Creative Research Methods 2e. Kara, Helen

Creative Research Methods 2e - Kara, Helen


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5.6 Using novels as data by Brinkmann 5.7 Quality criteria for qualitative research by Tracy 5.8 Imagination in secondary qualitative data analysis by James 5.9 Theoretical imaginings by Macmillan 5.10 Embodied, reflexive-relational, existential, hermeneutic, phenomenological research by Finlay and Payman 5.11 Insider research, outsider research and reflexivity by Takeda 5.12 Reflexivity in quantitative research by Shimp 6.1 Staged consent by Adamson and Holloway 6.2 Embodied autoethnography by Sliep 6.3 Poetic inquiry by Guiney Yallop et al 6.4 Poetic inquiry by Stewart 6.5 Metaphor elicitation by Fletcher 6.6 Diaries used with interviews by Kenten 6.7 A researcher’s diaries used as data by Davidson 6.8 Enhanced interviews using icons by Notermans and Kommers 6.9 Enhanced interviews using artefacts by Rowsell 6.10 Photo-diaries and photo-elicitation by Allen 6.11 Enhanced focus groups by Dalton 6.12 Critical communicative methodology by Munté et al 6.13 Open Space Technology 6.14 Concentric circles of closeness by Eldén 6.15 Drawing as research by Gravestock 6.16 Emotion maps by Gabb 6.17 Vignettes used with young people by O’Dell et al 6.18 Vignettes from fieldwork used by Trigger et al 6.19 Life history interviews by Smith 6.20 Timelines used by Sheridan et al 7.1 Ethics and methods of research on Tinder by Condie et al 7.2 Progressive engagement with participants by Robinson et al 7.3 Critical dialogical methodology by Teachman et al 7.4 Collecting video data by Kluge et al 7.5 Smartphone use in research by van Doorn 7.6 The Mappiness app by MacKerron and Mourato 7.7 Collecting qualitative data in real time via an app, by García et al 7.8 Online ethnography by Beneito-Montagut 7.9 Interviews via Skype by Hanna 7.10 Electronic interviews by Stacey and Vincent 7.11 Multi-modal data gathering by Robinson et al 7.12 Qualitative multi-modal data gathering including video by Harvey et al 7.13 Gathering data with probes by Boehner et al 7.14 Dialogical inquiry by Coget 7.15 Digital storytelling by Willox et al 7.16 Multi-modal participatory research by Goldsmith 8.1 Analysis of tweets by Tonkin et al 8.2 Life-course analysis by Brittain and Green 8.3 Screenplay writing as creative analytic practice by Berbary 8.4 I-poems by Edwards and Weller 8.5 Multi-modal arts-based analysis by Lapum et al 8.6 Diagrams in analysi by Buckley and Waring 8.7 Constructivist discourse analysis by Corman 8.8 Reanalysis of ‘natural talk’ by Gordon 8.9 Collaborative analysis by Kluge et al
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