Leonora. Arnold Bennett
ambition, and Ethel's clandestine romance, and little Millicent's complicity in that romance, and John's sinister secrets, and her own ineffectual repining—as she thought of these five antagonistic preoccupied souls and their different affairs, the pathos and the complexity of human things surged over her and overwhelmed her.
CHAPTER II
Meshach and Hannah
The little old bachelor and spinster were resting after dinner in the back-parlour of their house near the top of Church Street. In that abode they had watched generations pass and manners change, as one list hearthrug succeeded another in the back-parlour. Meshach had been born in the front bedroom, and he meant to die there; Hannah had also been born in the front bedroom, but it was through the window of the back bedroom that the housewife's soul would rejoin the infinite. The house, which Meshach's grandfather, first of his line to emerge from the grey mass of the proletariat, had ruined himself to build, was a six-roomed dwelling of honest workmanship in red brick and tile, with a beautiful pillared doorway and fanlight in the antique taste. It had cost two hundred pounds, and was the monument of a life's ambition. Mortgaged by its hard-pressed creator, and then sold by order of the mortgagee, it had ultimately been bought again in triumph by Meshach's father, who made thirty thousand pounds out of pots without getting too big for it, and left it unspoilt to Meshach and Hannah. Only one alteration had ever been made in it, and that, completed on Meshach's fiftieth birthday, admirably exemplified his temperament. Because he liked to observe the traffic in Church Street, and liked equally to sit in the back-parlour near the hob, he had, with an oriental grandeur of self-indulgence, removed the dividing wall between the front and the back parlours and substituted a glass partition: so that he could simultaneously warm the fire and keep an eye on the street. The town said that no one but Meshach could have hit on such a scheme, or would have carried it out with such an object: it crowned his reputation.
John Stanway's maternal uncle was one of those individuals whose character, at once strong, egotistic, and peculiar, so forcibly impresses the community that by contrast ordinary persons seem to be without character; such men are therefore called, distinctively, 'characters'; and it is a matter of common experience that, whether through the unconscious prescience of parents or through that felicitous sense of propriety which often guides the hazards of destiny, they usually bear names to match their qualities. Meshach Myatt! Meshach Myatt! What piquant curious syllables to roll glibly off the tongue, and to repeat for the pleasure of repetition! And what a vision of Meshach their utterance conjured up! At sixty-four, stereotyped by age, fixed and confirmed in singularity, Meshach's figure answered better than ever to his name. He was slight of bone and spare in flesh, with a hardly perceptible stoop. He had a red, seamed face. Under the small, pale blue eyes, genial and yet frigid, there showed a thick, raw, red selvedge of skin, and below that the skin was loose and baggy; the wrinkled eyelids, instead of being shaped to the pupil, came down flat and perpendicular. His nose and chin were witch-like, the nostrils large and elastic; the lips, drawn tight together, curved downwards, indifferently captious; a short white beard grew sparsely on the chin; the skin of the narrow neck was fantastically drawn and creased. His limbs were thin, the knees and elbows sharpened to a fine point; the hands very long, with blue, corded veins. As a rule his clothes were a distressing combination of black and dark blue; either the coat, the waistcoat, or the trousers would be black, the rest blue; the trousers had the old-fashioned flap-pockets, like a sailor's, with a complex apparatus of buttons. He wore loose white cuffs that were continually slipping down the wrist, a starched dickey, a collar of too lenient flexure, and a black necktie with a 'made' bow that was fastened by means of a button and button-hole under the chin to the right; twenty times a day Meshach had to secure this precarious cravat. Lastly, the top and bottom buttons of his waistcoat were invariably loose.
He was of that small and lonely minority of men who never know ambition, ardour, zeal, yearning, tears; whose convenient desires are capable of immediate satisfaction; of whom it may be said that they purchase a second-rate happiness cheap at the price of an incapacity for deep feeling. In his seventh decade, Meshach Myatt could look back with calm satisfaction at a career of uninterrupted nonchalance and idleness. The favourite of a stern father and of fate, he had never done a hard day's work in his life. When he and Hannah came into their inheritance, he realised everything except the house and invested the proceeds in Consols. With a roof, four hundred a year from the British Empire, a tame capable sister, and notoriously good health, he took final leave of care at the age of thirty-two. He wanted no more than he had. Leisure was his chief luxury; he watched life between meals, and had time to think about what he saw. Being gifted with a vigorous and original mind that by instinct held formulas in defiance, he soon developed a philosophy of his own; and his reputation as a 'character' sprang from the first diffident, wayward expressions of this philosophy. Perceiving that the town not unadmiringly deemed him odd, he cultivated oddity. Perceiving also that it was sometimes astonished at the extent of his information about hidden affairs, he cultivated mystery, the knowledge of other people's business, and the trick of unexpected appearances. At forty his fame was assured; at fifty he was an institution; at sixty an oracle.
'Meshach's a mixture,' ran the local phrase; but in this mixture there was a less tedious posturing and a more massive intellect than usually go to the achievement of a provincial renown such as Meshach's. The man's externals were deceptive, for he looked like a local curiosity who might never have been out of Bursley. Meshach, however, travelled sometimes in the British Isles, and thereby kept his ideas from congealing. And those who had met him in trains and hotels knew that porters, waiters, and drivers did not mistake his shrewdness for that of a simpleton determined not to be robbed; that he wanted the right things and had the art to get them; in short, that he was an expert in travel. Like many old provincial bachelors, while frugal at home he could be profuse abroad, exercising the luxurious freedom of the bachelor. In the course of years it grew slowly upon his fellow pew-holders at the big Sytch Chapel that he was worldly-minded and possibly contemptuous of their codes; some, who made a specialty of smelling rats, accused him of gaiety.
'You'd happen better get something extra for tea, sister,' said Meshach, rousing himself.
'Why, brother?' demanded Hannah.
'Some sausage, happen,' Meshach proceeded.
'Is any one coming?' she asked.
'Or a bit of fish,' said Meshach, gazing meditatively at the fire.
Hannah rose and interrogated his face. 'You ought to have told me before, brother. It's past three now, and Saturday afternoon too!' So saying, she hurried anxiously into the kitchen and told the servant to put her hat on.
'Who is it that's coming, brother?' she inquired later, with timid, ravenous curiosity.
'I see you'll have it out of me,' said Meshach, who gave up mysteries as a miser parts with gold. 'It's Arthur Twemlow from New York; and let that stop your mouth.'
Thus, with the utterance of this name in the prim, archaic, stuffy little back-parlour, Meshach raised the curtain on the last act of a drama which had slumbered for fifteen years, since the death of William Twemlow, and which the principal actors in it had long thought to be concluded or suppressed.
The whole matter could be traced back, through a series of situations which had developed one out of another, to the character of old Twemlow; but the final romantic solution was only rendered possible by the peculiarities of Meshach Myatt. William Twemlow had been one of those men in whom an unbridled appetite for virtue becomes a vice. He loved God with such virulence that he killed his wife, drove his daughter into a fatuous marriage, and quarrelled irrevocably with his son. The too sensitive wife died for lack of joy; Alice escaped to Australia with a parson who never accomplished anything but a large family; and Arthur, at the age of seventeen, precociously cursed his father and sought in America a land where there were fewer commandments. Then old Twemlow told