The Princess Priscilla's Fortnight. Elizabeth von Arnim
that where the setting of life is so lovely its days must of necessity be each like a jewel, of perfect brightness and beauty.
The Princess Priscilla, however, knew better. To her unfortunately the life within the walls seemed of a quite blatant vulgarity; pervaded by lacqueys, by officials of every kind and degree, by too much food, too many clothes, by waste, by a feverish frittering away of time, by a hideous want of privacy, by a dreariness unutterable. To her it was a perpetual behaving according to the ideas officials had formed as to the conduct to be expected of princesses, a perpetual pretending not to see that the service offered was sheerest lip-service, a perpetual shutting of the eyes to hypocrisy and grasping selfishness. Conceive, you tourist full of illusions standing free down there in the market place, the frightfulness of never being alone a moment from the time you get out of bed to the time you get into it again. Conceive the deadly patience needed to stand passive and be talked to, amused, taken care of, all day long for years. Conceive the intolerableness, if you are at all sensitive, of being watched by eyes so sharp and prying, so eager to note the least change of expression and to use the conclusions drawn for personal ends that nothing, absolutely nothing, escapes them. Priscilla's sisters took all these things as a matter of course, did not care in the least how keenly they were watched and talked over, never wanted to be alone, liked being fussed over by their ladies-in-waiting. They, happy girls, had thick skins. But Priscilla was a dreamer of dreams, a poet who never wrote poems, but whose soul though inarticulate was none the less saturated with the desires and loves from which poems are born. She, like her sisters, had actually known no other states; but then she dreamed of them continuously, she desired them continuously, she read of them continuously; and though there was only one person who knew she did these things I suppose one person is enough in the way of encouragement if your mind is bent on rebellion. This old person, cause of all the mischief that followed, for without his help I do not see what Priscilla could have done, was the ducal librarian—Hofbibliothekar, head, and practically master of the wonderful collection of books and manuscripts whose mere catalogue made learned mouths in distant parts of Europe water and learned lungs sigh in hopeless envy. He too had officials under him, but they were unlike the others: meek youths, studious and short-sighted, whose business as far as Priscilla could see was to bow themselves out silently whenever she and her lady-in-waiting came in. The librarian's name was Fritzing; plain Herr Fritzing originally, but gradually by various stages at last arrived at the dignity and sonorousness of Herr Geheimarchivrath Fritzing. The Grand Duke indeed had proposed to ennoble him after he had successfully taught Priscilla English grammar, but Fritzing, whose spirit dwelt among the Greeks, could not be brought to see any desirability in such a step. Priscilla called him Fritzi when her lady-in-waiting dozed; dearest Fritzi sometimes even, in the heat of protest or persuasion. But afterwards, leaving the room as solemnly as she had come in, followed by her wide-awake attendant, she would nod a formally gracious "Good afternoon, Herr Geheimrath," for all the world as though she had been talking that way the whole time. The Countess (her lady-in-waiting was the Countess Irmgard von Disthal, an ample slow lady, the unmarried daughter of a noble house, about fifty at this time, and luckily—or unluckily—for Priscilla, a great lover of much food and its resultant deep slumbers) would bow in her turn in as stately a manner as her bulk permitted, and with a frigidity so pronounced that in any one less skilled in shades of deportment it would have resembled with a singular completeness a sniff of scorn. Her frigidity was perfectly justified. Was she not a hochgeboren, a member of an ancient house, of luminous pedigree as far back as one could possibly see? And was he not the son of an obscure Westphalian farmer, a person who in his youth had sat barefoot watching pigs? It is true he had learning, and culture, and a big head with plenty of brains in it, and the Countess Disthal had a small head, hardly any brains, no soul to speak of, and no education. This, I say, is true; but it is also neither here nor there. The Countess was the Countess, and Fritzing was a nobody, and the condescension she showed him was far more grand ducal than anything in that way that Priscilla could or ever did produce.
