The Play of Man. Karl Groos

The Play of Man - Karl Groos


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       Karl Groos

      The Play of Man

      Published by Good Press, 2019

       [email protected]

      EAN 4057664619044

       THE SYSTEM OF PLAY

       Introduction

       PART I PLAYFUL EXPERIMENTATION

       I. Playful Activity of the Sensory Apparatus

       II. Playful Use of the Motor Apparatus

       III. Playful Use of the Higher Mental Powers

       PART II THE PLAYFUL EXERCISE OF IMPULSES OF THE SECOND OR SOCIONOMIC 358 ORDER

       I. Fighting Play

       II. Love Play

       III. Imitative Plays

       IV. Social Plays

       PART III THE THEORY OF PLAY

       1. The Physiological Standpoint

       2. The Biological Standpoint

       3. The Psychological Standpoint

       4. The Æsthetic Standpoint

       5. The Sociological Standpoint

       6. The Pedagogical Standpoint

       INDEX

      THE PLAY OF MAN

       Table of Contents

       Table of Contents

      While many have undertaken, by various methods, to classify human play satisfactorily, in no single case has the result been entirely fortunate. Grasberger remarked, a quarter of a century ago, that a permanent classification of play had not up to that time been achieved,1 and in my opinion the present decade finds the situation essentially unchanged.

      Under these circumstances, I can hardly hope that my own classification will satisfy all demands, but I reassure myself with the reflection that absolute systematization is and must remain, in the vast majority of cases, a mere logical ideal. Yet even an imperfect classification may justify itself in two ways: it may be very comprehensive and practical, or its aptly chosen grounds of distinction may serve to open at once to the reader the inmost core of the subject under discussion. My special effort has been directed to the second of these uses, adopting as I do the conception of impulse life as a starting point; how far I may have attained to the first as well is for others to judge.

      I consider the governing force of instinct as having been fully established in the study of animal play. In the book2 which deals with this subject I reached the conclusion that among higher animals certain instincts are present which, especially in youth, but also in maturity, produce activity that is without serious intent, and so give rise to the various phenomena which we include in the word “play.” I shall treat of the biological significance of this fact in the second, the theoretical section of this book. Here I confine myself to remarking briefly that in child’s play (which, according to one theory of our subject, is of the utmost importance) opportunity is given to the animal, through the exercise of inborn dispositions, to strengthen and increase his inheritance in the acquisition of adaptations to his complicated environment, an achievement which would be unattainable by mere mechanical instinct alone. The fact that youth is par excellence the period of play is in thorough harmony with this theory.

      An analogous position is tenable in the treatment of human play, although the word instinct, while generally applicable, is not universally so—a difficulty which is much more conspicuous here than in the classification of animal play. We lack a comprehensive and yet specific term for those unacquired tendencies which are grounded in our psycho-physical organism as such. The word instinct does not cover the ground with its commonly accepted definition as inherited association between stimuli and particular bodily reactions. Even the imitative impulse, which is responsible for the important group of imitative plays, is not easily included in this idea, because no specific reaction characterizes it.3 It is safer, therefore, to speak of such play as the product of “natural or hereditary impulse,” although even that is not entirely satisfactory, since many psychologists connect the idea of impulse with a tendency to physical movement. There are undoubtedly deep-rooted requirements of our nature which this definition does not include, and which must be given due weight in our study of play. Thus, as Jodl, in agreement with Beaunis and others, maintains, every sensory tract has not only the ability to receive and act upon certain stimuli, but betrays itself originally through desire for their realization.4 And if we keep in mind the tension toward special sensation, always present even in a state of comparative rest and distraction of the sense organ, as well as those external movements which are no longer the particular object of desire, we find ourselves still further from the narrow idea of instinct in relation to psycho-physical processes. In this dilemma we can only hold fast to the fact of the primal need for activity, which, while it can not, any more than the other, be included in the narrower use of the terms, has nevertheless an unmistakable relation to the life of impulse and instinct. And while it is true that mere intellectual fiat is not adequate to the establishment of such causal connections, one might be tempted, under the stress of dire need, to coin some such term as “central instinct,” did not any added burden threaten to plunge the already over-weighted term into a very chaos of obscurity. The case is much the same, too, with other mental attributes. Who is to decide whether it is lawful to assume a universal “impulse to activity” (Ribot approaches such an assumption)5 which may, according to circumstances, become now effort after emotional excitement, now desire for logical expression and the like? Or who shall pass on the legitimacy of a revival of the hereditary central-impulse theory which directs attention not to external physical movement, but exclusively to such internal


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