The Third Degree. Charles Klein

The Third Degree - Charles  Klein


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reveries thus abruptly interrupted.

      "I mean regarding that $2,000. You know all about that $250 which I once lent Underwood. I never got it back, although I've been after him many times for it. He's a slippery customer. But under the circumstances I think it's worth another determined effort. He seems to be better fixed now than he ever was. He's living at the Astruria, making a social splurge and all that sort of thing. He must have money. I'll try to borrow the $2,000 from him."

      "He certainly appears to be prosperous," replied Annie. "I see his name in the newspapers all the time. There is hardly an affair at which he is not present."

      "Yes," growled Howard; "I don't see how he does it. He travels on his cheek, principally, I guess. His name was among those present at my stepmother's musicale the other night." Bitterly he added: "That's how the world goes. There is no place for me under my father's roof, but that blackguard is welcomed with open arms!"

      "I thought your father was such a proud man," interrupted Annie. "How does he come to associate with people like Underwood?"

      "Oh, pater's an old dolt!" exclaimed Howard impatiently. "There's no fool like an old fool. Of course, he's sensible enough in business matters. He wouldn't be where he is to-day if he weren't. But when it comes to the woman question he's as blind as a bat. What right had a man of his age to go and marry a woman twenty years his junior? Of course she only married him for his money. Everybody knows that except he. People laugh at him behind his back. Instead of enjoying a quiet, peaceful home in the declining years of his life, he is compelled to keep open house and entertain people who are personally obnoxious to him, simply because that sort of life pleases his young wife."

      "Who was she, anyway, before their marriage?" interrupted Annie.

      "Oh, a nobody," he replied. "She was very attractive looking, dressed well and was clever enough to get introductions to good people. She managed to make herself popular in the smart set and she needed money to carry out her social ambitions. Dad—wealthy widower—came along and she caught him in her net, that's all!"

      Annie listened with interest. She was human enough to feel a certain sense of satisfaction on hearing that this woman who treated her with such contempt was herself something of an intriguer.

      "How did your stepmother come to know Robert Underwood?" she asked. "He was never in society."

      "No," replied Howard with a grin. "It was my stepmother who gave him the entrée. You know she was once engaged to him, but broke it off so she could marry Dad. He felt very sore over it at the time, but after her marriage he was seemingly as friendly with her as ever—to serve his own ends, of course. It is simply wonderful what influence he has with her. He exercises over her the same fascination that he did over me at college. He has sort of hypnotized her. I don't think it's a case of love or anything like that, but he simply holds her under his thumb and gets her to do anything he wants. She invites him to her house, introduces him right and left, got people to take him up. Everybody laughs about it in society. Underwood is known as Mrs. Howard Jeffries' pet. Such a thing soon gets talked about. That is the secret of his successful career in New York. As far as I know, she's as much infatuated with him as ever."

      A look of surprise came into Annie's face. To this young woman, whose one idea of matrimony was steadfast loyalty to the man whose life she shared and whose name she bore, there was something repellent and nauseating in a woman permitting herself to be talked about in that way.

      "Doesn't your father object?" she asked.

      "Pshaw!" laughed Howard. "He doesn't see what's going on under his very nose. He's too proud a man, too sure of his own good judgment, to believe for a moment that the woman to whom he gave his name would be guilty of the slightest indiscretion of that kind."

      Annie was silent for a minute. Then she said:

      "What makes you think that Underwood would let you have the money?"

      "Because I think he's got it. I obliged him once in the same way myself. I would explain to him what I want it for. He will see at once that it is a good thing. I'll offer him a good rate of interest, and he might be very glad to let me have it. Anyhow, there's no harm trying."

      Annie said nothing. She did not entirely approve this idea of her husband trying to borrow money of a man in whom his stepmother was so much interested. On the other hand starvation stared them in the face. If Howard could get hold of this $2,000 and start in the brokerage business it might be the beginning of a new life for them.

      "Well, do as you like, dear," she said. "When will you go to him?"

      "The best time to catch him would be in the evening," replied Howard.

      "Well, then, go to-night," she suggested.

      Howard shook his head.

      "No, not to-night. I don't think I should find him in. He's out every night somewhere. To-night there's another big reception at my father's house. He'll probably be there. I think I'll wait till to-morrow night. I'm nearly sure to catch him at home then."

      Annie rose and began to remove the dishes from the table. Howard nonchalantly lighted another cigarette and, leaving the table, took up the evening newspaper. Sitting down comfortably in a rocker by the window, he blew a cloud of blue smoke up in the air and said:

      "Yes, that's it—I'll go to-morrow night to the Astruria and strike Bob Underwood for that $2,000."

       Table of Contents

      The handsome town house of Howard Jeffries, the well-known banker, on Riverside Drive, was one of the most striking among the many imposing millionaire homes that line the city's splendid water front. Houses there were in the immediate proximity which were more showy and had cost more money, but none as completely satisfying from the art lover's standpoint. It was the home of a man who studied and loved the beautiful for its own sake and not because he wanted to astonish people with what miracles his money could work. Occupying a large plot on slightly elevated ground, the house commanded a fine view of the broad Hudson. Directly opposite, across the river, busy with steam and sailing craft, smiled the green slopes of New Jersey; in the purplish north frowned the jagged cliffs of the precipitous Palisades.

      The elder Jeffries, aristocratic descendant of an old Knickerbocker family, was proud of his home and had spent large sums of money in beautifying it. Built in colonial style of pure white marble with long French windows and lofty columns supporting a flat, rounded roof, surrounded by broad lawns, wide-spreading shade trees and splashing fountains, it was a conspicuous landmark for miles. The interior was full of architectural beauty. The stately entrance hall, hung with ancestral portraits, was of noble proportions and a superb staircase, decorated with statuary led off to tastefully decorated reception rooms above. To-night the house was brilliantly illuminated and there was considerable activity at the front entrance, where a footman in smart livery stood opening the doors of the carriages as they drove up in quick succession.

      Mrs. Jeffries' musicales were always largely attended because she knew the secret of making them interesting. Her husband's wealth and her fine house enabled her to entertain on a liberal scale, and she was a tactful and diplomatic hostess as well. She not only cultivated the right kind of people who were congenial to each other, but she always managed to have some guest of special distinction whom every one was eager to meet. Her own wide acquaintance among the prominent operatic artists and her husband's influential position in the world of finance made this policy an easy way of furthering her social ambitions. She would always invite some one whom she could present as the lion of the evening. One week it would be a tenor from the opera house, another time a famous violinist. In this way she managed to create a little artistic salon on the lines of the famous political salons in which the brilliant women of the eighteenth century moulded public opinion in France.

      Alicia knew she was clever and as she stood admiring herself in front of a full length mirror while awaiting the arrival of her guests she congratulated herself


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