The Medieval Mind. Henry Osborn Taylor
works of Anselm, the Monologion, for instance, present the dry and the formal method of reasoning which was to make its chief home in France; others, like the Proslogion, seem to be Italian in a certain beautiful emotionalism. The feeling is very lofty, even lifted out of the human, very skyey, even. The Proslogion, the Meditationes, do not throb with the red blood of Augustine’s Confessions, the writing which influenced them most. The quality of their feeling suggests rather Dante’s Paradiso; and sometimes with Anselm a sense of formal beauty and perfection seems to disclose the mind of Italy. Moreover, Anselm’s Latin style appears Italian. It is elastic, even apparently idiomatic, and varies with the temper and character of his different works. Throughout, it shows in Latin the fluency and simple word-order natural to an author whose vulgaris eloquentia was even closer to Latin in the time of Anselm than when Dante wrote.
So Anselm’s writings were intimately part of their author, and very part of his life-long meditation upon God. Led by the solicitations of others, as well as impelled by the needs of his own faculties and nature, he takes up one Christian problem after another, and sets forth his understanding of it with his conclusion. He is devout, an absolute believer; and he is wonderfully metaphysical. He is a beautiful, a sublimated, and idealizing reasoner, convinced that a divine reality must exist in correspondence with his thought, which projects itself aloft to evoke from the blue an answering reality. The inspiration, the radiating point of Anselm’s intellectual interest, is clearly given—to understand that which he first believes. It is a spontaneous intellectual interest, not altogether springing from a desire to know how to be saved. It does not seek to understand in order to believe; but seeks the happiness of knowing and understanding that which it believes and loves. Listen to some sentences from the opening of the Proslogion:
“Come now, mannikin, flee thy occupations for a little, and hide from the confusion of thy cares. Be vacant a little while for God, and for a little rest in Him. … Now, O Lord my God, teach my heart where and how to seek thee, where and how to find thee. Lord, Lord, illuminate us; show us thyself. Pity us labouring toward thee, impotent without thee. … Teach me to seek thee, and show thyself to my search; for I cannot seek thee unless thou dost teach, nor find thee unless thou dost show thyself. … I make no attempt, Lord, to penetrate thy depths, for my intellect has no such reach; but I desire to understand some measure of thy truth, which my heart believes and loves. I do not seek to know in order that I may believe; but I believe, that I may know. For I believe this also, that unless I shall have believed, I shall not understand.”[347]
So Anselm is first a believer, then a theologian; and his reason devotes itself to the elucidation of his faith. Faith prescribes his intellectual interests, and sets their bounds. His thought does not occupy itself with matters beyond. But it takes a pure intellectual delight in reasoning upon the God which his faith presents and his heart cleaves to. The motive is the intellectual and loving delight which his mind takes in this pursuit. His faith was sure and undisturbed, and ample for his salvation. His intellect, affected by no motive beyond its own strength and joy, delights in reasoning upon the matter of his faith.[348]
We may still linger for a moment to observe how closely part of Anselm’s nature was his proof of the existence of God.[349] It sprang directly from his saintly soul and the compelling idealism of his reason. In the Monologion Anselm ranged his many arguments concerning the nature and attributes of the summum bonum which is God. Its chain of inductions failed to satisfy him and his pupils. So he set his mind to seek a sole and unconditioned proof (as Eadmer states in the Vita) of God’s existence and the attributes which faith ascribes to Him. Anselm says the same in the Preface to the Proslogion:
“Considering that the prior work was woven out of a concatenation of many arguments, I set to seek within myself (mecum) whether I might not discover one argument which needed nothing else than itself alone for its proof; and which by itself might suffice to show that God truly exists, and that He is the summum bonum needing nothing else, but needed by all things in order that they may exist and have well-being (ut sint et bene sint); and whatever we believe concerning the divine substance.”
The famous proof which at length flashed upon him is substantially this: By very definition the word God means the greatest conceivable being. This conception exists even in the atheist’s mind, for he knows what is meant by the words, the absolutely greatest. But the greatest cannot be in the intellect alone, for then conceivably there would be a greater which would exist in reality as well. And since, by definition, God is the absolutely greatest, He must exist in reality as well as in the mind.[350] Carrying out the scholia to this argument, Anselm then proves that God possesses the various attributes ascribed to Him by the Christian Faith.
That from a definition one may not infer the existence of the thing defined, was pointed out by a certain monk Gaunilo almost as soon as the Proslogion appeared. Anselm answered him that the argument applied only to the greatest conceivable being. Since that time Anselm’s proof has been upheld and disproved many times. It was at all events a great dialectic leap; but likely one may not with such a bound cross the chasm from definition to existence—at least one will be less bold to try when he realizes that this chasm is there. Temperamentally, at least, this proof was the summit of Anselm’s idealism: he could not but conceive things to exist in correspondence to the demands of his conceptions. He never made another so palpable leap from conception to conviction as in this proof of God’s existence; yet his theology proceeded through like processes of thought. For example, he is sure of God’s omnipotence, and also sure that God can do nothing which would detract from the perfection of His nature: God cannot lie: “For it does not follow, if God wills to lie that it is just to lie; but rather that He is not God. For only that will can will to lie in which truth is corrupted, or rather which is corrupted by forsaking truth. Therefore when one says ‘if God wills to lie,’ he says in substance, ‘if God is of such a nature as to will to lie.’ ”[351]
Anselm’s other famous work was the Cur Deus homo, upon the problem why God became man to redeem mankind. It was connected with his view of sin, and the fall of the angels, as set forth chiefly in his dialogue De casu Diaboli. One may note certain cardinal points in his exposition: Man could be redeemed only by God; for he would have been the bond-servant of whoever redeemed him, and to have been the servant of any one except God would not have restored him to the dignity which would have been his had he not sinned.[352] Or again: The devil had no rights over man, which he lost by unjustly slaying God. For man was not the devil’s, nor does the devil belong to himself but to God.[353] Evidently Anselm frees himself from the conception of any ransom paid to the devil, or any trickery put on him—thoughts which had lowered current views of the Atonement. Anselm’s arguments (which are too large, and too interwoven with his views upon connected subjects, to be done justice to by any casual statement) are free from degrading foolishness. His reasonings were deeply felt, as one may see in his Meditationes, where thought and feeling mutually support and enhance each other. So he recalls Augustine, the great model and predecessor whom he followed and revered. And still the feeling in Anselm’s Meditationes, as in the Proslogion, is somewhat sublimated and lifted above human heart-throbs. Perhaps it may seem rhetorical, and intentionally stimulated in order to edify. Even in the Meditationes upon the humanity and passion of Jesus, Anselm is not very close to the quivering tenderness of St. Bernard, and very far from the impulsive and passionate love of Francis of Assisi. One thinks that his feelings rarely distorted his countenance or wet it with tears.[354]
CHAPTER XII
MENTAL ASPECTS OF THE ELEVENTH CENTURY: FRANCE
I. Gerbert.
II. Odilo of Cluny.
III. Fulbert and the School of Chartres; Trivium and Quadrivium.
IV. Berengar of Tours, Roscellin, and the coming time.
I
It appeared in the last chapter that Anselm’s choice of topic was not uninfluenced by his northern domicile at