Adrienne Toner. Anne Douglas Sedgwick

Adrienne Toner - Anne Douglas Sedgwick


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It narrows the scale of her benevolence, you know. It makes her look perilously like a jealous prig, and a prig without any excuse for jealousy into the bargain.”

      “Temper, Roger,” Meg observed, casting her hard, friendly glance round at him; “I know you think there’s no one quite to match Nancy; and I think you’re not far wrong. She’s the straightest, sweetest-tempered girl who ever stepped on two feet. But all the same Adrienne isn’t a prig, and if she’s jealous she can’t help herself. She wants to love Nancy; she thinks she does love her; she’ll always be heavenly to her. She can do a lot for Nancy, you know. She will do a lot for her, even if Nancy holds her off. But she wishes frightfully that she was old and ugly. She wishes that Barney weren’t so fond of her without thinking about her. She’s jealous and she can’t help herself—like all the rest of us!” Meg laughed grimly. “When it comes to that we’re none of us angels.”

      It was tea-time and the dear old gong sounded balmily from the house. As they went along the path the rooks again were cawing overhead and dimly, like the hint of evening in the air, he remembered his dream and the sense of menace. “You know, it’s not like all the rest of you,” he said. “It’s not like Nancy, for instance. Nancy wouldn’t dislike a person because she was jealous of them. In fact I don’t believe Nancy could be jealous. She’d only be hurt.”

      “It’s rather a question of degree, that, isn’t it?” said Meg. “In one form of it you’re poisoned and in the other you’re cut with a knife; and the latter is the prettier way of suffering; doesn’t make you come out in a rash and feel sick. Nancy is cut with the knife; and if she’s not jealous in the ugly sense, she dislikes Adrienne all right.”

      “Why should she like her?” Oldmeadow retorted, and Meg’s simile seemed to cut into him, too. “She doesn’t need her money or her interest or her love. She doesn’t dislike her. She merely wishes she were somewhere else—as I do.”

      The garden path led straight into the house. One entered a sort of lobby, where coats and hats and rackets and gardening baskets were kept, and from the lobby went into the hall. Tea was, as always, laid there and Mrs. Chadwick, as Meg and Oldmeadow came in, was descending the staircase at the further end, leaning on Adrienne Toner’s arm.

      “You see. She’s done it!” Meg murmured. She seemed to bear him no ill-will for his expressed aversion. “I never knew one of Mother’s headaches go so quickly.”

      “I expect she’d rather have stayed quietly upstairs,” said Oldmeadow; “she looks puzzled. As if she didn’t know what had happened to her.”

      “Like a rabbit when it comes out of the conjuror’s hat,” said the irreverent daughter.

      That was precisely what poor Eleanor Chadwick did look like and for the moment his mind was diverted by amusement at her appearance from its bitter preoccupation. Mrs. Chadwick was the rabbit and Miss Toner was the conjuror indeed; bland and secure and holding her trophy in a firm but gentle grasp. Not until they were all seated did Barney and Nancy appear and then it was evident to him that if Miss Toner were jealous of Nancy she did not fear her, for it was she who had arranged the walk from which the young couple had just returned.

      “Was it lovely?” she asked Barney, as he took the place beside her. “Oh, I do wish I could have come; but I knew your Mother needed me.”

      “The primroses are simply ripping in the wood,” said Barney.

      Nancy carried a large bunch of primroses.

      “Ripping,” said Miss Toner, laughing gently.

      “How absurd of you, Barney. Could anything be less ripping than primroses? How beautiful they are and what a lovely bunch. One sees that Miss Averil loves them from the way she has picked them.” If she did not call Nancy by her Christian name it was, Oldmeadow knew, not her but Nancy’s fault.

      Nancy still stood beside the table and from the fact of standing, while all the rest of them were seated, from the fact of being called Miss Averil, she seemed, for the moment, oddly an outsider; as if she hardly belonged to the circle of which Miss Toner was the centre. “Do come and sit near us,” said Miss Toner. “For I had to miss you, too, you see, as well as the primroses.”

      “I’d crowd you there,” said Nancy, smiling. “I’ll sit here near Aunt Eleanor.” From something in her eyes Oldmeadow felt suddenly sure that not till now had she realized that it had not, really, been her and Barney’s walk. She offered the primroses to Mrs. Chadwick as she took the chair beside her, saying, “They’ll fill your white bowl in the morning-room, Aunt Eleanor.”

      “Oh, I say; but I meant those for Adrienne, Nancy!” Barney exclaimed, and as he did so Meg’s eyes met Oldmeadow’s over the household loaf. “She didn’t see them in the wood, so she ought to have them. Mummy is suffocated with primroses already.”

      But Nancy showed no rash and only an acute Meg could have guessed a cut as she answered: “I’ll pick another bunch to-morrow for Miss Toner, Barney. They’ll be fresher to take to London. These are really Aunt Eleanor’s. I always fill that bowl for her.”

       Table of Contents

      “I DO so want a talk with you, Roger,” Mrs. Chadwick murmured to him when tea was over. The dining-room opened at one end of the hall and the drawing-room at the other and the morning-room, Mrs. Chadwick’s special retreat, into which she now drew him, was tucked in behind the dining-room and looked out at an angle of the garden wall and at the dove-cot that stood there. Mrs. Chadwick’s doves were usually fluttering about the window and even, when it was open, entering the room, where she sometimes fondly fed them, causing thereby much distress of mind to Turner, the good old parlourmaid. A pleasant little fire was burning there and, after placing her primroses in the white bowl, Mrs. Chadwick drew her chair to it, casting a glance, as she did so, up at the large portrait of her husband in hunting dress that hung above the mantelpiece. It was painted with the same glib unintelligence as the dining-room portraits, but the painter had been unable to miss entirely the whimsical daring of the eyes or to bring into conformity with his own standard of good looks the charm of the irregular and narrow face. Francis Chadwick had been an impulsive, idle, endearing man, and, remaining always in love with his wife, had fondly cherished all her absurdities. Since his death poor Mrs. Chadwick had been perplexed by her effort to associate with gravity and inspiration one who had always been a laughing incentive to inconsequence. Oldmeadow reflected, as he, too, looked up at him, that Francis Chadwick would neither have needed nor have liked Miss Toner.

      “It’s so very, very strange, Roger, I really must tell you,” Mrs. Chadwick said. Her hair, still bright and abundant, was very untidy. She had evidently not brushed it since rising from her sofa. “I had one of my dreadful headaches, you know. It came on at church this morning and I really couldn’t attend to Mr. Bodman at all. Perhaps you saw.”

      “I heard. Yes. Miss Toner had disturbed you a good deal.”

      “I did feel so bewildered and unhappy about it all,” said Mrs. Chadwick, fixing her blue eyes upon the family friend. Eleanor Chadwick’s eyes could show the uncanny ingenuousness and the uncanny wisdom of a baby’s. “Nothing so innocent or so sharp was ever seen outside a perambulator,” her husband had once said of them. “About her, you know, Roger,” she continued, “and Barney and Palgrave. The influence. I could not bear them to lose their faith in the church of their fathers.”

      “No,” said Oldmeadow. “But you must be prepared to see it shift a good deal. Faiths have to shift nowadays if they’re to stand.”

      “Well. Yes. I know what you mean, Roger. But it isn’t a question of shifting, is it? I’m very broad. I’ve always been all for breadth. And the broader you are the firmer you ought to be, oughtn’t you?”

      “Well, Miss Toner’s broad and firm,” Oldmeadow suggested.


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