Evelyn Innes. George Moore
these were sprinkled with the first tiny leaves; and the currant and raspberry bushes were all out. And there was a fishpond swarming with gold fish, and they were so tame that they took bread from the novices' hands.
The conversation had begun about the convent, and after speaking of its good sisters, the old lady, whose hair was quite white, had asked Evelyn about herself. Had she ever thought of being a nun? Evelyn had answered that she had not. She had never considered the question whether she had a vocation. … She had been brought up to believe that she was going on the stage to sing grand opera.
"It is hardly for me to advise you. But I know how dangerous the life of an opera singer is. I shall pray God that He may watch over you. Promise me always to remember our holy religion. It is the only thing we have that is worth having; all the rest passes."
"Father, we were close by the edge of the fishpond, and all the greedy fish swarmed to the surface, thinking we had come to feed them. She said, 'I cannot walk further without resting; come, my dear, let me sit down on that bench, and do you sing me a little song, very low, so that no one shall hear you but I.' I sang her "John, come kiss me now," and she said, "My dear, you have a beautiful voice, I pray that you make good use of it."
But not in one day could all Evelyn's convent experiences be related, and it was not until the end of the week that Evelyn told how Mother Philippa, at the end of a long talk in which she had spoken to Evelyn about the impulses which had led her to embrace a religious life (she had been twenty years in this convent), had taken her upstairs to the infirmary to see Sister Bonaventure, an American girl, only twenty-one, who was dying of consumption. She lay on a couch in grey robes, her hands and face waxen white, and a smile of happy resignation on her lips and in her eyes.
"But," exclaimed Evelyn, "they told me she would die within the fortnight, so she may be dead now; if not to-day, to-morrow or after. I hadn't thought of that. … I shall never forget her, every few minutes she coughed—that horrible cough! I thought she was going to die before my eyes, but in the intervals she chattered and even laughed, and no word of complaint escaped her. She was only twenty-one … had known nothing of life; all was unknown to her, except God, and she was going to Heaven. She seemed quite happy, yet to me it seemed the saddest sight in the world. … She'll be buried in a few days in the sunniest corner of the garden, away from the house—that is their graveyard. The mother Prioress, the founder of the convent, is buried there; a little dedicatory chapel has been built, and on the green turf, tall wooden crosses mark the graves of six nuns; next week there'll be one more cross."
The conversation paused, and Evelyn sat looking into the corner of the room, her large clear eyes wide open and fixed. Presently she said—
"Father," I've often thought I should like to be a nun."
"You a nun! And with that voice!"
She looked at him, smiling a little.
"What matter?"
"What matter! Have you not thought—but I understand; you mean that your voice is wasted here, that we shall never have the means to go abroad. … But we shall."
"Father, dear, I wasn't thinking of that. I do believe that means will be found to send me abroad to study. But what then? Shall I be happy?"
"Fame, fortune, art!"
"Those nuns have none of those things, and they are happy. As that old lady said their happiness comes from within."
"And you'll be happy with those things, as happy as they are without them. You're in a melancholy mood; come, we'll think of the work before us. I've decided that we give our concert the week after next. That will give us ten clear days."
He entered into the reasons which had induced him to give this concert. But Evelyn had heard all about the firm of musical publishers, who possibly might ask him to bring up the old instruments to London, and give a concert in a fashionable West-end hall. Seeing that she was not listening, he broke off his narrative with the remark that he had received a letter that morning from Sir Owen.
"Is he coming home? I thought he was going round the world and would not be back for a year."
"He has changed his mind. This letter was posted at Malta—a most interesting letter it is;" and while Mr. Innes read Sir Owen's account of the discovery of the musical text of an ancient hymn which had been unearthed in his presence, Evelyn wondered if he had come home for her or—the thought entered her heart with a pang—if he had come home for the red-haired woman. Mr. Innes stopped suddenly in his reading, and asked her of what she was thinking.
"Nothing, father."
"You don't seem to take any interest. The text is incomplete, and some notes have been conjecturally added by a French musician." But much more interesting to Evelyn was his account of the storm that had overtaken his yacht on the coast of Asia Minor. He had had to take his turn at the helm, all the sailors being engaged at the sails, and, with the waves breaking over him, he had kept her head to the wind for more than two hours.
"I can hardly fancy him braving the elements, can you, Evelyn?"
"I don't know, father," she said, startled by the question, for at that moment she had seen him in imagination as clearly as if he were present. She had seen him leaning against the door-post, a half-cynical, half-kindly smile floating through his gold moustache. "Do you think he will like the music you are going to give at the next concert? He is coming, I suppose?"
"It is just possible he may arrive in time; but I should hardly think so. I've written to invite him; he'll like the music; it is the most interesting programme we've had—an unpublished sonata by Bach—one of the most interesting, too. If that is not good enough for him—by the way, have you looked through that sonata?"
"No, father, but I will do so this afternoon."
And while practising the sonata, Evelyn felt as if life had begun again. The third movement of the sonata was an exquisite piece of musical colour, and, if she played it properly, he could not fail to come and congratulate her. … But he would not be here in time for the concert … not unless he came straight through, and he would not do that after having nearly escaped shipwreck. She was sure he would not arrive in time, but the possibility that he might gave her additional interest in the sonata, and every day, all through the week, she discovered more and more surprising beauties in it.
CHAPTER FOUR
She was alone in the music-room reading a piece of music, and her back was to the door when he entered. She hardly recognised him, tired and tossed as he was by long journeying, and his grey travelling suit was like a disguise.
"Is that you, Sir Owen? … You've come back?"
"Come back, yes, I have come back. I travelled straight through from Marseilles, a pretty stiff journey. … We were nearly shipwrecked off Marseilles."
"I thought it was off the coast of Asia Minor?"
"That was another storm. We have had rough weather lately."
The music dropped from her hand, and she stood looking at him, for he stood before her like an ancient seafarer. His grey tweed suit buttoned tightly about him set off every line of his spare figure. His light brown hair was tossed all over his head, and she could not reconcile this rough traveller with the elegant fribble whom she had hitherto known as Sir Owen. But she liked him in this grey suit, dusty after long travel. He was picturesque and remote as a legend. A smile was on his lips; it showed through the frizzled moustache, and his eyes sparkled with pleasure at sight of her.
"But why did you travel straight through? You might have slept at Marseilles or Paris."
"One of these days I will tell you about the gale. I wonder I am not at the bottom of that treacherous sea; it did blow my poor old yacht about—I thought it was her last cruise; and when we got to the hotel I was handed your father's