Destiny. Charles Neville Buck

Destiny - Charles Neville Buck


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fault, Paul. Only, I don't see much hope for a feller in this country that doesn't think about anything else. You're in pretty much the same fix as an Esquimo that can't be happy without flowers. Grand opera doesn't come as often as the circus, and some years the circus doesn't come. Listen!" He put one hand into his trousers' pockets, and noisily rattled a handful of coins. "That music is understood everywhere. Even in this God-forsaken place, they know how to dance to its tune."

      "Where did you get it?" For an instant Paul halted in his tracks and forgot his air-castles. Money was so rare a thing in their narrow little world that even to his impracticability it partook of magic.

      Yesterday Ham's pockets had been as empty as his own and today there emanated from them the clash of silver—not the tinkle of light nickels and dimes, but the substantial clatter of halves and dollars.

      "I sold some lambs to Slivers Martin," was the succinct reply, "and I got ten dollars for 'em."

      "Some lambs?" Paul's face puckered with perplexity. "But, Ham, you haven't got any lambs."

      Ham laughed with a debonair indulgence. "Sure I haven't," he cheerfully acquiesced, "but I've got the ten."

      Paul shook his head, baffled. "I don't see," he persisted, "how you could sell something you didn't have." They were drawing near the house now, and Ham stopped him in the road.

      "Who sells more wheat than all us farmers, Paul? Men in Wall street, don't they? And how much wheat do you suppose those fellers have got amongst the lot of them? Not enough to feed a sick pigeon with. I sold these lambs first—for ten dollars. Then I bought them off of Bill Heffers, an' Henry Berry an' Ben Best—for seven dollars."

      He paused a moment, then added, while a grin of satisfaction spread over his face: "What's more, Slivers Martin had to go an' get 'em, an' he had to go in three directions. If he'd had sense enough, he could have got 'em himself in the first place for seven instead of ten. The three dollars I got clear was my margin of profit, Paul, an' a margin of profit is what a feller gets by turnin' his margin of brain into money."

      The younger lad looked up with a mist of perplexity in his deep eyes. He realized vaguely that Ham had accomplished a feat somehow savoring of business acumen, which was a matter he could not hope to comprehend. Yet some comment seemed expected of him, so out of a slack interest he inquired, "Were they good lambs, Ham? What were they like?"

      The embryonic speculator favored his brother with an indulgent laugh. "I guess they were all right," he enlightened casually. "As for me, I didn't see 'em—any more than the Wall-street men see the wheat they buy an' sell."

      "Oh!" The little boy with the cameo face found himself still more at sea. For a while they trudged along in silence; then, with an impulsive, almost impassioned gesture, Ham clapped his hand on the other's shoulder and halted. Paul, too, stopped, and, looking up, was startled to behold features set in a rapt expression and dominated by eyes glowing with an inward ardor.

      "Listen to me, Paul," began Ham in a voice which carried an electric thrill into the dreamy soul of the listener. "You love music and you live in a place where they don't know the difference between Tannhäuser and a tom-tom. Mary would like to be pretty and she lives in a place where if she was as beautiful as Cinderella, nobody but a bunch of hill-bullies would ever see her. I want power, power that the world's got to bow down to and acknowledge—and I might just as well be locked up in somebody' hen-house. Well, maybe it's enough for you only to dream about the music you don't ever expect to hear, but as for me, I dream, too, and a dream ain't much use to me unless I can turn it into facts. I'm going to make your dreams come true—every one of 'em. I'm going to make Mary's dreams come true. There ain't no better blood in the world, Paul, than you an' me have got in our veins an' I'm goin' to see that we get what we're entitled to."

      Paul's pale cheeks colored for an instant and something deep within him stirred in response to the trumpet-like confidence of the voice which spoke with such assurance of the absurdly impossible. Suddenly he awoke to the innate music of the inspired human tongue, and there was that in the face and figure of the taller stripling which abashed him, as though he had intruded on a prophet in his moment of exaltation. Ham was listening to voices silent to other ears, and in his eyes glowed such resolve and invincible purpose as must have characterized the minute men when they steeled their hearts to meet and conquer the seemingly unconquerable.

      "Out there beyond them piled-up rocks and God-forsaken fields," swept on the other, "there's a real world where the tides are tides of gold, an' for me they are goin' to sweep in with a plunder of riches an' power that all hell can't stop! Out yonder there are cities where men are doing things an' ships are lyin' at the wharves with stuff that comes from the ends of the earth—an' those ships are goin' to go an' come when and where I tell 'em! They're goin' to carry cargoes at my biddin' an' my people are goin' to have what they want. Instead of a wheezy little bellows organ that acts like it had the asthma and cracked voices singin' hymns out of tune, you're goin' to listen to operas, an' Mary's goin' to have men that the world knows come courtin' her—in the place of ignorant lumber-jacks." The young speaker paused for breath, and when he spoke again it was in a voice that defied contradiction or doubt. "I'm goin' to make the name of Hamilton Montagu Burton the best-known name in the United States of America!"

      "How do you know you can do all them things, Ham?" The question stole from lips that trembled excitedly under the hypnotic spell of the announcement, and the answer came quickly, unfalteringly, gravely.

      "I know it by something that tells me. It don't say 'maybe you can': it says 'there isn't power enough between heaven an' hell to stop you.'"

      Paul's eyes were large, but as his brother paused he timidly inquired: "Where did the Montagu come from, Ham? I didn't know you had any middle name."

      "I took it," announced Ham imperiously. "I took it because it's the name of one of the biggest financiers the world ever knew, but not as big as I'm goin' to be. I took it because I'm a brother to men like that—but I'm going to go beyond 'em all, an' I'll carry the name further than it was ever carried before. I haven't ever talked about this to any livin' soul else. Folks wouldn't understand. First of all, I'm goin' to leave this country an' get out into the world."

      "Will Pap let you go?"

      Ham laughed again. "Pap can't stop me. Nobody can't ever stop me. You can't hold a river back from the ocean. That's the difference between a river an' a pond. It's the difference between followin' a star of destiny an' just goin' on livin' the same as an animal in a God-forsaken country like this."

      "This ain't such a bad country, Ham," argued Paul weakly, with the timid demurrer of one who sees only the difficulties. "There are some mighty-good people here, an' out there in the big cities a feller's got to fight mighty hard to get along, I guess."

      "It's a good country to come from," was the swift and contemptuous rejoinder, "and a damn' poor one to stay in. They've got raw material here that's all right—like us—but you've got to take it away to finish it up. As for the hard fight you talk about, Paul, that's what I'm huntin' for. No man's ever lived that had it in him to be greater than me."

      Upon Paul, with his measureless faith in his brother and his passion for dreams, the mad arrogance of the declaration was lost. The ecstasy with which Ham spoke tinged the promise with a fire of conviction—so that Paul wondered and believed.

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      IN the Burton household that fall, a leaven was working. Mary's mismatched eyes held a tranquillity of quiet self-satisfaction. She had found somewhere a second fashion magazine and often when she was alone in the little room under the eaves she snipped industriously away at the imaginary patterns of gorgeous gowns, or listened to the fervent pleadings of make-believe suitors.

      But the secret was all her own of how something in her had awakened. This little girl would never again be precisely the same Mary Burton who had started out that Saturday afternoon with a heart full


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