Elements of Military Art and Science. H. W. Halleck

Elements of Military Art and Science - H. W. Halleck


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good to be obtained, or, as would be a better expression for many cases, to the good that is to be borne—no great and essential good falls ever to the share of man. Suffering, merely as suffering, is not an evil. Our religion, philosophy, every day's experience, prove it. No maternal rejoicing brightens up a mother's eve without the anxiety of labor."

      For further discussion of this subject the reader is referred to Lieber's Political Ethics, Part II., book vii. chap. 3; Paley's Moral and Political Philosophy; Legare's Report of June 13, 1838, in the House of Representatives; Mackintosh's History of the Revolution of 1688, chap. x.; Bynkershock; Vatel; Puffendorf; Clausewitz; and most other writers on international law and the laws of war.

      Dr. Wayland's view of the question is advocated with much zeal by Dymond in his Inquiry into the Accordancy of War with the Principles of Christianity; Jay's Peace and War; Judd's Sermon on Peace and War; Peabody's Address, &c.; Coue's Tract on What is the Use of the Navy? Sumner's True Grandeur of Nations.

       Table of Contents

      STRATEGY

      War has been defined, "A contest between nations and states carried on by force." But this definition is by some considered defective, inasmuch as it would exclude all civil wars.

      When war is commenced by attacking a nation in peace, it is called offensive, and when undertaken to repel invasion, or the attacks of an enemy, it is called defensive. A war may be essentially defensive even where we begin it, if intended to prevent an attack or invasion which is under preparation. Besides this general division of war, military writers have made numerous others, such as—

      Wars of intervention, in which one state interferes in favor of another. This intervention may either have respect to the internal or to the external affairs of a nation. The interference of Russia in the affairs of Poland, of England in the government of India, Austria and the allied powers in the affairs of France during the Revolution and under the empire, are examples under the first head. The intervention of the Elector Maurice of Saxony against Charles V., of King William against Louis XIV., in 1688, of Russia and France in the seven years' war, of Russia again between France and Austria, in 1805, and between France and Prussia, in 1806, are examples under the second head. Most liberal-publicists consider intervention in the internal affairs of nations as indefensible; but the principle is supported by the advocates of the old monarchies of Europe.

      Wars of insurrection to gain or to regain liberty; as was the case with the Americans in 1776, and the modern Greeks in 1821.

      Wars of independence from foreign dictation and control as the wars of Poland against Russia, of the Netherlands against Spain, of France against the several coalitions of the allied powers, of the Spanish Peninsula against France and of China and India against England. The American war of 1812 partook largely of this character, and some judicious historians have denominated it the war of Independence, as distinguished from the war of the Revolution.

      Wars of opinion, like those which the Vendeans have sustained in support of the Bourbons, and those France has sustained against the allies, as also those of propagandism, waged against the smaller European states by the republican hordes of the French Revolution. To this class also belong—

      Religious wars, like those of Islamism, of the crusades, and of the Reformation.

      Wars of conquest, like those of the Romans in Gaul, of the English in India, of the French in Egypt and Africa, and of the Russians in Circassia.

      National wars, in which the great body of the people of a state engage, like those of the Swiss against Austria and the Duke of Burgundy, of the Catalans in 1712, of the Americans against England, of the Dutch against Phillip II., and of the Poles and Circassians against Russia.

      Civil wars, where one portion of the state fights against the other, as the war of the Roses in England, of the league in France, of the Guelphs and Ghibelines in Italy, and of the factions in Mexico and South America.

      It is not the present intention to enter into any discussion of these different kinds of war, but rather to consider the general subject, and to discuss such general principles and rules as may be applicable to all wars.

      War in its most extensive sense may be regarded both as a science and an art. It is a science so far as it investigates general principles and institutes an analysis of military operations; and an art when considered with reference to the practical rules for conducting campaigns, sieges, battles, &c. So is engineering a science so far as it investigates the general principles of fortification, and also artillery, in analyzing the principles of gunnery; but both are arts when considered with reference to the practical rules for the construction, attack, and defence of forts, or for the use of cannon.

      This distinction has not always been observed by writers on this subject, and some have asserted that strategy is the science, and tactics the art of war. This is evidently mistaking the general distinction between science, which investigates principles, and art, which forms practical rules.

      In popular language, however, it is usual to speak of the military art when we refer to the general subject of war, and of the military sciences when we wish to call attention more particularly to the scientific principles upon which the art is founded. We shall here consider the military art in this general sense, as including the entire subject of war.

      As thus defined, the military art may be divided into four distinct branches, viz.: 1st. Strategy; 2d. Fortification, or Engineering; 3d. Logistics; 4th. Tactics. Several general treatises on this art add another branch, called The Policy of War, or the relations of war with the affairs of state.

      Strategy is defined to be the art of directing masses on decisive points, or the hostile movements of armies beyond the range of each other's cannon. Engineering embraces all dispositions made to enable troops to resist a superior force the longest time possible; and also the means resorted to by the opposing army to overcome these material obstacles. Logistics embraces the practical details of moving and supplying armies. Tactics is the art of bringing troops into action, or of moving them in the presence of an enemy, that is, within his view, and within the reach of his artillery. All these are most intimately connected. A fault in tactics may occasion the loss of strategic lines; the best combined manœuvres on the field of battle may lead to no decisive results, when the position, or the direction of the operation is not strategic; sometimes not only battles, but entire campaigns, are lost through neglect of the engineer's art, or faults in his dispositions; again, armies would be of little use without the requisite means of locomotion and of subsistence.

      1. Strategy regards the theatre of war, rather than the field of battle. It selects the important


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