A Nest of Spies: Fantômas Saga. Marcel Allain

A Nest of Spies: Fantômas Saga - Marcel Allain


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Invalides, which was feebly lighted by a few scarcely visible gas-jets. He reached the other side of the Place à la rue Fabert; looked at the number of the first house in front of him, followed the pavement a moment, turning his back on the Seine, then reached the Avenue de la Tour-Maubourg by way of the rue de l'Université.

      Fandor repeated to himself the final words of his chief's instructions.

      "Interview Baron de Naarboveck; get into touch with a young person called Bobinette; find out who and what are the frequenters of the house where this well-known diplomat lives."

      Our journalist was not anxious as to the result of his interview; it was not his first experience of the kind, and this time his task was rendered especially easy, owing to the letter of introduction which M. Dupont had given him, in order that he might have a talk with M. de Naarboveck, who lived in a sumptuous mansion in the rue Fabert.

      Fandor did not go straight ahead to this interview: his method was not so simple. After identifying the front of the house, wishing to know the immediate neighbourhood thoroughly, he went all round the mass of houses which limited the rue de l'Université; he went through the Avenue de la Tour-Maubourg, in order to discover whether the house was double or single, if it had one or two exits. Fandor was too much a detective at heart to neglect the smallest detail.

      His inspection was soon done. The house possessed two entrances; that in the Avenue de la Tour-Maubourg was for the use of the servants and common folk only. The front door opened on the rue Fabert. A courtyard at the back separated it from the Avenue de la Tour-Maubourg.

      The house consisted of three storeys, and a ground-floor approached by a few steps.

      Fandor returned to the Esplanade des Invalides, and walked up and down under the trees for some time, watching the comings and goings of the neighbourhood. At a quarter to seven he had looked at his watch, and, not seeing any light in the first-floor rooms, the shutters of which were not yet closed, he concluded that the inmates had probably not come in.

      Just then Fandor saw an automobile, a very elegant limousine, draw up before M. de Naarboveck's house. A man of a certain age descended from it, and vanished in the shadow of a doorway: the door had opened as the carriage stopped.

      "That's de Naarboveck," thought Fandor.

      Then he saw the carriage turn and move away.

      "The carriage goes in: the master does not go out again," deduced Fandor.

      A short time after, the chauffeur, having taken off his livery, came out of the house and went away.

      "Good," remarked Fandor. "The man I am after will not budge from the house to-night."

      The next to enter were two young women: then some twenty minutes passed. The rooms on the first floor were lit up, one after the other. The house was waking up. Fandor was making up his mind to ring when a motor-car brought a fourth person to the door. It was a young man, smart, distinguished-looking, very fair, wearing a long thin drooping moustache: movements and appearance spoke his profession: an officer in mufti, beyond question.

      Fandor once more encircled the house; he had reached the door opening on to the Avenue de la Tour-Maubourg when he saw a confectioner's boy slip into the house.

      "M. Dupont told me de Naarboveck lived alone with his daughter, therefore he has people dining with him this evening," reasoned the journalist. He then decided to dine himself, and return an hour and a half later. Naarboveck well dined and wined could give him more time, and would be the easier to interview.

      Three-quarters of an hour later Fandor left the humble eating-house, where he had dined badly in the company of coachmen and house-servants, but fully informed as to the private and public existence of the person he was going to interview. He had set his host and his table neighbours gossiping to such purpose that he could tell at what time de Naarboveck rose in the morning, what his habits were, if he fasted on Fridays, and what he paid for his cigars.

      "Monsieur de Naarboveck, if you please?"

      Jérôme Fandor had rung the bell of the front entrance in the rue Fabert. It was just striking nine. A house-porter of the correct stamp appeared.

      "He lives here, Monsieur."

      Fandor offered his card, and the letter of introduction from M. Dupont.

      "Please see that these are handed to Monsieur de Naarboveck, and find out if he can receive me."

      The porter, having decided that the visitor was too well dressed to be left waiting on the steps, signed to the young man to follow him. The porter rang, and a footman in undress livery immediately appeared, and took card and letter from the porter.

      The servant looked consideringly at Fandor's name engraved on the card, stared at this unknown visitor, hoping he would definitely state the purpose of his visit, but the journalist remained impassive, and as his profession was not indicated on his card the servant had to be satisfied with his own curiosity.

      "Kindly wait here a moment," said the footman, in a fairly civil tone of voice. "I will see if my master is at home."

      Fandor remained alone in a vast hall, furnished after the Renaissance manner. Costly tapestries covered the walls with their imposing pictures, their sumptuously woven epics.

      The footman quickly returned.

      "Will Monsieur kindly follow me?"

      Relieved of his overcoat, Fandor obeyed.

      One side of the hall opened on a great double staircase, the white stone of which, turned grey with the passing of time, softened by a thick carpet and ornamented by a marvellous balustrade of delicately wrought iron-work, a masterpiece of the XVIIth century.

      The lackey opened a door which gave access to a magnificent reception-room, sparsely furnished with pieces of the best Louis XIV period. Mirrors reflected the canvases of famous painters, family pictures of immense artistic value, and still more valuable as souvenirs.

      Traversing this fine apartment, they passed through other drawing rooms furnished in perfect taste. Fandor reached the smoking-room at last, where Empire furniture was judiciously mingled with pieces made for comfort after the English fashion, the tawny leather of which harmonised marvellously with the blood-red of the ancient mahogany and with its ancient bronzes.

      The lackey pointed to a chair and disappeared.

      "By jove!" said Fandor, half aloud, "this fine fellow has done himself well in the way of a dwelling-place!"

      The journalist's reflections were interrupted by the entrance of an exceedingly elegant young lady.

      Fandor rose and saluted this charming apparition.

      IV

       A CORDIAL RECEPTION

       Table of Contents

      The journalist had naturally expected to see Monsieur de Naarboveck enter the room: in his stead came this pretty girl.

      "Be seated, I beg, Monsieur," she entreated.

      "She is his daughter," thought Fandor. "I am given the go-by: the diplomatist is not going to see me! I am sorry for that, but, on the other hand, here is this delicious creature."

      "You asked to see Monsieur de Naarboveck, did you not? It is for an interview, no doubt. Monsieur de Naarboveck makes it a point of honour never to get himself written about in the newspapers, therefore you must not be surprised."...

      The charming girl paused.

      Fandor bowed and smiled. He said to himself:

      "I shall have to listen for five minutes to this delightful person assuring me that her father does not wish to talk; after that he will come himself, and will tell me


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