The Gourmet's Guide to Europe. Lieut.-Col. Newnham-Davis

The Gourmet's Guide to Europe - Lieut.-Col. Newnham-Davis


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Table of Contents

       Table of Contents

      The "Cuisine de Paris"—A little ancient history—Restaurants with a "past"—The restaurants of to-day—Over the river—Open-air restaurants—Supping-places—Miscellaneous.

      Paris is the culinary centre of the world. All the great missionaries of good cookery have gone forth from it, and its cuisine was, is, and ever will be the supreme expression of one of the greatest arts in the world. Most of the good cooks come from the south of France, most of the good food comes from the north. They meet at Paris, and thus the Paris cuisine, which is that of the nation and that of the civilised world, is created.

      When the Channel has been crossed you are in the country of good soups, of good fowl, of good vegetables, of good sweets, of good wine. The hors-d'œuvre are a Russian innovation; but since the days when Henry IV. vowed that every peasant should have a fowl in his pot, soup from the simplest bouillon to the most lordly consommés and splendid bisques has been better made in France than anywhere else in the world. Every great cook of France has invented some particularly delicate variety of the boiled fillet of sole, and Dugleré achieved a place amongst the immortals, by his manipulation of the brill. The soles of the north are as good as any that ever came out of British waters; and Paris—sending tentacles west to the waters where the sardines swim, and south to the home of the lamprey, and tapping a thousand streams for trout and the tiny gudgeon and crayfish—can show as noble a list of fishes as any city in the world. The chef de cuisine who could not enumerate an hundred and fifty entrées all distinctively French, would be no proficient in his noble profession. The British beef stands against all the world as the meat noblest for the spit, though the French ox which has worked its time in the fields gives the best material for the soup-pot; and though the Welsh lamb and the English sheep are the perfection of mutton young and mutton old, the lamb nurtured on milk till the hour of its death, and the sheep reared on the salt-marshes of the north, make splendid contribution to the Paris kitchens. Veal is practically an unknown meat in London; and the calf which has been fed on milk and yolk of egg, and which has flesh as soft as a kiss and as white as snow, is only to be found in the Parisian restaurants. Most of the good restaurants in London import all their winged creatures, except game, from France; and the Surrey fowl and the Aylesbury duck, the representatives of Great Britain, make no great show against the champions of Gaul, though the Norfolk turkey holds his own. A vegetable dish, served by itself and not flung into the gravy of a joint, forms part of every French dinner, large or small; and in the battle of the kitchen gardens the foreigners beat us nearly all along the line, though I think that English asparagus is better than the white monsters of Argenteuil. A truffled partridge, or the homely Perdrix au choux, or the splendid Faisan à la Financière show that there are many more ways of treating a game bird than plain roasting him; and the peasants of the south of France had crushed the bones of their ducks for a century before we in London ever heard of Canard à la Presse. The Parisian eats a score of little birds we are too proud to mention in our cookery books, and he knows the difference between a mauviette and an alouette. Perhaps the greatest abasement of the Briton, whose ancestors called the French "Froggies" in scorn, comes when his first morning in Paris he orders for breakfast with joyful expectation a dish of the thighs of the little frogs from the vineyards. An Austrian pastry-cook has a lighter hand than a French one, but the Parisian open tarts and cakes and the friandises and the ice, or coupe-jacque at the end of the Gallic repast are excellent.

