David Malcolm. Nelson Lloyd
as we swung down the hill from the farmhouse. I dared not, lest I should see my too solicitous mother beckoning me home to the protection of her eyes. Though I clutched the harness and bounced about on my uncomfortable seat, the horse's rough gait had no terrors for me when every clumsy stride was carrying me nearer to the woods. As we rattled into the long street of the village, it seemed to me that all the people must have come out just to see us pass. The fresh beauty of the spring morning might have called them forth, but from the proud height where I sat looking down on them they had all the appearance of having heard in some mysterious way that David Malcolm was going fishing. They hailed me from every side. Even the Reverend Mr. Pound added to the glory of my progress, leaving his desk and his profound studies of Ahasuerus to stand at the open window as we passed.
With boyish exultation I called to him: "I'm goin' a-fishin', Mr.
Pound—fishin' for trout."
In Mr. Pound's personal catechism his own chief end was to utter trenchant and useful warnings to all who came within reach of his voice. Even to a lad riding forth under careful guidance to fish in a little mountain stream he had to sound his alarm. The soft fragrance of the May-day air, and the restful green and white of the May-day coloring had brought to the minister's face a smile of contentment in spite of his melancholy ponderings over the weaknesses of Ahasuerus; he looked on me benignly from his window until I spoke, and then his face clouded with concern.
"David, David," he cried, stretching out his hand with fingers wide-spread, "don't fall into the water."
There was a mysterious note in his reverberating tones, which expressed a profound conviction that not only should I fall into the water, but that I should be drowned, and looking at his solemn face I could feel the cold pool closing over my head. I tried to laugh away the fear which seized me, but chill, damp currents seemed to sweep the shaded street. Not till we reached the open sunlit square did my sluggish blood start again. There I came under the genial influence of Squire Crumple's radiating smile, and Mr. Pound and his lugubrious warning were forgotten. The squire was trimming his lilac-bush, and from the green shrubbery his round face lifted slowly, as the sun rises from its night's rest in the eastward ridges and spreads its welcome light over the valley.
"Well, Davy, where are you bound?" he shouted, so pleasantly that I could well believe my small wanderings of interest to so great a man.
"Fishin'," I answered, drawing myself up to a dignity far above the chub and sunny—"fishin' for trout."
"Fishin', eh? Well, look out for rattlers." His voice was so cheery that one might have thought these snakes well worth meeting for their companionship. "This is the season for 'em, Davy—real rattler season, and you're sure to see some." To make his warning more impressive, the squire gave a leap backward which could not have been more sudden or violent had he heard the dreaded serpent stirring in the heart of his lilac. "Watch out, Davy; watch sharp, and when you meet 'em be sure to go backward and sideways like that."
He gave a second extraordinary leap, which was altogether too realistic to be pleasant for the boy who saw the mountains, sombre and black, beyond the long street's end, yet very near him. I forced a laugh at his antics, but I rode on more thoughtfully, my hands clutching the harness, my eyes fixed on my horse's bobbing mane. I feared to look up lest I should meet more of these disturbing warnings, and yet enough of pride still held in me to lift my head at the store. I had always looked toward the store instinctively when I passed that important centre of the village life, and now, as always, I saw Stacy Shunk on the bench.
He was alone, but alone or in the company of half a score, in silence or in the heat of debate, Stacy had a single attitude, and this was one of distortion in repose. Now, as always, he was sitting with legs crossed, his hands hugging a knee, his eyes contemplating his left foot. In the first warm days of spring, Stacy's feet burst out with the buds, casting off their husks of leather. So this morning his foot had a new interest for him, and he was absorbed in the study of it, as though it were something he had just discovered, a classic fragment recently unearthed, at the beauty of whose lines he marvelled. He did not even look up when he heard the rumble of our wagon. Stacy Shunk never troubled to look up if he could avoid it. He seemed to have a third eye which peered through the ragged hole in the top of his hat, and swept the street, and bored through walls, a tiny search-light, but one of peculiarly penetrating power. I saw his head move a little as we drew near, and his body shifted nervously as would a mollusk at the approach of some hostile substance. Yet sitting thus, eying me only through the top of his hat, he saw right into my mind, he saw right into my pockets, he saw the mustard can full of worms, he saw the line, and the fish-hooks which my mother had thoughtfully wrapped in a pill-box. How else could he have divined all that he did?
"Well, Davy," he said in a wiry voice, which cut through the din of rattling harness and creaking wagon, "I see you're goin' a-fishin' for trout?"
"Yes, sir, Mr. Shunk," I returned, with a politeness that told my respect for his occult powers.
"Well, mind," he said, intently studying his foot as though he were reading some mystic signals wigwagged from the gods, "mind, Davy, that you don't fall into the hands of the Professor. If the Professor catches you, Davy—" The foot stopped wiggling. The oracle was silent. Did it fear to reveal to me so dreadful a fate as mine if I fell into the Professor's clutches? I waved a hand defiantly to the seer and I rode on. Rode on? I was dragged on by four stout horses through the village to the mountains, for in my heart I was calling to my mother, wishing that her gentle warnings had turned me back before I heard the voice of doom sounding from the depths of Mr. Pound; before I had seen the comic tragedy enacted by Squire Crumple; above all, before the man who saw through the top of his hat had uttered his enigmas about the Professor.
There is something innately repugnant to man in the word "professor." It makes the flesh creep almost as does the thought of the toad or snake. Though when a boy of ten I had never seen a "professor," the word alone was so full of portent that the prospect of seeing one, even without being caught by him, would have frightened me. I suppose that the chill which reverberated through my spine and legs echoed the horror of many generations of my ancestors who had known professors of all kinds, from those who trimmed their hair and dosed them with nostrums to those who sat over them with textbook and rod. Being myself thus perturbed, it was astonishing that James should show no sign of fear, but should keep his horses in their collars, pulling straight for the mountains where the dreaded creature lived. He smoked his pipe nonchalantly, as though a hundred professors could not daunt him. I was sure that there was something of bravado in his conduct until he began to sing, and his voice rang out without a tremor, so full and strong that it fanned a spark of courage into my cowering heart. James had a wonderfully inspiring way of singing. He tuned his voice to the day and to the time of the day. This morning the sky was clear blue above us, and about us the orchards blossomed pink and white, and the fresh green fields were all awave under the breeze, not the grim wind of winter, but the soft yet buoyant wind of spring. So his song was cheery. The words of it were doleful, like the words of all his songs, but under the touch of his magic baton, his swinging whip, a requiem could become a hymn of rejoicing. Now the birds in the meadows seemed to accompany him, and our heavy-footed four to step with a livelier gait in time to his rattling air, all unconscious that he sang of "the old gray horse that died in the wilderness." It was a boast of his that he could sing "any tune there was," and I believed him, for I had a profound admiration of his musical ability. Indeed, I hold it to this day, and often as I sit in the dark corner of an opera-box and listen to the swelling harmonies of a great orchestra, I close my eyes and fancy myself squatting on the grassy barn-bridge at James's side when the shadows are creeping over the valley and he weeps for Nellie Grey and Annie Laurie in a voice so mighty that the very hills echo his sorrow.
This May morning, as James sang, my spirits rose with his soaring melody from the depths into which they had been cast in the passage of the village, and when the last note had died away and he was debating whether to light his pipe or sing another song, I asked him with quite a show of courage:
"Is it very dangerous in the mountains?"
James looked down at me. A smile flickered around the corners of his mouth, but he suppressed it quickly.
"Yes—and