5.6
Using novels as data by Brinkmann
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5.7
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Quality criteria for qualitative research by Tracy
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5.8
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Imagination in secondary qualitative data analysis by James
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5.9
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Theoretical imaginings by Macmillan
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5.10
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Embodied, reflexive-relational, existential, hermeneutic, phenomenological research by Finlay and Payman
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5.11
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Insider research, outsider research and reflexivity by Takeda
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5.12
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Reflexivity in quantitative research by Shimp
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6.1
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Staged consent by Adamson and Holloway
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6.2
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Embodied autoethnography by Sliep
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6.3
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Poetic inquiry by Guiney Yallop et al
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6.4
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Poetic inquiry by Stewart
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6.5
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Metaphor elicitation by Fletcher
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6.6
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Diaries used with interviews by Kenten
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6.7
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A researcher’s diaries used as data by Davidson
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6.8
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Enhanced interviews using icons by Notermans and Kommers
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6.9
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Enhanced interviews using artefacts by Rowsell
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6.10
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Photo-diaries and photo-elicitation by Allen
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6.11
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Enhanced focus groups by Dalton
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6.12
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Critical communicative methodology by Munté et al
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6.13
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Open Space Technology
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6.14
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Concentric circles of closeness by Eldén
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6.15
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Drawing as research by Gravestock
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6.16
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Emotion maps by Gabb
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6.17
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Vignettes used with young people by O’Dell et al
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6.18
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Vignettes from fieldwork used by Trigger et al
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6.19
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Life history interviews by Smith
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6.20
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Timelines used by Sheridan et al
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7.1
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Ethics and methods of research on Tinder by Condie et al
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7.2
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Progressive engagement with participants by Robinson et al
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7.3
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Critical dialogical methodology by Teachman et al
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7.4
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Collecting video data by Kluge et al
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7.5
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Smartphone use in research by van Doorn
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7.6
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The Mappiness app by MacKerron and Mourato
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7.7
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Collecting qualitative data in real time via an app, by García et al
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7.8
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Online ethnography by Beneito-Montagut
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7.9
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Interviews via Skype by Hanna
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7.10
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Electronic interviews by Stacey and Vincent
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7.11
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Multi-modal data gathering by Robinson et al
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7.12
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Qualitative multi-modal data gathering including video by Harvey et al
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7.13
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Gathering data with probes by Boehner et al
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7.14
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Dialogical inquiry by Coget
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7.15
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Digital storytelling by Willox et al
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7.16
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Multi-modal participatory research by Goldsmith
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8.1
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Analysis of tweets by Tonkin et al
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8.2
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Life-course analysis by Brittain and Green
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8.3
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Screenplay writing as creative analytic practice by Berbary
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8.4
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I-poems by Edwards and Weller
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8.5
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Multi-modal arts-based analysis by Lapum et al
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8.6
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Diagrams in analysi by Buckley and Waring
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8.7
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Constructivist discourse analysis by Corman
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8.8
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Reanalysis of ‘natural talk’ by Gordon
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8.9
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Collaborative analysis by Kluge et al
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