The Grammar of English Grammars. Goold Brown
it employs. In these relations, grammar is an art; and as such, has long been defined, "ars rectè scribendi, rectèque loquendi" the art of writing and speaking correctly. Thirdly, It is as navigation, to the ocean, which nautic skill alone enables men to traverse. In this relation, theory and practice combine, and grammar becomes, like navigation, a practical science. Fourthly, It is as a chart, to a coast which we would visit. In this relation, our grammar is a text-book, which we take as a guide, or use as a help to our own observation. Fifthly, It is as a single voyage, to the open sea, the highway of nations. Such is our meaning, when we speak of the grammar of a particular text or passage.
4. Again: Grammar is to language a sort of self-examination. It turns the faculty of speech or writing upon itself for its own elucidation; and makes the tongue or the pen explain the uses and abuses to which both are liable, as well as the nature and excellency of that power, of which, these are the two grand instruments. From this account, some may begin to think that in treating of grammar we are dealing with something too various and changeable for the understanding to grasp; a dodging Proteus of the imagination, who is ever ready to assume some new shape, and elude the vigilance of the inquirer. But let the reader or student do his part; and, if he please, follow us with attention. We will endeavour, with welded links, to bind this Proteus, in such a manner that he shall neither escape from our hold, nor fail to give to the consulter an intelligible and satisfactory response. Be not discouraged, generous youth. Hark to that sweet far-reaching note:
"Sed, quanto ille magis formas se vertet in omnes,
Tanto, nate, magis contende tenacia vincla."
VIRGIL. Geor. IV, 411.
"But thou, the more he varies forms, beware
To strain his fetters with a stricter care."
DRYDEN'S VIRGIL.
5. If for a moment we consider the good and the evil that are done in the world through the medium of speech, we shall with one voice acknowledge, that not only the faculty itself, but also the manner in which it is used, is of incalculable importance to the welfare of man. But this reflection does not directly enhance our respect for grammar, because it is not to language as the vehicle of moral or of immoral sentiment, of good or of evil to mankind, that the attention of the grammarian is particularly directed. A consideration of the subject in these relations, pertains rather to the moral philosopher. Nor are the arts of logic and rhetoric now considered to be properly within the grammarian's province. Modern science assigns to these their separate places, and restricts grammar, which at one period embraced all learning, to the knowledge of language, as respects its fitness to be the vehicle of any particular thought or sentiment which the speaker or writer may wish to convey by it. Accordingly grammar is commonly defined, by writers upon the subject, in the special sense of an art—"the art of speaking or writing a language with propriety or correctness."—Webster's Dict.
6. Lily says, "Grammatica est rectè scribendi atque loquendi ars;" that is, "Grammar is the art of writing and speaking correctly." Despauter, too, in his definition, which is quoted in a preceding paragraph, not improperly placed writing first, as being that with which grammar is primarily concerned. For it ought to be remembered, that over any fugitive colloquial dialect, which has never been fixed by visible signs, grammar has no control; and that the speaking which the art or science of grammar teaches, is exclusively that which has reference to a knowledge of letters. It is the certain tendency of writing, to improve speech. And in proportion as books are multiplied, and the knowledge of written language is diffused, local dialects, which are beneath the dignity of grammar, will always be found to grow fewer, and their differences less. There are, in the various parts of the world, many languages to which the art of grammar has never yet been applied; and to which, therefore, the definition or true idea of grammar, however general, does not properly extend. And even where it has been applied, and is now honoured as a popular branch of study, there is yet great room for improvement: barbarisms and solecisms have not been rebuked away as they deserve to be.
7. Melancthon says, "Grammatica est certa loquendi ac scribendi ratio, Latinis Latinè." Vossius, "Ars benè loquendi eóque et scribendi, atque id Latinis Latinè." Dr. Prat, "Grammatica est rectè loquendi atque scribendi ars." Ruddiman also, in his Institutes of Latin Grammar, reversed the terms writing and speaking, and defined grammar, "ars recè loquendi scribendique;" and, either from mere imitation, or from the general observation that speech precedes writing, this arrangement of the words has been followed by most modern grammarians. Dr. Lowth embraces both terms in a more general one, and says, "Grammar is the art of rightly expressing our thoughts by words." It is, however, the province of grammar, to guide us not merely in the expression of our own thoughts, but also in our apprehension of the thoughts, and our interpretation of the words, of others. Hence, Perizonius, in commenting upon Sanctius's imperfect definition, "Grammatica est ars rectè loquendi," not improperly asks, "et quidni intelligendi et explicandi?" "and why not also of understanding and explaining?" Hence, too, the art of reading is virtually a part of grammar; for it is but the art of understanding and speaking correctly that which we have before us on paper. And Nugent has accordingly given us the following definition: "Grammar is the art of reading, speaking, and writing a language by rules."—Introduction to Dict., p. xii.[1]
8. The word rectè, rightly, truly, correctly, which occurs in most of the foregoing Latin definitions, is censured by the learned Richard Johnson, in his Grammatical Commentaries, on account of the vagueness of its meaning. He says, it is not only ambiguous by reason of its different uses in the Latin classics, but destitute of any signification proper to grammar. But even if this be true as regards its earlier application, it may well be questioned, whether by frequency of use it has not acquired a signification which makes it proper at the present time. The English word correctly seems to be less liable to such an objection; and either this brief term, or some other of like import, (as, "with correctness"—"with propriety,") is still usually employed to tell what grammar is. But can a boy learn by such means what it is, to speak and write grammatically? In one sense, he can; and in an other, he cannot. He may derive, from any of these terms, some idea of grammar as distinguished from other arts; but no simple definition of this, or of any other art, can communicate to him that learns it, the skill of an artist.
9. R. Johnson speaks at large of the relation of words to each other in sentences, as constituting in his view the most essential part of grammar; and as being a point very much overlooked, or very badly explained, by grammarians in general. His censure is just. And it seems to be as applicable to nearly all the grammars now in use, as to those which he criticised a hundred and thirty years ago. But perhaps he gives to the relation of words, (which is merely their dependence on other words according to the sense,) an earlier introduction and a more prominent place, than it ought to have in a general system of grammar. To the right use of language, he makes four things to be necessary. In citing these, I vary the language, but not the substance or the order of his positions. First, That we should speak and write words according to the significations which belong to them: the teaching of which now pertains to lexicography, and not to grammar, except incidentally. "Secondly, That we should observe the relations that words have one to another in sentences, and represent those relations by such variations, and particles, as are usual with authors in that language." Thirdly, That we should acquire a knowledge of the proper sounds of the letters, and pay a due regard to accent in pronunciation. Fourthly, That we should learn to write words with their proper letters, spelling them as literary men generally do.
10. From these positions, (though he sets aside the first, as pertaining to lexicography, and not now to grammar, as it formerly did,) the learned critic deduces first his four parts of the subject, and then his definition of grammar. "Hence," says he, "there arise Four Parts of Grammar; Analogy, which treats of the several parts of speech, their definitions, accidents, and formations; Syntax, which treats of the use of those things in construction, according to their relations; Orthography, which treats of spelling; and Prosody, which treats of accenting in pronunciation. So, then, the true definition of Grammar is this: Grammar is the art of expressing the relations of things in construction, with due accent in speaking, and orthography in writing, according to the custom of those