The Little Red Chimney. Mary Finley Leonard
short. His bright dreams began to fade. The Girl of All Others should of course be able to recognise true worth, even in a Candy Wagon, but such is the power of convention he was forced to own to himself it was more than possible she might not. Or if she did, her friends——
But these disheartening reflections were curtailed by the sudden appearance of a stout, grey horse under the conduct of a small boy. The shafts were lowered, the grey horse placed between them, and, after a few more preliminaries, the Candy Wagon, Candy Man and all, were removed from the scene of action, leaving the Y.M.C.A. corner to the rain and the fog, the gleaming lights, and the ceaseless clang of the trolley cars.
CHAPTER TWO
In which the Candy Man walks abroad in citizen's clothes, and is mistaken for a person of wealth and social importance.
The Candy Man strolled along a park path. The October day was crisp, the sky the bluest blue, the sunny landscape glowing with autumn's fairest colours. It was a Sunday morning not many days after the events of the first chapter, and back in the city the church bells were ringing for eleven o'clock service.
In citizen's clothes, and well-fitting ones at that, the Candy Man was a presentable young fellow. If his face seemed at first glance a trifle stern, this sternness was offset by the light in his eyes; a steady, purposeful glow, through which played at the smallest excuse a humorous twinkle.
After the ceaseless stir of the Y.M.C.A. corner, the stillness of the park was most grateful. At this hour on Sunday, if he avoided the golf grounds, it was to all intents his own. His objective point was a rustic arbour hung with rose vines and clematis, where was to be had a view of the river as it made an abrupt turn around the opposite hills. Here he might read, or gaze and dream, as it pleased him, reasonably secure from interruption once he had possession.
The Candy Man breathed deeply, and smiled to himself. It was a day to inspire confident dreams, for the joy of fulfilment was over the land. Was it the sudden fear that some other dreamer might be before him, or a subconscious prevision of what actually awaited him, that caused him to quicken his steps as he neared the arbour? However it may have been, as he took at a bound the three steps which led up to it, he came with startling suddenness upon Miss Bentley entering from the other side, her arms full of flowers. Their eyes met in a flash of recognition which there was no time to control. She bowed, not ungraciously, yet distantly, and with a faint puzzled frown on her brow, and he, as he lifted his hat, spoke her name, which, as he was not supposed to know it, he had no business to do; then they both laughed at the way in which they had bounced in at the same moment from opposite directions.
With some remark about the delightful day, the Candy Man, as a gentleman should, tried to pretend he was merely passing through, and though it was but a feeble performance, Miss Bentley should have accepted it without protest, then all would have been well. Instead, she said, still with that puzzled half frown, "Don't go, I am only waiting here a moment for my cousin, who has stopped at the superintendent's cottage." She motioned over her shoulder to a vine-covered dwelling just visible through the trees.
"Please do not put it in that way," he protested. "As if your being here did not add tremendously to my desire to remain. I am conscious of rushing in most unceremoniously upon you, and——"
Hesitating there, hat in hand, his manners were disarmingly frank. Miss Bentley laughed again as she deposited her flowers, a mass of pink and white cosmos, upon a bench, and sat down beside them. She seemed willing to have him put it as he liked. She wore the same grey suit and soft felt hat, jammed down any way on her bright hair and pinned with a pinkish quill, and was somehow, more emphatically than before, the Girl of All Others.
How could a Candy Man be expected to know what he was about? What wonder that his next remark should be a hope that she had suffered no ill effects from the accident?
"None at all, thank you," Miss Bentley replied, and the puzzled expression faded. It was as if she inwardly exclaimed, "Now I know!" "Aunt Eleanor," she added, "was needlessly alarmed. I seem rather given to accidents of late." Thus saying she began to arrange her flowers.
The Candy Man dropped down on the step where the view—of Miss Bentley—was most charming, as she softly laid one bloom upon another in caressing fashion, her curling lashes now almost touching her cheek, now lifted as she looked away to the river, or bent her gaze upon the occupant of the step.
"Do you often come here?" she asked, adding when he replied that this was the third time, that she thought he had rather an air of proprietorship.
He laughed at this, and explained how he had set out to pay a visit to a sick boy at St. Mary's Hospital, but had allowed the glorious day to tempt him to the park.
Below them on the terraced hillside a guard sat reading his paper; across the meadow a few golfers were to be seen against the horizon. All about them the birds and squirrels were busily minding their own affairs; above them smiled the blue, blue sky, and the cousin, whoever he or she might be, considerately lingered.
Like the shining river their talk flowed on. Beginning like it as a shallow stream, it broadened and deepened on its way, till presently fairy godmothers became its theme.
Miss Bentley was never able to recall what led up to it. The Candy Man only remembered her face, as, holding a crimson bloom against her cheek, she smiled down upon him thoughtfully, and asked him to guess what she meant to do when some one left her a fortune. "I have a strange presentiment that some one is going to," she said.
"How delightful!" he exclaimed, but did not hazard a guess, and she continued without giving him a chance: "I shall establish a Fairy Godmother Fund, the purpose of which shall be the distribution of good times; of pleasures large and small, among people who have few or none."
"It sounds," was the Candy Man's comment, "like the minutes of the first meeting. Please explain further. How will you select your beneficiaries?"
"I don't like your word," she objected. "Beneficiaries and fairy godmothers somehow do not go together. Still, I see what you mean, and while I have not as yet worked out the plan, I'm confident it could be managed. Suppose we know a poor teacher, for instance, who has nothing left over from her meagre salary after the necessary things are provided for, and who is, we'll say, hungry for grand opera. We would enclose opera tickets with a note asking her to go and have a good time, signed, 'Your Fairy Godmother,' and with a postscript something like this, 'If you cannot use them, hand them on to another of my godchildren.' Don't you think she would accept them?"
Under the spell of those lovely, serious eyes, the Candy Man rather thought she would.
"Of course," Miss Bentley went on, "it must be a secret society, never mentioned in the papers, unknown to those you call its beneficiaries. In this way there will be no occasion or demand for gratitude. No obligations will be imposed upon the recipients—that word is as bad as yours—let's call them godchildren—and the fairy godmother will have her fun in giving the good times, without bothering over whether they are properly grateful."
"You seem to have a grievance against gratitude," said the Candy Man laughing.
"I have," she owned.
"There are people who contend that there is little or none of it in the world," he added.
"And I am not sure it was meant there should be—much of it, I mean. It is an emotion—would you call it an emotion?"
"You might," said the Candy Man.
"Well, an emotion that turns to dust and ashes when you try to experience it, or demand it of others," concluded Miss Bentley with emphasis. "And you needn't laugh," she added.
The Candy Man disclaimed any thought of such a thing. He was profoundly serious. "It is really a great idea," he said. "A human agency whose benefits could be received as we receive those of Nature or Providence—as impersonally."