Lupot; an excellent maker and repairer—Gand, Adolphe—Gand, Eugène—Gaviniés, François—Germain, Joseph Louis—Germain, Emile—Gosselin—Grand-Gerard—Grandson Fils—Grosset, Paul François—Guersan, Louis
239–242
Hel—Henry, Jean Baptiste Felix—Henry, Charles—Henry, Octave—Henry, Eugène—Hofmans, Mathias
242
Jacobs, Hendrik; his work often mistaken for that of Niccolò Amati—Jacobs—Jacquot, Charles (père)—Jacquot, Charles (fils)—Jeandel, P. N.
242–243
Koliker
243
Lambert, Jean Nicolas—Lapaix—Laprevotte, Etienne—Leclerc—Lecomte—Leduc, Pierre—Lefebvre—Le Jeune, François—Le Pileur, Pierre—Lesclop, François Henry—Louis—Louvet, Jean—Lupot, Jean—Lupot, Laurent—Lupot, François—LUPOT, NICOLAS; maker to the Conservatoire; an excellent workman, and named "The French Stradivari," and "The king of modern makers;" characteristics of his work
243–247
Marquis de Lair—Mast, Jean Laurent—Mast—Maucotel, Charles—Maucotel, Charles Adolphe—Médard, François—Médard, Nicolas—Médard, Jean—Mennégand, Charles; distinguished as a maker and repairer, and also as a "cutter"—Miremont, Claude Augustin—Modessier—Mougenot
247–250
Namy—Nezot—Nicolas, François—Nicolas, Fourrier—Nicolas, Didier—Nicolas, Joseph
250
Ouvrard, Jean
250
Pacherele, Michel—Pacherel—Paul, Saint—PIERRAY, CLAUDE; an excellent workman, following Amati—Piete, N.—PIQUE, F. L.; close copyist of Stradivari; excellent work and material—Pirot, Claude—Pons, César—Pons
250–252
Rambaux, Claude Victor—Raut, Jean—Remy—Remy, Jean Mathurin—Remy, Jules—Remy—Renaudin, Léopold—Renault, Nicolas—Rombouts, Peeter—Roze
252–253
Sacquin—Salle—Salomon, Jean Baptiste—Saunier—Schnoeck, Egidius—SILVESTRE, PIERRE; a true artist; follower of Stradivari—Silvestre, Hippolyte—Silvestre, Hippolyte Chrétien—Simon—Simonin, Charles—Socquet
253–254
Theress, Charles—Thibout, Jacques Pierre; an excellent workman, and well-known dealer; his relations with Luigi Tarisio—Thomassin—Tywersus
254
Vaillant, François—Véron, Pierre—Vibrecht, Gysbert—Vuillaume, Jean—VUILLAUME, J. B.; a prolific and skilful maker; associated with Tarisio, and purchaser of his collection—Vuillaume, N. F.—Vuillaume, Claude François—Vuillaume, Sébastien
254–255
SECTION IX.—THE GERMAN SCHOOL.
No trace of Violin manufacture in Germany previous to the middle of the seventeenth century—Pervading influence of Jacob Stainer in the constitution of the German School—Popularity of his model—Mediocre character of the school, with some notable exceptions
256–258
SECTION X.—GERMAN MAKERS.
Albani, Mathias (père)—ALBANI, MATHIAS (fils); his style Italian, and workmanship excellent—Albani—Alletzie, Paolo—Artmann
259–260
Bachmann, Carl Ludwig; maker to the Court of Frederick the Great; founder of Concerts for Amateurs at Berlin—Bachmann, O.—Bausch, Ludwig C. A.—Bausch, Ludwig B.—Bausch, Otto B.—Beckmann—Bedler—Bindernagel; made in both German and Italian styles—Buchstadter
260–261
Christa, Joseph Paul
261
Diel (or Diehl), Martin—Diel, Nicolaus—Diel, Johann—Diel, Jacob—Diehl, Nicolaus Louis—Diehl, Friedrich—Diehl, Johann—Diehl, Heinrich—Döpfer, Nicolaus—Durfel
261–262
Eberle, J. Ulric; good copyist; form Italian; made also Viols d'Amour—Edlinger, T.—Edlinger, Joseph Joachim—Elsler, Joseph; made Viols da Gamba—Ernst, Franz Anton; pupil of Antonio Lolli; Court Musician at Gotha
262–263
Felden, M.—Fichtold, Hans—Fichtl, Martin—Ficker, Johann Christian—Ficker, Johann Gotlieb—Fischer, Zacharie—Frey, Hans; maker of Lutes; related to Albert Durer—Fritzche
