The White Desert. Courtney Ryley Cooper

The White Desert - Courtney Ryley Cooper


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      "Of course, then, he hasn't been able to talk. Pretty sure it's Houston, though. Went over and took a look at the machine. Colorado license on it, but the plates look pretty new, and there are fresh marks on the license holders where others have been taken off recently. Evidently just bought a Colorado tag, figuring that he'd be out here for some time. How'd you find him?"

      The bass voice of the man referred to as Ba'tiste gave the answer, and Barry listened with interest. Evidently he had struggled to his feet at some time during the night—though he could not remember it—and striven to find his way down the mountain side in the darkness, for the story of Ba'tiste told Barry that he had found him just at dawn, a full five hundred yards from the machine.

      "I see heem move," the big voice was saying, "jus' as I go to look at my trap. Then Golemar come beside me and raise his hair along his neck and growl—r-r-r-r-r-u-u-f-f-f—like that. I look again—it is jus' at the dawn. I cannot see clearly. I raise my gun to shoot, and Golemar, he growl again. Then I think eet strange that the bear or whatever he is do not move. I say to Golemar, 'We will closer go, ne c'est pas?' A step or two—then three—but he do not move—then pretty soon I look again, close. Eet is a man, I pick heem up, like this—and I bring heem home. Ne c'est pas, Medaine?"

      Her name was Medaine then. Not bad, Barry thought. It rather matched her hair and the tilt of her nose and the tone of her laugh as she answered:

      "I would say you carried him more like a sack of meal, Ba'tiste. I'm glad I happened along when I did; you might have thrown him over your shoulder!"

      A booming laugh answered her and the sound of a light scuffle, as though the man were striving to catch the girl in his big embrace. But the cold voice of Thayer cut in:

      "And he hasn't regained consciousness?"

      "Not yet. That is, I think he's recovered his senses, all right, and fallen immediately into a heavy sleep."

      "Guess I'll go in and stay with him until he wakes up. He's my boss, you know—since the old man died. We've got a lot of important things to discuss. So if you don't mind—"

      "Certainly not." It was the girl again. "We'll go in with you."

      "No, thanks. I want to see him alone."

      Within the bedroom, Barry Houston gritted his teeth. Then, with a sudden resolve, he rested his head again on the pillow and closed his eyes as the sound of steps approached. Closer they came to the bed, and closer. Barry could feel that the man was bending over him, studying him. There came a murmur, almost whispered:

      "Wonder what the damn fool came out here about? Wonder if he's wise?"

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      It was with an effort that Houston gave no indication that he had heard. Before, there had been only suspicions, one flimsy clue leading to another, a building-block process, which, in its culmination, had determined Barry to take a trip into the West to see for himself. He had believed that it would be a long process, the finding of a certain telegram and the possibilities which might ensue if this bit of evidence should turn out to be the thing he had suspected. He had not, however, hoped to have from the lips of the man himself a confession that conditions were not right at the lumber mill of which Barry Houston now formed the executive head; to receive the certain statement that somewhere, somehow, something was wrong, something which was working against the best interests of himself and the stern necessities of the future. But now—

      Thayer had turned away and evidently sought a chair at the other side of the room. Barry remained perfectly still. Five minutes passed. Ten. There came no sound from the chair; instinctively the man on the bed knew that Thayer was watching him, waiting for the first flicker of an eyelid, the first evidence of returning consciousness. Five minutes more and Barry rewarded the vigil. He drew his breath in a shivering sigh. He turned and groaned—quite naturally with the pain from his splintered arm. His eyes opened slowly, and he stared about him, as though in non-understanding wonderment, finally to center upon the window ahead and retain his gaze there, oblivious of the sudden tensity of the thin-faced Thayer. Barry Houston was playing for time, playing a game of identities. In the same room was a man he felt sure to be an enemy, a man who had in his care everything Barry Houston possessed in the world, every hope, every dream, every chance for the wiping out of a thing that had formed a black blot in the life of the young man for two grim years, and a man who, Barry Houston now felt certain, had not held true to his trust. Still steadily staring, he pretended not to notice the tall, angular form of Fred Thayer as that person crossed the brightness of the window and turned toward the bed. And when at last he did look up into the narrow, sunken face, it was with eyes which carried in them no light of friendship, nor even the faintest air of recognition. Thayer put forth a gnarled, frost-twisted hand.

      "Hello, kid," he announced, his thin lips twisting into a cynical smile that in days gone by had passed as an affectation. Barry looked blankly at him.

      "Hello."

      "How'd you get hurt?"

      "I don't know."

      "Old Man Renaud here says you fell over the side of Two Mile Hill. He picked you up about six o'clock this morning. Don't you remember?"

      "Remember what?" The blank look still remained. Thayer moved closer to the bed and bending, stared at him.

      "Why, the accident. I'm Thayer, you know—Thayer, your manager at the Empire Lake mill."

      "Have I a manager?"

      The thin man drew back at this and stood for a moment staring down at Houston. Then he laughed and rubbed his gnarled hands.

      "I hope you've got a manager. You—you haven't fired me, have you?"

      Barry turned his head wearily, as though the conversation were ended.

      "I don't know what you are talking about."

      "You—don't—say, you're Barry Houston, aren't you?"

      "I? Am I?"

      "Well, then, who are you?"

      The man on the bed smiled.

      "I'd like to have you tell me. I don't know myself."

      "Don't you know your name?"

      "Have I one?"

      Thayer, wondering now, drew a hand across his forehead and stood for a moment in disconcerted silence. Again he started to frame a question, only to desist. Then, hesitatingly, he turned and walked to the door.

      "Ba'tiste."

      "Ah, oui!"

      "Come in here, will you? I'm up against a funny proposition. Mr. Houston doesn't seem to be able to remember who he is."

      "Ah!" Then came the sound of heavy steps, and Barry glanced toward the door, to see framed there the gigantic form of a grinning, bearded man, his long arms hanging with the looseness of tremendous strength, his gray eyes gleaming with twinkling interest, his whole being and build that of a great, good-humored, eccentric giant. His beard was splotched with gray, as was the hair which hung in short, unbarbered strands about his ears. But the hint of age was nullified by the cocky angle of the blue-knit cap upon his head, the blazing red of his double-breasted pearl-buttoned shirt, the flexible freedom of his muscles as he strode within. Beside him trotted a great gray cross-breed dog, which betokened collie and timber wolf, and which progressed step by step at his master's knee. Close to the bed they came, the great form bending, the twinkling, sharp eyes boring into those of Houston, until the younger man gave up the contest and turned his head—to look once more upon the form of the girl, waiting wonderingly in the doorway. Then the voice came, rumbling, yet pleasant:

      "He no remember, eh?"

      "No. I know him all right.


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