The Jews of Barnow: Stories. Karl Emil Franzos
Moses is a very remarkable man," says the district judge to the new registrar. "I scarcely know whether to call him eccentric or not. You won't believe it, but he knows as much law as the best barrister in the land. And besides that, he's the richest man in the country-side. He is said to be worth millions! And yet he slaves week-in, week-out, as though he hadn't the wherewithal to buy his Sabbath dinner."
"A niggardly money-grubber like all the Jews," says the registrar, making the smoke of his cigar curl slowly in the air.
"H'm! By no means. He is generous. I must confess that he is very generous. But his generosity gives him no more pleasure than his wealth. Yet he goes on speculating as before. And for whom, if you please—for whom?"
"Has he no children?" inquires the other.
"Yes. That's to say, he has and he hasn't. Ask him, and he will tell you that he has none. But you don't know his story, do you? … Every one here knows it—but then, you see, you come from Lemberg. I suppose that you never heard any one speak of the old man's daughter, beautiful Esther Freudenthal, when you were there? The whole affair is very romantic; I must tell it you. … "
The old man, whose story every one knows, is still leaning against the doorway of his house, watching the flower-laden branches of the fruit-trees in the cloister garden as they sway in the breeze. What is he thinking of? It can not be of his business; for his eyes are wet with unshed tears, and his lips tremble for a moment as though with stifled grief. He shades his eyes with his hand, as if the sunlight were blinding him. Then he draws himself up, and shakes his head, as though trying to rid himself of the sad thoughts that oppress him.
"Make haste, the Sabbath is drawing nigh," he says to the painter as he approaches to examine his work more closely.
The little humpback, who wears a shabby frogged coat of a fashion only known in Poland, has just finished the folding-doors, and now limps away to the window-shutters, paint-pot in hand. These shutters had formerly been colored a bright crimson, and their faded surface still bears the almost illegible inscription in white letters: "For ready money to-day—to-morrow gratis." Their glory has long since departed, and the little man, quickly filling his brush with the vivid green, begins to paint over them, saying as he works, "Do you remember, Pani Moschko, that I painted this too?" and with that he points to the dirty brown-red of the first coloring.
But Moses is thinking of other things, and scarcely heeding him, answers with an indifferent, "Really."
"Of course I did," continues the little man eagerly. "Don't you remember? I painted it fifteen years ago on just such another beautiful day as this is. The house was quite new, and I was a young fellow then. When I had finished my work, you looked at it, and said, 'I am pleased with you, Janko.' You were standing in front of the door, just where you are now, I verily believe, and your little Esterka was beside you. Holy Virgin! how lovely the child was! And how pleasant it was to hear her laugh when she saw the white letters appearing one after the other on the red ground! She asked what they meant, the darling! You gave me three Theresien zwanzigers[2] for my work. I remember it as distinctly as if it were yesterday. I thought then that it was my last job in Barnow; for old Herr von Polanski wanted to send me to the school of design at Cracow. But soon afterward he lost every farthing he possessed, and was even obliged to sell his daughter Jadwiga in order to get food to eat, and so I remained a house-painter. Ah yes! man proposes and. … Deuce take it! The old man's gone, and here I am gossiping away to the empty air. I suppose that the Jew is counting his money as usual. … "
But Janko is mistaken. Moses Freudenthal is not counting his treasures at this moment. Indeed he would probably give up all that he possesses without a sigh could he thereby rid his life of what has made him poorer and more wretched than the beggar at his gates. He has taken refuge in the large dusky sitting-room, into which no ray of sunlight, and no sound of the human voice, can penetrate. He can now throw himself into his arm-chair, and sob from the bottom of his heart without any one asking him what is the matter; he can let his head fall upon his breast, tear his hair, or cover his face with his hands. … He does not weep, or pray, nor yet does he curse; he moans out in pain, the words echoing in the quiet room, "How pleasant it was to hear the child's laugh! … " Thus he sits alone in the twilight. At last he gets up and raises his eyes as if in prayer—nay, rather as a man who demands a right. "O God!" he cries, "I do not ask that she may come back to me, for I made my servants drive her from my door; I do not ask that she may be happy, for she has sinned grievously in the sight of God and man; I do not ask that she may be unhappy, for she is my own flesh and blood; I only ask that she may die, so that I may not have to curse my only child. Let her die, O God, let her die, or let me! … "
Meanwhile the district judge is concluding his story in the room above. "No one knows what has become of the pretty little girl. She is forgotten; her father even doesn't seem to remember her existence. They're a heartless race these Jews; they're all alike. … "
It has grown dusk in the town, but there is no gloom in the hearts of its Jewish inhabitants. The dismal irregularly built houses of the Ghetto are now enlivened by thousands of candles, and thousands of happy faces. The Sabbath has begun in the hearts of these people and in their rooms, a common and usual occurrence, and yet a mysterious and blessed influence that drives away all that is poor and mean in everyday life. To-day, every hovel is lighted up, and every heart made glad with sufficiency of food. The teacher of the law has forgotten his hunger, the water-carrier his hard work, the peddler the blows and derision that continually fall to his lot, and the rich usurer his gain. To-day all are equal; all are the happy trustful sons of the same Almighty Father. The feeble light of the tallow-candle in its rude candlestick, and the soft light of the wax-candle in the silver candelabra, illumine the same picture. The daughters of the house and the little boys sit silently watching their mother, as she, in obedience to the beautiful old custom handed down from generation to generation, blesses the candles. The father then takes the large prayer-book down from the book-shelf and gives it to his eldest son to carry to the synagogue for him. After that they all go out into the street, the men and women keeping apart, as the strict law commands. Their words are few, and those they utter are grave and quiet. To-day neither grief nor joy finds vent in speech, for all hearts are full of the divine peace of the Sabbath. …
The large white house opposite the Dominican monastery is also illuminated. But the candles were lighted by a stranger, for there is no mistress there to speak the customary blessing. The finest linen covers the tables in the best parlor, which is handsomely furnished, but no child's merry laugh, and no loving word is heard there. The melancholy sound of the sputtering candles alone disturbs the stillness.
But the old man who now enters the room in his Sabbath suit has been accustomed to this state of things for years—for five long years. At first he used involuntarily to turn and listen for the sound of the voice he loved so well; for it was on an evening such as this that his child had left him. But this evening he crosses the room quickly, and taking the heavy leather-bound prayer-book from the shelf, leaves the room at once. Does he fear that to-day of all days the ghosts of the past will come forth to meet him from every corner of the well-lighted room?
If that be the case, it is foolish to fly from them, Moses Freudenthal! See, they dog your footsteps wherever you go through the narrow gloomy little streets. They whisper in your ear, even though you strive to drown their voices by entering into conversation with the passers-by. They appear before your very eyes in spite of your fixing them upon the votive tablets fastened to the pillars in the house of God! And when you pass through the congregation and take your seat in your accustomed place, they flutter around your head, look at you out of the very letters of your prayer-book, and speak to you in the voice of the officiating minister! …
"Praise ye the Lord. Break out into joy, gladness, and song. For He judgeth the world with righteousness and the people with His truth."
"And the solitary," cries a secret voice in the heart of the unhappy man, "shall He break in pieces!" His eyes are fixed upon his book, his lips whisper the words of prayer; but he does not pray, he can not! The whole of his past life rises ghost-like before his mental vision, and in such vivid detail as to cause