      Paris is strewn with the wrecks of restaurants, and many of the establishments with great names of our grandfathers' and fathers' days are now only tavernes or cheap table-d'hôte restaurants. The Grand Vefour in the Palais Royal—where the patrons of the establishment in Louis Philippe's time used to eat off royal crockery, bought from the surplus stock of the palaces by M. Hamel, cook to the king, and proprietor of the restaurant—has lost its vogue in the world of fashion. The present Café de Paris has an excellent cook, and is the supper restaurant where the most shimmering lights of the demi-monde may be seen; but the old Café de Paris, at the corner of the Rue Taitbout, the house which M. Martin Guépet brought to such fame, and where the Veau à la Casserole drew the warmest praise from our grandfathers, has vanished. Bignon's, which was a name known throughout the world, has fallen from its high estate; the Café Riche, though it retains a good restaurant, is not the old famous dining-place any longer; and the Marivaux, where Joseph flourished, has been transformed into a brasserie. The Café Hardi, at one time a very celebrated restaurant, made place for the Maison d'Or, and the gilded glory of the latter has now passed in its turn. The Café Veron, Philippe's, of the Rue Mont Orgueil, and the Rocher de Cancale in the Rue Mandar, where Borel, one of the cooks of Napoleon I., made gastronomic history, Beauvilliers's, the proprietor of which was a friend of all the field-marshals of Europe, and made and lost half-a-dozen fortunes, the Trois Frères Provençeaux, the Café Very, and D'Hortesio's are but memories.

      The saddest disappearance of all, because the latest, is the Maison d'Or, which is to be converted, so it is said, into a brasserie. The retirement of Casimir, one of the Verdier family, who was to the D'Or what Dugleré was to the Anglais, precipitated the catastrophe, and in the autumn of 1902 the house gave its farewell luncheon, and closed with all the honours of war. Alas for the Carpe à la Gelée and the Sole au vin Rouge and the Poularde Maison d'Or! I shall never, I fear, eat their like again. There was much history attached to the little golden house; more, perhaps, than to any other restaurant in the world. From its doors Rigolboche, in the costume of Mother Eve, started for her run across the road to the Anglais. At the table by one of the windows looking out on to the boulevard Nestor Roqueplan, Fould, Salamanca, and Delahante used always to dine. Upstairs in "Le Grand 6," which was to the Maison d'Or what "Le Grand 16" is to the Anglais, Salamanca, who drew a vast revenue from a Spanish banking-house, used to give extraordinary suppers at which the lights of the demi-monde of that day, Cora Pearl, Anna Deslions, Deveria, and others used to be present. The amusement of the Spaniard used to be to spill the wax from a candle over the dresses, and then to pay royally for the damage. One evening he asked one of the MM. Verdier whether a very big bill would be presented to him if he burned the whole house down, and on being told that it was only a matter of two or three million francs he would have set light to the curtains if M. Verdier had not interfered to prevent him. The "beau Demidoff," the duelling Baron Espeleta, Princes Galitzin and Murat, Tolstoy, and the Duc de Rivoli gave their parties in the "Grand 6"; and down the narrow, steep flight of steps which led into the side street the Duke of Hamilton fell and broke his neck. The Maison d'Or was the meeting-place, in the sixty odd years of its existence, of many celebrities of literature. Dumas, Meilhac, Emmanuel Arène used to dine there before they went across the road for a game of cards at the Cercle des Deux Mondes, and later Oncle Sarcey was one of the habitués of the house.

      Two restaurants in particular seem to me to head the list of the classic, quiet establishments, proud of having a long history, satisfied with their usual clientèle, non-advertising, content to rest on their laurels. Those two are the Anglais and Voisin's, the former on the Boulevard des Italiens, the latter in the Rue St-Honoré. The Café Anglais, the white-faced house at the corner of the Rue Marivaux, is the senior of the two, for it has a history of more than a hundred years. It was originally a little wine-merchant's shop, with its door leading into the Rue Marivaux, and was owned by a M. Chevereuil. The ownerships of MM. Chellet and de L'Homme marked successive steps in its upward career, and when the restaurant came into the market in '79 or '80 it was bought by a syndicate of bankers and other rich business men who parted with it to its present proprietor. The Comte de Grammont Caderousse and his companions in what used to be known as the "Loge Infernale" at the old Opera, were the best-known patrons of the Anglais; and until the Opera House, replaced by the present building, was burnt down, the Anglais was a great supping-place, the little rabbit-hutches of the entresol being the scene of some of the wildest and most interesting parties given by the great men of the Second Empire. The history of


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