The Man in Gray. Jr. Thomas Dixon

The Man in Gray - Jr. Thomas Dixon


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was acting butler to-night in Uncle Ben's place. No servant was allowed to work when ill—no matter how light the tasks to which he was assigned. Sam was but twenty years old and he had been given the honor of superintending the arrangements for the dance. And, climax of all, he had been made leader of the music with the sole right to call the dances, although he played only the triangle in the orchestra. He was in high fettle.

      When the first carriage entered the grounds his keen ear caught the crunch of wheels on the gravel. He hurried to call the mistress and young misses to their places at the door. He also summoned the boys from their rooms upstairs. He had seen the flash of spotless white in the carriage. It meant beauty calling to youth on the hill. Sam knew.

      Phil came downstairs with Custis. The spacious sweep of the hall, its waxed floor clear of furniture, with hundreds of blinking candles flashing on its polished surface, caught his imagination. It was a fairy world—this generous Southern home. In spite of its wide spaces, and its dignity, it was friendly. It caught his boy's heart.

      Mrs. Lee was just entering. Custis' eyes danced at the sight of his mother in full dress. He grasped Phil's arm and whispered:

      "Isn't my mother the most beautiful woman you ever saw?"

      He spoke the words half to himself. It was the instinctive worship of the true Southern boy, breathed in genuine reverence, with an awe that was the expression of a religion.

      "I was just thinking the same thing, Custis," was the sober reply.

      "I beg your pardon, Phil," he hastened to apologize. "I didn't mean to brag about my mother to you. It just slipped out. I couldn't help it. I was talking to myself."

      "You needn't apologize. I know how you feel. She's already made me think

       I'm one of you—"

      He paused and watched Mary Lee enter from the lawn leaning on Stuart's arm. Stuart's boyish banter was still ringing in her ears as she smiled at him indulgently. She hurried to her mother with an easy, graceful step and took her place beside her. She was fine, exquisite, bewitching. She had never come out in Society. She had been born in it. She had her sweethearts before thirteen and not one had left a shadow on her quiet, beautiful face. She demanded, by her right of birth as a Southern girl, years of devotion. And the Southern boy of the old regime was willing to serve.

      Phil stood with Stuart and watched Custis kiss a dozen pretty girls as they arrived and call each one cousin.

      "Is it a joke?" he asked Stuart curiously.

      "What?"

      "This cousin business."

      "Not much. You don't think I'd let him be such a pig if I could help him, do you?"

      "Are they all kin?"

      "Yes—" Stuart laughed. "Some of it gets pretty thin in the second and third cousin lines. But it's thick enough for him to get a kiss from every one—confound him!"

      The hall was crowding rapidly. The rustle of silk, the flash of pearls and diamonds, the hum of soft drawling voices filled the perfumed air.

      Phil's eyes were dazzled with the bevies of the younger set, from sixteen to eighteen, dressed in soft tulle and organdy; slow of speech; their voices low, musical, delicious. He was introduced to so many his head began to swim. To save his soul he couldn't pick out one more entrancing than another. The moment they spied his West Point uniform he was fair game. They made eyes at him. They languished and pretended to be smitten at first sight. Twice he caught himself about to believe one of them. They seemed so sincere, so dreadfully in earnest. And then he caught the faintest twinkle in the corner of a dark eye and blushed to think himself such a fool.

      But the sensation of being lionized was delightful. He was in a whirl of foolish joy when he suddenly realized that Stuart had deserted him, slipped through the crowd and found his way to Mary Lee. He threw a quick glance at the pair and one of the four beauties hovering around him began to whisper:

      "Jeb Stuart's just crazy about Mary—"

      "Did you ever see anything like it!"

      "He couldn't stop even to say how-d'y-do."

      "And she's utterly indifferent—"

      Sam's voice suddenly rang out with unusual unction and deliberation. He was imitating Uncle Ben's most eloquent methods.

      "Congress-man and Mrs. Rog-er A. Pry-or!"

      Mrs. Lee hastened to greet the young editor who had taken high rank in

       Congress from the day of his entrance.

      Mrs. Pryor was evidently as proud of her young Congressman as he was of her regal beauty.

      Colonel Lee joined the group and led the lawmaker into the library for a chat on politics.

      The first notes of a violin swept the crowd. The hum of conversation and the ripple of laughter softened into silence. The dusky orchestra is in place on the little platform. Sam, in all his glory, rises and faces the eager youth.

      He was dressed in his young master's last year's suit, immaculate blue broadcloth and brass buttons, ruffled shirt and black-braided watch guard hanging from his neck. His eyes sparkled with pride and his rich, sonorous voice rang over the crowd like the deep notes of a flute:

      "Choose yo' pardners fur de fust cowtillun!"

      Again the quick rustle of silk and tulle, the low hum of excited, young voices and the couples are in place.

      A boy cries to the leader:

      "We're all ready, Sam."

      The young caller of the set knew his business better. He lifted his hand in a gesture of reverence and silence, as he glanced toward the library door.

      "Jes' a minute la-dees, an' gem-mens," he softly drawled. "Marse Robert

       E. Lee and Missis will lead dis set!"

      The Colonel briskly entered from the library with his wife on his arm. A ripple of applause swept the room as they took their places with the gay youngsters.

      Sam lifted his hand; the music began—sweet and low, vibrating with the sensuous touch of the negro slave whose soul was free in its joyous melody.

      At the first note of his triangle, loud above the music rang Sam's voice:

      "Honors to yo' pardners!"

      With graceful courtesies and stately bows the dance began. And over all a glad negro called the numbers:

      "Forward Fours!"

      The caller's eyes rolled and his body swayed with the rhythm of the dance as he watched each set with growing pride. They danced a quadrille, a mazurka, another quadrille, a schottische, the lancers, another quadrille, and another and another. They paused for supper at midnight and then danced them over again.

      While the fine young forms swayed to exquisite rhythm and the music floated over all, the earnest young Congressman bent close to his host in a corner of the library.

      "I sincerely hope, Colonel Lee, that you can see your way clear to make a reply to this book of Mrs. Stowe which Ruffin has sent you."

      "I can't see it yet, Mr. Pryor—"

      "Ruffin is a terrible old fire-eater, I know," the Congressman admitted. "But Uncle Tom's Cabin is the most serious blow the South has received from the Abolitionists. And what makes it so difficult is that its appeal is not to reason. It is to sentiment. To the elemental emotions of the mob. No matter whether its picture is true or false, the result will be the same unless the minds who read it can be cured of its poison. It has become a sensation. Every Northern Congressman has read it. A half million copies have been printed and the presses can't keep up with the demands. This book is storing powder in the souls of the masses who don't know how to think, because they've never been trained to think. This explosive emotion is the preparation for fanaticism. We only wait the coming


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