Round Anvil Rock. Nancy Huston Banks
both.
It was a great square of rough, dark logs, and seemed now, seen through the uncertain light, to stand in the centre of a shadowy hamlet, so many smaller cabins were clustered around it. The custom of the country was to add cabin after cabin as the family outgrew the original log house. The instinct of safety, the love of kindred, and the longing for society in the perilous loneliness of the wilderness held these first Kentuckians very close together. So that as their own villages thus grew around them and only their own dwelt near them, they naturally became as clannish as their descendants have been ever since.
The cabin nearest Cedar House contained two rooms, and was used by its master, Judge Knox, for his own bedroom and law office. There was a still larger cabin somewhat more distant from the main building, which was intended for the use of his nephew, William Pressley, on the marriage of that young lawyer to Ruth. But the wedding was some time off yet, having been set for Christmas Eve, and the cabin which was to welcome the bride from Cedar House was not quite complete. The smallest and the oldest cabin was David's. The long black line of cabins crouching under the hillside where the shadows were deepest, marked the quarters of the slaves—a dark storm-cloud already settling heavily on the fair horizon of the new state.
Cedar House itself was the grandest of its time in all that country. Built entirely of huge red cedar logs it was two stories in height, the first house of more than one story standing on the shores of the southern Ohio. Its roof was the wonder and envy of the whole region for many years. The shingles were of black walnut, elegantly rounded at the butt-ends. They were fastened on with solid walnut pegs driven in holes bored through both the shingles and the laths with a brace and a bit. For there was not a nail in Cedar House from its firm foundation to its fine roof. Even the hinges and the latch of the wide front door were made of wood. The judge often mentioned this fact with much pride, and never failed to add that the leathern latch-string always hung outside. But he was still prouder of the massive, towering chimney of Cedar House, and with good reason. The other houses thinly scattered through the wilderness had humble chimneys of sticks covered with clay. The chimney of Cedar House was of rough stone—of one hundred wagon loads, as the judge boasted—which had been hauled with great difficulty over a long distance, because there was none near by.
On the wide hearth of this great chimney a fire was always burning. No matter what the season or the weather might be, there was always a solemn ceremony around the hearth when the fire was renewed, at the beginning and the close of every day all the year round. In winter it was a glorious bonfire consuming great logs. In summer it was the merest glimmer that could hold a flickering spark. Between winter and summer, as on this mild October evening, a bright flame sometimes danced gayly behind the big brass andirons, while all the windows and doors were wide open. But through cold and heat, and burning high or low, the fire was never entirely forgotten, never quite permitted to go out. Thus ever alight it burned like a sacred flame on the altar of home.
Streaming from the doors and windows that night, it gave the youth and the maiden a cheerful welcome as they came up the darkening hillside. Lamplight also began to glimmer, and candles flitted here and there before the windows and door, borne by the dark shapes of the servants who were laying the table for supper. The main room of Cedar House opened directly upon the river front; and when brightly lighted, it could be distinctly seen from without. Ruth and David paused on the threshold, still unconsciously holding one another's hands, and looked in.
There were five persons in the room, three men and two women, and they were all members of the household with the exception of Philip Alston, the white-haired gentleman, whose appearance bore no other mark of age. And he also might have been considered as one of the family, since he had been coming to the house daily for many years. He came usually to see Ruth, but of late he had found it necessary to see William Pressley more often; and they were talking eagerly and in a low tone, rather apart, when the boy and girl paused to see and hear what was taking place within the great room. William Pressley sat in the easiest chair in the warmest corner, close to the hearth. There are some men—and a few women—who always take the softest seat in the best place, and they do it so naturally that no one ever thinks of their doing anything else or expects them to sit elsewhere. William Pressley was one of these persons. In the next easiest chair, on the other side of the hearth, was his aunt, the widow Broadnax, whose short, broad, shapeless, inert figure was lying rather than sitting almost buried in a heap of cushions. This lady was the sister of the judge and the half-sister of the other lady, Miss Penelope Knox—the thin, nervous, restless little old woman—who was fidgeting back and forth between the hearth and the doorway leading to the distant kitchen. The relationship of these two ladies to one another, and the difference in their relationship to the head of Cedar House, caused much dissension in the household, and gave rise to certain domestic complications which always rose when least expected.
The fire had been freshly kindled with small twigs of the sugar maple, that priceless tree often standing fifty to an acre in the wilderness, and giving the pioneers their best fire-wood, their coolest shade, and their sweetest food. Vivid blue sparks were still flashing among the little white stars of the gray moss on the big backlog. From the blazing ends of the log there came the soft, airy music and the faint, sweet scent of bubbling sap. This main room of Cedar House was very large, almost vast, taking up the whole lower floor. It was the dining room as well as the sitting room; and when some grand occasion arose, it served even as a drawing-room, and did it handsomely, too. This great room of Cedar House always reminded David of the ancient halls in "The Famous History of Montilion," a romance of chivalry from which most of his ideas of life were taken, and upon which most of his ideals of living were formed. Surely, he thought, the castle of the "Knight of the Oracle" could not be grander than this great room of Cedar House.
The rich dark wood of its walls and floor—all rudely smoothed with the broadaxe and the whipsaw—hung overhead in massive beams. From these low, blackened timbers there swung many antique lamps, splendid enough for a palace and strangely out of place in a log house of the wilderness. On the rough walls there were also large sconces of burnished silver but poorly filled with tallow candles. In the bare spaces between these silver sconces were the heads of wild animals mingled with many rifles, both old and new, and other arms of the hunter. Over the tall mantelpiece there were crossed two untarnished swords which had been worn by the judge's father in the Revolution. On the red cedar of the floor, polished by wear and rubbing, there lay the skins of wild beasts, together with costly foreign rugs. The same strange mixture of rudeness and refinement was to be seen everywhere throughout the room. The table standing in the centre of the floor, ready for the evening meal, was made of unplaned boards, rudely put together by the unskilled hands of the backwoods. Yet it was set with the finest china, the rarest glass, and the richest silver that the greatest skill of the old world could supply. The chairs placed around the table were made of unpainted wood from the forest, with seats woven out of the coarse rushes from the river. And there, between the front windows, stood Ruth's piano, the first in that part of the wilderness, and as fine as the finest of its day anywhere.
It is true that something like the same confusion of luxury and wildness was becoming more or less common throughout the country. The wain trains which had lately followed the packhorse trains over the Alleghanies—with the widening of the Wilderness Road—were already bringing many comforts and even luxuries to the cabins of the well-to-do settlers. But nothing like those which were fetched constantly to Cedar House ever came to any other household; and it was not the family who caused them to be brought there. For while the judge was a man of wealth for his time and place, and able to give his family greater comfort than his poorer neighbors could afford, he was far from having the means, much less the taste and culture, to gather such costly, beautiful, and rare things as were gathered together in Cedar House. It was through Philip Alston that everything of this kind had come. It was he who had chosen everything and paid for it, and ordered it fetched over the mountains from Virginia or up the river from France or Spain—all as gifts from him to Ruth. It was natural enough that he should give her whatever he wished her to have, and there was no reason why she should not accept any and everything that he gave. She was held by him and by every one as his adopted daughter. He had no children of his own, no relations of any degree so far as any one knew, and he was known to be generous and believed to be very rich. Indeed no one thought much about his gifts to Ruth; they had long since