shows, was of the most eminently practical kind. He had little of the impulse to meddle in affairs or the itch to manage them that belongs to more bustling people, but had unquestionably a practical mind and capacity.
If Smith was consulted by Foulis in this way about the management of the Academy of Design, we may safely infer that he had also more to do with the Foulis press than merely visiting the office to see the famous Iliad while it was on the case. Smith's connection with Foulis began before he went to Glasgow, by the publication of Hamilton of Bangour's poems by the University press, and I think it not unreasonable to see traces of Smith's suggestion in the number of early economic books which Foulis reissued after the year 1750, works of writers like Child, Gee, Mun, Law, and Petty.
In the University type-foundry Smith took an active interest, because he was a warm friend and associate of the accomplished type-founder. Wilson had been bred a physician, but gave up his practice to become type-founder, and devoted himself besides, as I have just mentioned, to astronomy, to which Smith also at this period of his life gave some attention. Smith indeed was possibly then writing his fragment on the history of astronomy, which, though not published till after his death, was, we are informed by Dugald Stewart, the earliest of all his compositions, being the first part of an extensive work on the history of all the sciences which he had at this time projected. Wilson, having gone to large expense both of time and money to cast the Greek type for the University Homer, and having never found another customer for the fount except the University printer, went up to London in 1759 to push around, if possible, for orders, and was furnished by Smith with a letter of recommendation to Hume, who was then residing there. Hume writes to Smith on the 29th of July: "Your friend Mr. Wilson called on me two or three days ago when I was abroad, and he left your letter. I did not see him till to-day. He seems a very modest, sensible, ingenious man. Before I saw him I spoke to Mr. A. Millar about him, and found him much disposed to serve him. I proposed particularly to Mr. Millar that it was worthy of so eminent a bookseller as he to make a complete elegant set of the classics, which might set up his name equal to the Alduses, Stevenses, or Elzevirs, and that Mr. Wilson was the properest person in the world to assist him in such a project. He confessed to me that he had sometimes thought of it, but that his great difficulty was to find a man of letters that could correct the press. I mentioned the matter to Wilson, who said he had a man of letters in his eye one Lyon, a nonjuring clergyman of Glasgow. I would desire your opinion of him."[60]
When Wilson came to reside in the College in 1762, after his appointment to the chair of Astronomy, he found it inconvenient to go to and fro between the College and Camlachie to attend to the type-foundry, and petitioned the Senate to build him a founding-house in the College grounds, basing his claim on their custom of giving accommodation to the arts subservient to learning, on his own services to the University in the matter of the Greek types before mentioned, and on his having undertaken, in spite of the discouraging results of that speculation, to cast a large and elegant Hebrew type for the University press. He estimated that the building would cost no more than the very modest sum of £40 sterling, and he offered to pay a fair rent. This memorial came up for consideration on the 5th of April, and it was Smith who proposed the motion which was ultimately carried, to the effect that the University should build a new foundry for Mr. Wilson on the site most convenient within the College grounds, at an expense not exceeding the sum of £40 sterling, on condition (1) that Mr. Wilson pay a reasonable rent, and (2) that if the house should become useless to the College before the Senate were sufficiently recouped for their expenditure, Mr. Wilson or his heirs should be obliged to make adequate compensation. The foundry was erected in the little College garden next the Physic Garden; it cost £19 more than the estimate, and was let for £3:15s. a year, from which it would appear that 6½ per cent on the actual expenditure (irrespective of any allowance for the site) was considered a fair rent by the University authorities in those days.
The Senate of this little college, which was thus actively encouraging every liberal art, which had in a few years added to the lecture-room of Hutcheson and Smith the laboratory of Black, the workshop of Watt, the press of Foulis, the academy of painting, sculpture, and engraving, and the foundry and observatory of Wilson, entertained in 1761 the idea of doing something for the promotion of athletics among the students, and had under consideration a proposal for the establishment of a new academy of dancing, fencing, and riding in the University. One of the active promoters of this scheme appears again to have been Adam Smith, for it is he who is chosen by the Senate on the 22nd December 1761 to go in their name and explain their design to the Rector, Lord Erroll, and request his assistance. This idea seems, however, to have borne no fruit. Dancing was an exercise they required to be observed with considerable moderation, for they passed a rule in 1752 that no student should be present at balls or assemblies or the like more than thrice in one session, but they treated it with no austere proscription.
One art alone did they seek to proscribe, the art dramatic, and in 1762 the Senate was profoundly disturbed by a project then on foot for the erection of the first permanent theatre in Glasgow. The affair originated with five respectable and wealthy merchants, who were prepared to build the house at their own expense, the leading spirit of the five being Robert Bogle of Shettleston, who had himself, we are told by Dr. Carlyle, played "Sempronius" in a students' performance of Cato within the walls of Glasgow College in 1745. Carlyle played the title rôle, and another divinity student, already mentioned as a college friend of Smith's, Dr. Maclaine of the Hague, played a minor part. But an amateur representation of an unexceptionable play under the eye of the professors was one thing, the erection of a public playhouse, catering like other public playhouses for the too licentious taste of the period, was another, and the project of Mr. Bogle and his friends in 1762 excited equal alarm in the populace of the city, in the Town Council, and in the University. The Council refused to sanction a site for the theatre within the city bounds, so that the promoters were obliged to build it a mile outside; but the anger of the multitude pursued them thither, and on the very eve of its opening in 1764 by a performance in which Mrs. Bellamy was to play the leading part, it was set on fire by a mob, at the instigation of a wild preacher, who said he had on the previous night been present in a vision at an entertainment in hell, and the toast of the evening, proposed in most flattering terms from the chair, was the health of Mr. Millar, the maltster who had sold the site for this new temple of the devil.
During the two years between the projection of this building and its destruction it caused the Senate of the College no common anxiety, and Smith went along with them in all they did. On the 25th of November 1762 he was appointed, with the Principal and two other professors, as a committee, to confer with the magistrates concerning the most proper methods of preventing the establishment of a playhouse in Glasgow, and at the same time to procure all the information in their power concerning the privileges of the University