THE BADDEST VILLAINS - James Bond Edition. Ian Fleming
cramped on the clumsy shaft of a paddle made of lead.
It was incredible, but they were coming up with the reef. Patches of sand showed deep under the boat. Now the surf was a roar. They followed along the edge of the reef, looking for an opening. A hundred yards inside the reef, breaking the sandline, was the shimmer of water running inland. The river! So the landfall had been all right. The wall of surf broke up. There was a patch of black oily current swelling over hidden coral heads. The nose of the canoe turned towards it and into it. There was a turmoil of water and a series of grating thuds, and then a sudden rush forward into peace and the canoe was moving slowly across a smooth mirror towards the shore.
Quarrel steered the boat towards the lee of a rocky promontory where the beach ended. Bond wondered why the beach didn’t shine white under the thin moon. When they grounded and Bond climbed stiffly out he understood why. The beach was black. The sand was soft and wonderful to the feet but it must have been formed out of volcanic rock, pounded over the centuries, and Bond’s naked feet on it looked like white crabs.
They made haste. Quarrel took three short lengths of thick bamboo out of the boat and laid them up the flat beach. They heaved the nose of the canoe on to the first and pushed the boat up the rollers. After each yard of progress, Bond picked up the back roller and brought it to the front. Slowly the canoe moved up the sand until at last it was over the back tideline and among the rocks and turtle grass and low sea-grape bushes. They pushed it another twenty yards inland into the beginning of the mangrove. There they covered it with dried seaweed and bits of driftwood from the tideline. Then Quarrel cut lengths of screwpalm and went back over their tracks, sweeping and tidying.
It was still dark, but the breath of grey in the east would soon be turning to pearl. It was five o’clock. They were dead tired. They exchanged a few words and Quarrel went off among the rocks on the promontory. Bond scooped out a depression in the fine dry sand under a thick bush of sea-grape. There were a few hermit crabs beside his bed. He picked up as many as he could find and hurled them into the mangrove. Then, not caring what other animals or insects might come to his smell and his warmth, he lay down full length in the sand and rested his head on his arm.
He was at once asleep.
8. THE ELEGANT VENUS
BOND AWOKE lazily. The feel of the sand reminded him where he was. He glanced at his watch. Ten o’clock. The sun through the round thick leaves of the sea-grape was already hot. A larger shadow moved across the dappled sand in front of his face. Quarrel? Bond shifted his head and peered through the fringe of leaves and grass that concealed him from the beach. He stiffened. His heart missed a beat and then began pounding so that he had to breathe deeply to quieten it. His eyes, as he stared through the blades of grass, were fierce slits.
It was a naked girl, with her back to him. She was not quite naked. She wore a broad leather belt round her waist with a hunting knife in a leather sheath at her right hip. The belt made her nakedness extraordinarily erotic. She stood not more than five yards away on the tideline looking down at something in her hand. She stood in the classical relaxed pose of the nude, all the weight on the right leg and the left knee bent and turning slightly inwards, the head to one side as she examined the things in her hand.
It was a beautiful back. The skin was a very light uniform café au lait with the sheen of dull satin. The gentle curve of the backbone was deeply indented, suggesting more powerful muscles than is usual in a woman, and the behind was almost as firm and rounded as a boy’s. The legs were straight and beautiful and no pinkness showed under the slightly lifted left heel. She was not a coloured girl.
Her hair was ash blonde. It was cut to the shoulders and hung there and along the side of her bent cheek in thick wet strands. A green diving mask was pushed back above her forehead, and the green rubber thong bound her hair at the back.
The whole scene, the empty beach, the green and blue sea, the naked girl with the strands of fair hair, reminded Bond of something. He searched his mind. Yes, she was Botticelli’s Venus, seen from behind.
How had she got there? What was she doing? Bond looked up and down the beach. It was not black, he now saw, but a deep chocolate brown. To the right he could see as far as the river mouth, perhaps five hundred yards away. The beach was empty and featureless except for a scattering of small pinkish objects. There were a lot of them, shells of some sort Bond supposed, and they looked decorative against the dark brown background. He looked to the left, to where, twenty yards away, the rocks of the small headland began. Yes, there was a yard or two of groove in the sand where a canoe had been drawn up into the shelter of the rocks. It must have been a light one or she couldn’t have drawn it up alone. Perhaps the girl wasn’t alone. But there was only one set of footprints leading down from the rocks to the sea and another set coming out of the sea and up the beach to where she now stood on the tideline. Did she live here, or had she too sailed over from Jamaica that night? Hell of a thing for a girl to do. Anyway, what in God’s name was she doing here?
As if to answer him, the girl made a throwaway gesture of the right hand and scattered a dozen shells on the sand beside her. They were violet pink and seemed to Bond to be the same as he had noticed on the beach. The girl looked down into her left hand and began to whistle softly to herself. There was a happy note of triumph in the whistle. She was whistling ‘Marion’, a plaintive little calypso that has now been cleaned up and made famous outside Jamaica. It had always been one of Bond’s favourites. It went:
All day, all night, Marion,
Sittin’ by the seaside siftin’ sand …
The girl broke off to stretch her arms out in a deep yawn. Bond smiled to himself. He wetted his lips and took up the refrain:
‘The water from her eyes could sail a boat,
The hair on her head could tie a goat …’
The hands flew down and across her chest. The muscles of her behind bunched with tension. She was listening, her head, still hidden by the curtain of hair, cocked to one side.
Hesitantly she began again. The whistle trembled and died. At the first note of Bond’s echo, the girl whirled round. She didn’t cover her body with the two classical gestures. One hand flew downwards, but the other, instead of hiding her breasts, went up to her face, covering it below the eyes, now wide with fear. ‘Who’s that?’ The words came out in a terrified whisper.
Bond got to his feet and stepped out through the sea-grape. He stopped on the edge of the grass. He held his hands open at his sides to show they were empty. He smiled cheerfully at her. ‘It’s only me. I’m another trespasser. Don’t be frightened.’
The girl dropped her hand down from her face. It went to the knife at her belt. Bond watched the fingers curl round the hilt. He looked up at her face. Now he realized why her hand had instinctively gone to it. It was a beautiful face, with wide-apart deep blue eyes under lashes paled by the sun. The mouth was wide and when she stopped pursing the lips with tension they would be full. It was a serious face and the jawline was determined – the face of a girl who fends for herself. And once, reflected Bond, she had failed to fend. For the nose was badly broken, smashed crooked like a boxer’s. Bond stiffened with revolt at what had happened to this supremely beautiful girl. No wonder this was her shame and not the beautiful firm breasts that now jutted towards him without concealment.
The eyes examined him fiercely. ‘Who are you? What are you doing here?’ There was the slight lilt of a Jamaican accent. The voice was sharp and accustomed to being obeyed.
‘I’m an Englishman. I’m interested in birds.’
‘Oh,’ the voice was doubtful. The hand still rested on the knife. ‘How long have you been watching me? How did you get here?’
‘Ten minutes, but no more answers until you tell me who you are.’
‘I’m no one in particular. I come from Jamaica. I collect shells.’
‘I