South Wind. Norman Douglas Douglas

South Wind - Norman Douglas Douglas


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with the local police and sometimes with His Worship Signor Malipizzo. Greatly to the surprise of Mr. Parker, the magistrate was observed to take a lenient view of the case. None the less, she had passed several nights in the local gaol. Staggering about the lanes of Nepenthe in the silent hours before dawn, she was liable to be driven, at the bidding of some dark primeval impulse, to divest herself of her raiment—a singularity which perturbed even the hardiest of social night-birds who had the misfortune to encounter her. Taxed with this freakish behaviour, she would refer to the example of St. Francis of Assisi who did the same, and brazenly ask whether he wasn't good enough for them? Whether she couldn't give her last shirt to a beggar, as well as anybody else? In short, there was nothing to be done with her.

      The dear lady, as Keith often called her, was becoming a real problem.

      And now her eye, roving round the room, fixed itself with the drunkard's divine unerring instinct upon Denis. What a nice, modest, gentlemanly-looking boy! Just what she wanted.

      "This sirocco!" she sighed, groping dramatically for a chair. "It makes me feel so funny. Oh, dear! I shall go off in a faint. Ah, do be a kind young man and fetch me some brandy and soda. A large tumbler. Ah, do! And very little soda, please—on account of my heart. Only the smallest drop!"

      She took two or three sips, paused awhile as though undecided whether she could possibly swallow such nasty stuff and then, with a fine show of reluctance, gulped it all down. Denis was spell-bound; the dose, he artlessly imagined, was enough to kill a horse. Far from being damaged, Miss Wilberforce took a chair beside him, and began to converse. Charmingly she talked; all about England. As he listened he grew delighted, entranced. She was different, somehow, from all the other ladies he had lately met on the Continent. She was altogether different. Whence came it, he wondered?

      Then, as the discourse proceeded, he began to realize what was the matter with them. It was odd, he thought, that he had not noticed it before. Miss Wilberforce made him realize wherein the difference lay. They spoke English, it was true; but they had all taken on a Continental outlook; alien phrases, expressions, affectations; cosmopolitan airs and graces that jarred on his frank, untarnished English nature. This one was otherwise. She was old England, through and through. The conversation cheered him to an unusual degree—among all those foreign people he felt strangely drawn towards this wistful lady who could talk so naturally and conjure up, by the mere power of words, a breath of his own homestead in the Midlands. He might have been sitting with an elder sister just then, eating strawberries and cream and watching a tennis match on some shady green lawn. He was happy; happier still when Angelina once more floated into his ken and, noticing Miss Wilberforce, raised her eyebrows mischievously and gave him something that looked like a real smile, for a change.

      She had another smile, however, for Mr. Edgar Marten; and yet another one for Don Francesco who, as she passed near him, profited by the occasion to give her a paternal semi-proprietary chuck under the chin, accompanying the indecorous movement with an almost audible wink.

      Mr. Heard had noticed everything. He frowned at first. It gave him a little twinge, and some food for thought. He was absurdly sensitive about women.

      "A frolicsome child," he mused. "LASCIVA PUELLA. Possibly wanton."

      What were this young man's relations with the girl? That contact of hand and chin—what did it imply? Was the action quasi-paternal, or pseudo-paternal? Regretfully he decided that it was only pseudo-paternal.

      And yet—it was all so confoundedly natural!

      "Nobody but our PARROCO could keep his hands off that girl," blithely remarked the priest.

      Another little twinge. …

       Table of Contents

      Mr. Heard was not prone to wax enthusiastic over the delights of architecture or natural scenery. He called himself unexpansive and unromantic; he confessed to small understanding, small veneration, for artistic effects. The beauty of a man's character moved him more strongly than the beauty of any picture or any landscape. Yet, on arriving next afternoon at the upper plateau of Nepenthe he could not help being struck by the strange and almost compelling charm of the "Old Town." It was so different from the lower regions—so calm and reposeful.

      Down below, in that more accessible modern settlement, everything was bright and many-tinted; there was movement and noise and colour; a dazzling spot! The subtle influence of the sea, though it lay four hundred feet lower down, was ever present; one felt oneself on an island. On reaching these heights that feeling evaporated. You were embowered in mighty trees, in the midst of which stood the Old Town.

      Unlike that other one, it faced due North; it lay, moreover, a few hundred feet higher up. That alone could not have explained the difference in temperature, one might say in climate, between the two. To begin with, there was on this tiny upland basin exceptionally deep soil, borne down by the rains of unnumbered centuries from the heights overhead and enabling those shady oaks, poplars, walnuts and apples to shoot up to uncommon size and luxuriance and screen away the sunny beams. From above, meanwhile, a perennial shower descended. The moisture-laden sirocco, tearing itself to shreds against the riven summits of the high southern cliffs, dripped ceaselessly upon this verdant oasis in clouds of invisible dew. You could often enjoy the luxury of a shiver, at night-time, in the Old Town.

      It was a stronghold originally; built on these heights for the greater security of the islanders against Saracenic inroads. When a more peaceful era drew night the population began to decline; they found it more convenient to establish themselves in the new settlement lower down. Then came the Good Duke Alfred—that potentate who, as Mr. Eames was wont to say, NIHIL QUOD TETIGIT NON ORNAVIT. He took a fancy to this quaint old citadel which, before his day, could only be reached b a rough mule-track easily defended against invaders. After constructing a fine road of access with many twists and turnings, wide enough to admit the passage of two of his roomy state carriages driving abreast, he turned his mind to other improvements. Professing to be an admirer of the good old times, he decided to keep up its traditional character—it was to remain a fortress, in appearance if not reality. A massive crenellated rampart, furnished with four gateways and watch-towers at convenient intervals but serving no purpose in particular, grew up around the place; every one of its houses which failed to fit in with the design of this battlemented structure—and there were a good many of them—was ruthlessly demolished. The Old Town was enclosed in a ring.

      Desirous, next, of putting an end to the annoying exodus of the natives, he fixed by law the number of inhabitants; there were to be five hundred souls, neither more nor less. If in any one year the population exceeded that figure, the surplus was taken away, from among the adult males, to work as galley-slaves in his fleet; a deficiency in the requisite number was met by giving new husbands from the lower town, often three or four at a time "with a view to ensuring good results," to those of the native women who had hitherto failed to produce offspring. The system worked well. With some trifling but reprehensive fluctuations, the birth-rate and the death-rate remained even; things were at a standstill; a fact which caused His Highness to be compared, by a courtly panegyrist, to Joshua who bade the sun arrest his march across the heavens. Another of these gentlemen calls the Duke's action a "triumph of art over nature," adding, not without a grain of malice, that "never have the generative capacities of mankind adapted themselves with more conspicuous success to the shape of an unnecessary wall." Monsignor Perrelli, unfortunately, has nothing whatever to say on the subject. For reasons which will appear anon, he is remarkably silent on all that concerns the reign of his great contemporary.

      Even so the Prince was not satisfied. The fastness was yet imperfect; he disliked the variegated hues of the buildings—they reminded him of the garish brilliance in the lower town. Something different had to be contrived. He took thought and, being a man of taste and a decorist where picturesque effects were concerned, decreed that the entire place—walls, houses, the two convents (Benedictine and Carthusian), the church, and even stables and pigsties—was to be painted a uniform pink: "pink," he ordained, "without the slightest admixture


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