The Private Library. Arthur Lee Humphreys
advice could possibly be given to a book collector. By all means find a man whom you can trust, and whose knowledge is ample, and stick to him. Do not yourself bid in the auction room, or you will soon find out your mistake. Place your list of wants and your list of commissions in the hands of one good man whom you have reason to trust, and you will then get your money's worth.
I have said that it is impossible to set down all the causes which affect the prices of books, but in an old French bibliographical book, by D. Clement,[5] the subject is gone into more minutely than it has ever since been treated. First, there are causes which may be classed under the heading of Rarity. Secondly, there are causes which must be grouped under the head Condition.
According to Clement, there are two sorts of rarity in books; the one absolute, the other conditional or contingent. There are rare editions of very common books. There are books of almost common occurrence in public libraries, which are rarely seen in the market. A book or an edition of which but very few copies exist is called 'necessarily rare;' one which is only with difficulty to be met with—however many copies may be extant—he calls 'contingently rare.'
Under the first head he classes; (1) Books of which few copies were printed; (2) Books which have been suppressed; (3) Books which have been almost entirely destroyed by casual fire, or other accident; (4) Books of which a large portion of the impression has been wasted—usually for want of success when published; (5) Volumes of which the printing was never completed; (6) Copies on large paper or on vellum.
Under the second head, he enumerates; (1) Books on subjects which interest only a particular class of students; (2) Books in languages which are little known; (3) Heretical, licentious, and libellous books; (4) First editions of a classic author from MS.; (5) First productions of the printing press in a particular town; (6) The productions of the celebrated printers of the sixteenth century; (7) Books in the vernacular language of an author who printed them in a foreign country; (8) Books privately printed; (9) Works, the various parts of which have been published under different titles, in different sizes, or in various places.
Clement then analyses the degrees of rarity thus: (1) Every book, which is no longer current in the trade, and requires some pains in the search for it, is 'of infrequent occurrence;' (2) If there are but few copies in the country in which we live, and those not easily met with, it is 'rare;' (3) If the copies are so dispersed that there are but few of them, even in the neighbouring countries, so that there is increased difficulty to procure them, it is 'very rare;' (4) If the number of copies be but fifty or sixty, and those scattered, it is 'extremely rare;' (5) And finally, every work of which there are not ten copies in the world is 'excessively rare.' In all these cases, it must be supposed that the book is a book sought for, and that the seekers are more numerous than the sought.[6]
In the matter of Condition and its effect upon price, long training is required before all the qualities of a copy can be properly defined. There are copies on 'vellum,' 'large paper,' 'fine paper,' 'coloured paper.' There are 'crisp' copies, 'uncut' copies, 'tall' copies, 'ruled' copies, and 'illustrated' copies, cum multis aliis.[7]
Fashion determines much as to price. As soon as it becomes a fad to collect books relating to some particular subject, competition instantly steps in, and prices go up. It may be well to state, for the benefit of a very numerous and uninitiated public, that, because a book is old, it is not necessarily rare. There are many thousands of people who have most imperfect and valueless books, mostly on theology, or some controversial abominations, and these people spend days wasting their own and booksellers' time in seeking to sell at prices which their own imagination alone has determined is right. Distrust the advertisements of large paper editions. Very few of them are worth purchasing, and very few, indeed, increase in value. Fight against the first-edition craze, which is the maddest craze that ever affected book collecting. Again and again it must be repeated, and cannot be gainsaid, that a first edition may be the best, but in most cases it is the worst. In every case, inquire and find out which is the best edition as to completeness, good paper and print, and safe editing, if such has been necessary, and then purchase a copy of that edition. One remark finally. The prices of all good books are going up, and any one who lays out money with care within the next ten years will have the enjoyment of his library and a good investment as well.
On the Care of Books.
The two things most neglected in houses are the trimming of lamps and the care of the books. The condition of many libraries in large country houses is most lamentable. In such neglect are they that it would take months, and in some cases years, working day and night, to restore them to a healthy condition. For, poor things! they are really so neglected, that their covers become like the limbs of rheumatic people. If you touch them they seem to shriek and cry with pain. They are either parched for lack of a proper atmosphere, or else they are sticking together with the damp or thickly covered with dust.[8] There is nothing else in a house like this, and why are these things so? It is because there are so few people who understand the care of books. I once read the following in a daily paper, and thought I recognised in it a familiar hand, that of Mr. Andrew Lang:—
'The foes of books are careless people—first of all. They tear pages open with their thumbs, or cut them with sharp knives which damage the margins. It is so difficult to keep paper knives, and ivory paper knives are the favourite pasture of some scholars, who bite the edges till the weapon resembles a dissipated saw. To avoid this temptation some employ mediæval daggers, or skene dhus, but the edges spoil a book. Cigarette ashes are very bad for books, so is butter, also marmalade. Dr. Johnson and Wordsworth are said to have been very careless with their books. Dr. Johnson used to clean his from dust by knocking them together, as Mr. Leighton says housemaids do. Scott was very careful; he had a number of wooden dummies made, and, when a volume was borrowed, he put the dummy in its place on the shelf, inscribing it with the name of the borrower. He also defended his shelves with locked brazen wires. "Tutus clausus ero" ("I shall be safe if shut up"), his anagram, was his motto, under a portcullis. Borrowers, of course, are nearly the worst enemies of books, always careless, and very apt to lose one volume out of a set. Housemaids are seldom bibliophiles. Their favourite plan is to dust the books in the owner's absence, and then rearrange them on fancy principles, mostly upside down. One volume of Grote will be put among French novels, another in the centre of a collection on sports, a third in the midst of modern histories, while others are "upstairs and downstairs, and in my lady's chamber." The diversity of sizes, from folio to duodecimo, makes books very difficult to arrange where room is scanty. Modern shelves in most private houses allow no room for folios, which have to lie, like fallen warriors, on their sides.'
All that is very true, particularly about housemaids. Indeed, I have rarely found any woman who cared sufficiently for her books to really fondly tend them.
The principal enemy which books have is Damp. This means ruination, more perhaps to the paper than to the binding, though both suffer. A fungus growth comes on the leather, and inside there come stains and 'fox' marks. Damp is caused (1) through lack of fires or warmth; (2) through too many sides of a room being exposed to the elements without having the walls battened; (3) the thaw following a frost, proper means for warmth not being adopted during the frost. The only remedy for damp is the trying process of opening each volume and suspending it open, after wiping with a dry cloth each page affected. The next worst enemies are gas and heat.
Gas alone, provided the books are not placed high up, will not be nearly so destructive as it is generally supposed; but all atmospheres heated too highly are destructive. Mr. Poole, a very experienced American librarian, has reported as follows, and, I think, very rightly:—
'The burning of many gas lights doubtless has a tendency to increase the evil by increasing the heat. Yet the deterioration of bindings goes on in the libraries where gas is never used. This fact shows that the chief injury arises from heat, and not merely from the sulphurous residuum of gas combustion.'
Mr. Poole made an experiment in the upper gallery