The Nest, The White Pagoda, The Suicide, A Forsaken Temple, Miss Jones and the Masterpiece. Anne Douglas Sedgwick
might assume the significance that would, perhaps, justify the old-fashioned separation of interests; but no children came after the first, the child that died at birth, the child that his heart ached over still; and he could not believe that Kitty felt the lack, could hardly believe that she shared his hope for other children. She had suffered terribly in the birth of the one, more, perhaps, than in its death—though that had temporarily crushed her—and she had been horribly frightened by the cruelties and perils of maternity. So, though he had come to think of her as essentially womanly, it was in a rather narrow sense; the term had by degrees lost many, even, of its warm, instinctive associations, and as he now sat thinking, near the summer-house, it took on its narrowest, if most piteous meaning. Kitty was essentially womanly. She needed some one to be in love with her. Her husband had ceased to be in love—though he had not ceased to be a loving husband—and she responded helplessly to a lover's appeal. Sir Walter's appeal was very persuasive. A ship of snowy, wing-like sails, a fairy ship, rocked on the waves at the very edge of Kitty's sheltered life. Only a shutting of the eyes, a holding of the breath, and she would be carried across the narrow intervening depth to the deck, to freedom, to safety—she would believe—to sails trimmed for an immortal romance. Would Kitty's cowardice, and Kitty's prayers—they were interwoven he felt sure—keep her for one month from running away with Sir Walter? In only a month's time she could respond and not be shattered: in only a month's time the ship of romance would be really safe, she might walk on board with no shutting of the eyes or holding of the breath. Holland gazed, and the facts became clearer and more ominous. For the lack of a knowledge that was his, Kitty and Sir Walter might wreck their lives. All the motives for the concealment of his secret, the vanity, the bravery, the cherishing tenderness that had inspired him, were scattered to the winds. The nest was a tattered, wind-pierced ruin. And he, already, was a ghost. Kitty should not lack the knowledge.
The dew was falling, and he had grown chilly. He walked back quickly to the house that he had left a little while ago so vividly aware of the sweetness that the shallow cup might hold. The cup was empty. Not a drop of self was left to hope or live for.
He waited till the next day to tell her. He did not feel a tremor, he felt too deep a fatigue.
Their meeting at dinner was a placid gliding over the depths; two hooded gondolas floating side by side, each with its shrouded secret. But skill and vigilance were his. Kitty's gondola drifted with the current, knowing no need of skill, secure of secrecy. The eyes she quietly lifted to her husband were unclouded. He guessed the inner drama that held her thoughts, the tragically beautiful role that she herself played in it. It was as a heroine that she saw herself. Why not, indeed. No heroine could have played her part more gracefully and worthily, and a heroine's innocent eyes could not be expected to see as far as his "ironic" ones.
It was the sense of distance, from her, from everything, that grew upon him during the long intervals of the night when he lay awake and watched the stars slowly cross his open window. He was no longer divided from himself, no longer groping, as in the train, to find a clue between the doomed man and the watcher. The self that he had found was adrift upon a sea, solitary indeed, and saw pigmy figures moving in the shifting lights and shadows of the shore. His mild preoccupation was with one figure, light, fluttering, foolish: she was walking near the verge of the cliff and her foothold might give way. He intended to signal to her and to point out a safe road through the cornfields, before he turned himself again to loneliness, the sky, and the sea that was soon to engulf him.
This self-obliterating immensity of mood was contracted and ruffled next morning by the trivial difficulties that stood in the way of his determination. He went to Kitty's boudoir—and, in spite of immensities, he knew that his heart beat heavily under the burden of its project, how careful he must be, how delicate—to find her interviewing the cook. In the garden, she was talking to the gardener, and afterwards, in her room, she was trying on a tea-gown before the mirror. Actually he felt some irritation.
"When can I see you, Kitty?" he asked.
Her eyes in the glass met his with surprise at his tone; but surprise was all. "See me? Here I am. What is it?—No, Cécile, the sash must knot, so; tie it more to the side."
"I want to talk over something with you."
"I'm rather busy this morning. Will after lunch do? Don't you see, Cécile, like this."
"No, it won't. I must see you now," said Holland, almost querulously.
She turned her head to look at him and a shadow crossed her face. Suddenly, he saw it, she was a little frightened.
"Of course, directly. I'll come to the library."
Seeing that fear, and smitten with compunction, a rather silly impulse made him smile at her and say:—"Don't bother to hurry. I can wait." But he did want her to hurry. He felt that he could wait no longer.
He walked up and down the library. The weariness of the day before was gone; the sweetness, of course, was gone, and the inhuman immensity was gone too. He felt oddly normal and reasonable, detached yet implicated; almost like a friendly family doctor come to break the fatal news to the ignorant wife. It was just the anxiety that the doctor might feel, the grave trouble and the twinge of awkwardness.
He had only waited for ten minutes when Kitty appeared in the doorway.
Kitty Holland was still a young woman and looked younger than her years. The roundness and blueness and steady gaze of her eyes, the bloom of her cheeks and innocent lustre of her golden hair gave an infantile quality to her loveliness. She was not a vain woman, but she was conscious of these advantages and the consciousness had touched the childlike candour and confidingness with a little artificiality, for long apparent to her husband's kindly but dispassionate eye. To other people Mrs. Holland's manner, the whispering vagueness of her voice, the wistful dwelling of her glance, was felt to be artificial only as the gold embroideries and serrated edges on the robes of a Fra Angelico angel are felt as something added and decorative. Kitty was far too intelligent to try to look like a Fra Angelico angel; she was picturesque as only the extremely fashionable can be picturesque; but Holland knew she was conscious that she reminded people of an angel, and of a child, and that she reminded herself continually of all sorts of exquisite things, partly because she was dreamily self-conscious and keenly aware of exquisiteness, and partly because he had, in their first year, the year of sails and breezes, so impressed these things upon her attention.
He himself had grown accustomed to—perhaps a little tired of—the lily poise of the head, the long, gentle hands, the floating step, quite the step of an angel aware of flower-dappled grass beneath its feet and the flutter of embroidered draperies. But Kitty, though accustomed to these graces, in herself, had not grown tired of them, they had, indeed, more and more filled the foreground of her delicate and decorative life, so that he could guess at how much his own indifference had helped to alienate her.
And now, as he turned to look at her, these half ironic, half affectionate impressions hovered as a background, and, sharply drawn upon it, with the biting acid of his new perceptions, he saw something else in Kitty's face that he had never seen before.
Already he had seen her as a womanly woman, as that in its narrowest sense. He saw her now as a type of the woman who live in and through and for their affections, and this with their sensations rather than with their intelligences. Vividly his memory struck them out;—the faces of the satisfied women, taking on, as years pass over them, as experience detaches from the craving, sentimental self, and frees the instincts to push, climb, cling in roots and tendrils for other selves, a vegetable serenity and simplicity;—and, more vividly, with discomfort in the memory, the faces of the unsatisfied; the womanly married woman whose romance is over, the spinster who has missed romance; faces chiselled to subtlety by dreams and frustration.
On Kitty's face he saw it now, that look of a subtlety childlike, innocent, of flesh rather than of spirit, yet, in its very unconsciousness, almost sinister. For a moment, as the lines of the sharp new perception etched themselves, lines gossamer-like in fineness, floating, transforming shadows rather than lines, he was afraid of his wife, afraid of the alien, mysterious force he guessed in her.
For the delicately sinister subtlety was