Fritzing, unusually gifted, and enterprising from the first—which explains the gulf between pig-watching and Hofbibliothekar—had spent ten years in Paris and twenty in England in various capacities, but always climbing higher in the world of intellect, and had come during this climbing to speak English quite as well as most Englishmen, if in a statelier, Johnsonian manner. At fifty he began his career in Kunitz, and being a lover of children took over the English education of the three princesses; and now that they had long since learned all they cared to know, and in Priscilla's case all of grammar at least that he had to teach, he invented a talent for drawing in Priscilla, who could not draw a straight line, much less a curved one, so that she should still be able to come to the library as often as she chose on the pretext of taking a drawing-lesson. The Grand Duke's idea about his daughters was that they should know a little of everything and nothing too well; and if Priscilla had said she wanted to study Shakespeare with the librarian he would have angrily forbidden it. Had she not had ten years for studying Shakespeare? To go on longer than that would mean that she was eager, and the Grand Duke loathed an eager woman.
But he had nothing to say against a little drawing; and it was during the drawing-lessons of the summer Priscilla was twenty-one that the Countess Disthal slept so peacefully. The summer was hot, and the vast room cool and quiet. The time was three o'clock—immediately, that is, after luncheon. Through the narrow open windows sweet airs and scents came in from the bright world outside. Sometimes a bee would wander up from the fruit-gardens below, and lazily drone round shady corners. Sometimes a flock of pigeons rose swiftly in front of the windows, with a flash of shining wings. Every quarter of an hour the cathedral clock down in the town sent up its slow chime. Voices of people boating on the river floated up too, softened to melodiousness. Down at the foot of the hill the red roofs of the town glistened in the sun. Beyond them lay the sweltering cornfields. Beyond them forests and villages. Beyond them a blue line of hills. Beyond them, said Priscilla to herself, freedom. She sat in her white dress at a table in one of the deep windows, her head on its long slender neck, where the little rings of red-gold hair curled so prettily, bent over the drawing-board, her voice murmuring ceaselessly, for time was short and she had a great many things to say. At her side sat Fritzing, listening and answering. Far away in the coolest, shadiest corner of the room slumbered the Countess. She was lulled by the murmured talk as sweetly as by the drone of the bee.
"Your Grand Ducal Highness receives many criticisms and much advice on the subject of drawing from the Herr Geheimrath?" she said one day, after a lesson during which she had been drowsily aware of much talk.
"The Herr Geheimrath is most conscientious," said Priscilla in the stately, it-has-nothing-to-do-with-you sort of tone she found most effectual with the Countess; but she added a request under her breath that the lieber Gott might forgive her, for she knew she had told a fib.
Indeed, the last thing that Fritzing was at this convulsed period of his life was what his master would have called conscientious. Was he not encouraging the strangest, wickedest, wildest ideas in the Princess? Strange and wicked and wild that is from the grand ducal point of view, for to Priscilla they seemed all sweetness and light. Fritzing had a perfect horror of the Grand Duke. He was everything that Fritzing, lean man of learning, most detested. The pleasantest fashion of describing the Grand Duke will be simply to say that he was in all things, both of mind and body, the exact opposite of Fritzing. Fritzing was a man who spent his time ignoring his body and digging away at his mind. You know the bony aspect of such men. Hardly ever is there much flesh on them; and though they are often ugly enough, their spirit blazes at you out of wonderful eyes. I call him old Fritzing, for he was sixty. To me he seemed old; to Priscilla at twenty he seemed coeval with pyramids and kindred hoarinesses; while to all those persons who were sixty-one he did not seem old at all. Only two things could have kept this restless soul chained to the service of the Grand Duke, and those two things were the unique library and Priscilla. For the rest, his life at Kunitz revolted him. He loathed the etiquette and the fuss and the intrigues of the castle. He loathed each separate lady-in-waiting, and every one of the male officials. He loathed the vulgar abundance and inordinate length and frequency of the meals, when down in the town he knew there were people a-hungered. He loathed the lacqueys with a quite peculiar loathing, scowling at them from under angry eyebrows as he passed from his apartment to the library; yet such is the power of an independent and scornful spirit that though they