The Grammar of English Grammars. Goold Brown
with them all, and with all the letters. Now it is either easy to count them, or it is difficult. If difficult, wherein does the difficulty lie? and how shall he who knows not what and how many they are, think himself capable of reforming our system of their alphabetic signs? If easy, why do so few pretend to know their number? and of those who do pretend to this knowledge, why are there so few that agree? A certain verse in the seventh chapter of Ezra, has been said to contain all the letters. It however contains no j; and, with respect to the sounds, it lacks that of f, that of th sharp, and that of u in bull. I will suggest a few additional words for these; and then both all the letters, and all the sounds, of the English language, will be found in the example; and most of them, many times over: "'And I, even I, Artaxerxes, the king, do make a decree to all the treasurers' who 'are beyond the river, that whatsoever Ezra the priest, the scribe of the law of the God of heaven, shall require of you, it be done speedily' and faithfully, according to that which he shall enjoin." Some letters, and some sounds, are here used much more frequently than others; but, on an average, we have, in this short passage, each sound five times, and each letter eight. How often, then, does a man speak all the elements of his language, who reads well but one hour!
OBS. 6.—Of the number of elementary sounds in our language, different orthoëpists report differently; because they cannot always agree among themselves, wherein the identity or the simplicity, the sameness or the singleness, even of well-known sounds, consists; or because, if each is allowed to determine these points for himself, no one of them adheres strictly to his own decision. They may also, each for himself, have some peculiar way of utterance, which will confound some sounds which other men distinguish, or distinguish some which other men confound. For, as a man may write a very bad hand which shall still be legible, so he may utter many sounds improperly and still be understood. One may, in this way, make out a scheme of the alphabetic elements, which shall be true of his own pronunciation, and yet have obvious faults when tried by the best usage of English speech. It is desirable not to multiply these sounds beyond the number which a correct and elegant pronunciation of the language obviously requires. And what that number is, it seems to me not very difficult to ascertain; at least, I think we may fix it with sufficient accuracy for all practical purposes. But let it be remembered, that all who have hitherto attempted the enumeration, have deviated more or less from their own decisions concerning either the simplicity or the identity of sounds; but, most commonly, it appears to have been thought expedient to admit some exceptions concerning both. Thus the long or diphthongal sounds of I and U, are admitted by some, and excluded by others; the sound of j, or soft g, is reckoned as simple by some, and rejected as compound by others; so a part, if not all, of what are called the long and the short vowels, as heard in ale and ell, arm and am, all and on, isle or eel and ill, tone and tun, pule or pool and pull, have been declared essentially the same by some, and essentially different by others. Were we to recognize as elementary, no sounds but such as are unquestionably simple in themselves, and indisputably different in quality from all others, we should not have more sounds than letters: and this is a proof that we have characters enough, though the sounds are perhaps badly distributed among them.
OBS. 7.—I have enumerated thirty-six well known sounds, which, in compliance with general custom, and for convenience in teaching. I choose to regard as the oral elements of our language. There may be found some reputable authority for adding four or five more, and other authority as reputable, for striking from the list seven or eight of those already mentioned. For the sake of the general principle, which we always regard in writing, a principle of universal grammar, that there can be no syllable without a vowel, I am inclined to teach, with Brightland, Dr. Johnson, L. Murray, and others, that, in English, as in French, there is given to the vowel e a certain very obscure sound which approaches, but amounts not to an absolute suppression, though it is commonly so regarded by the writers of dictionaries. It may be exemplified in the words oven, shovel, able;[99] or in the unemphatic article the before a consonant, as in the sentence, "Take the nearest:" we do not hear it as "thee nearest," nor as "then carest," but more obscurely. There is also a feeble sound of i or y unaccented, which is equivalent to ee uttered feebly, as in the word diversity. This is the most common sound of i and of y. The vulgar are apt to let it fall into the more obscure sound of short u. As elegance of utterance depends much upon the preservation of this sound from such obtuseness, perhaps Walker and others have done well to mark it as e in me; though some suppose it to be peculiar, and others identify it with the short i in fit. Thirdly, a distinction is made by some writers, between the vowel sounds heard in hate and bear, which Sheridan and Walker consider to be the same. The apparent difference may perhaps result from the following consonant r, which is apt to affect the sound of the vowel which precedes it. Such words as bear, care, dare, careful, parent, are very liable to be corrupted in pronunciation, by too broad a sound of the a; and, as the multiplication of needless distinctions should be avoided, I do not approve of adding an other sound to a vowel which has already quite too many. Worcester, however, in his new Dictionary, and Wells, in his new Grammar, give to the vowel A six or seven sounds in lieu of four; and Dr. Mandeville, in his Course of Reading, says, "A has eight sounds."—P. 9.
OBS. 8.—Sheridan made the elements of his oratory twenty-eight. Jones followed him implicitly, and adopted the same number.[100] Walker recognized several more, but I know not whether he has anywhere told us how many there are. Lindley Murray enumerates thirty-six, and the same thirty-six that are given in the main text above. The eight sounds not counted by Sheridan are these: 1. The Italian a, as in far, father, which he reckoned but a lengthening of the a in hat; 2. The short o, as in hot, which he supposed to be but a shortening of the a in hall; 3. The diphthongal i, as in isle, which he thought but a quicker union of the sounds of the diphthong oi, but which, in my opinion, is rather a very quick union of the sounds ah and ee into ay, I;[101] 4. The long u, which is acknowledged to be equal to yu or yew, though perhaps a little different from you or yoo,[102] the sound given it by Walker; 5. The u heard in pull, which he considered but a shortening of oo; 6. The consonant w, which he conceived to be always a vowel, and equivalent to oo; 7. The consonant y, which he made equal to a short ee; 8. The consonant h, which he declared to be no letter, but a mere breathing, In all other respects, his scheme of the alphabetic elements agrees with that which is adopted in this work, and which is now most commonly taught.
OBS. 9.—The effect of Quantity in the prolation of the vowels, is a matter with which every reader ought to be experimentally acquainted. Quantity is simply the time of utterance, whether long or short. It is commonly spoken of with reference to syllables, because it belongs severally to all the distinct or numerable impulses of the voice, and to these only; but, as vowels or diphthongs may be uttered alone, the notion of quantity is of course as applicable to them, as to any of the more complex sounds in which consonants are joined with them. All sounds imply time; because they are the transient effects of certain percussions which temporarily agitate the air, an element that tends to silence. When mighty winds have swept over sea and land, and the voice of the Ocean is raised, he speaks to the towering cliffs in the deep tones of a long quantity; the rolling billows, as they meet the shore, pronounce the long-drawn syllables of his majestic elocution. But see him again in gentler mood; stand upon the beach and listen to the rippling of his more frequent waves: he will teach you short quantity, as well as long. In common parlance, to avoid tediousness, to save time, and to adapt language to circumstances, we usually utter words with great rapidity, and in comparatively short quantity. But in oratory, and sometimes in ordinary reading, those sounds which are best fitted to fill and gratify the ear, should be sensibly protracted, especially in emphatic words; and even the shortest syllable, must be so lengthened as to be uttered with perfect clearness: otherwise the performance will be judged defective.
OBS. 10.—Some of the vowels are usually uttered in longer time than others; but whether the former are naturally long, and the latter naturally short, may be doubted: the common opinion is, that they are. But one author at least denies